Who can tell me which modern writers have written articles with such incisive language?

after getting used to
The power of habit was infinite and subtle. It was not like a train changing tracks, making you switch to another path. It was more like a chronic medicine. Over time, the medicinal effect would slowly spread. After getting used to it, the medicinal effect would have already seeped into the internal organs, and people would involuntarily follow the habit.
The Chinese literary world seemed to have fallen into such a post-habitual era. Everyone was used to following the "flag" and "trend", used to escaping from reality, and used to not telling the truth.
As a result, the market was filled with "mainstream culture" as an amulet and shield, occupying the best-selling bookshelves. Otherwise, they would write about flowers, birds, insects, and fish, spiritual essays, and cultural essays, fooling the readers into going to another world and forgetting our responsibility and mission to live in the present. It was a habit. He had touched all the hair of the writers. The edges and corners that should have been flamboyant had been smoothed out! They didn't dare to touch on sensitive topics in society for fear of causing trouble. They didn't dare to criticize the bad roots of the people. Nowadays, writers were like "everyone has a conscience but hides it!"
Wasn't this era after habits exactly the same as Lu Xun's era of "secure slaves"? The writer became the slave of habit, the slave of fashion. However, we need writers who move against the current. They were people who could "break their habits" and "open their eyes"! Lu Xun said in Open Eyes: "Chinese writers do not have the courage to face the reality of society. They cannot even look up or squint." Therefore, to break the habit, the writer had to open his eyes first. To be able to write an article, one must first have an iron shoulder to shoulder morality. Possessing a broad social perspective, keen insight, and a heart that cared about the world were the prerequisites for achieving great works. For example, Mr. Fei Xiaotong's Jiangcun Economics was written in the countryside for decades. It was not like some writers who locked themselves in the "castle in the air" or like a young lady who only used her imagination to fabricate words. What she wrote was still "ungrounded" and "within the habit."
To break the habit, the Chinese literary world needed a "pioneer". Some time ago, Li Chengpeng's work, Li Cola's Tear Down, had caused quite a stir. He's not a professional writer, but he dares to comment on the hot topic of forced demolition and satirizes it in his novels. I think he can be regarded as one of the pioneers. What he had "broken through" was an iron wall cast by habit, a blockade formed by trends, and a "forbidden zone" that many writers did not dare to touch. Let's not talk about the many immature aspects of this work from a literary point of view, but the title of "China's first demolition themed novel" has made him remembered in history. I also appreciate that a certain essay newspaper classified his purpose as "a magazine that tells the truth and tells the facts." It was undoubtedly a pioneer in the press. It could provide a broader platform for more generals to express their thoughts and criticize the current abuses.
A writer should show his own edge, stand up, and move against the current. He should use "daggers" and "javelins" to break the era of "after habits" and break into a new world.
(Rating suggestion: 65 points for Class 1)

Answer 1

Many modern times. The following are some modern examples:

Cao Xueqin: The language in Dream of the Red Chamber is extremely sharp and good at using irony, metaphor and other techniques to portray many characters.

2 Lu Xun: In The True Story of Ah Q, Ah Q is a typical sharp character. His language is full of sarcasm and sarcasm, which makes people think deeply.

3. Jin Yong: The language of the characters such as Yang Guo and Xiao Longnu in The Return of the Condor Heroes is also very sharp and full of personality and humor.

4 Lao She: Xiangzi in Camel Xiangzi is a poor and sharp man. His language is full of criticism and reflection on social reality.

5. Yu Hua: The Fugui in " To Live " is a person who has experienced countless hardships. His language is full of realism and the depth of humanity is thought-provoking.

These are just a few of them. There are many other modern works that are full of sharp language and profound thoughts.