'Quatrain' was a form of traditional Chinese poetry. It consisted of four sentences, five words each, and a total of 20 words. Quatrains usually express a concise, fresh, and beautiful artistic conception. It is one of the most popular forms of classical Chinese poetry. In Chinese culture, quatrains are regarded as an elegant art form, often used to express the poet's feelings and thoughts.
A six-character quatrain was a form of ancient poetry. Each sentence was composed of six characters. In the search results provided, there were some examples of six-character quatrains, such as Li Yu's Kaiyuan Music and Wang Wei's Self-adaptation. However, due to the incomplete search results, it was impossible to provide more six-character quatrains. If you need more quatrains, please refer to other resources or do a more detailed search.
in spring you swim in apricot blossoms blowing on my head. the stranger sends away my distant sorrow. I yearn for a place by the water. the moonlit night is short on the pine hills. (Note: This poem was written by Li Yu, a poet of the Tang Dynasty. In the Song of Everlasting Sorrow, there was a sentence that meant "playing in the spring with apricot blossoms flying." the stranger sends away my distant sorrow. I yearn for a place by the water. The moonlit night is short on the pine hills.")
Seven-character quatrains were based on the tone of the words in the poem. The basic sentence patterns of a seven-character quatrain were "Ze Ze Ping Ze Ping","Ze Ze Ping Ze Ping Ze","Ping Ze Ping Ze","Ping Ze Ping Ze", and "Ping Ze Ze Ping". According to the difference of the first sentence, it could be divided into four types of rhythms: the first sentence of the first sentence. Among these types of rhythms, Pingze had strict rules and combinations. For example, in the rhyme format of the first sentence, the first sentence was "Ze Ze Ping Ze Ze Ping", the second sentence was "Ping Ping Ze Ze Ping", the third sentence was "Ping Ze Ping Ze", and the fourth sentence was "Ze Ze Ping Ze Ping". At the same time, there were special situations such as "one, three, five, no matter" and the method of saving, but the flat rhythm was the basic rule of the seven-character quatrains. In terms of rhyme, the first sentence of a seven-character quatrain could rhyme or not rhyme when it met one, two, or four sentences with flat rhyme or when it met two or four sentences with flat rhyme. The specific performance was that the first sentence could rhyme (flat) or not rhyme (flat). If it rhymed, the ending word would be flat, and if it did not rhyme, the ending word would be flat. The last word of the second and fourth sentences was usually flat, which was rhymed. The last word of the third sentence was flat, which was not rhymed. Furthermore, in the representation of the meter, the bracketed words indicated that it could be flat or flat. These rhythmic rules helped to build the beauty of rhythm and rhythm of the seven-character quatrains.
The seven-character quatrain Fan Xian had memorized was Li Bai's " Ascending the Mountain."
The seven-character quatrain that Fan Xian had memorized was Li Bai's " Drinking with the Hidden Man in the Mountains."
The seven-character quatrain Fan Xian had memorized was Li Bai's " Ascending the Mountain."
The seven-character quatrain that Fan Xian had memorized was Li Bai's " Drinking with the Hidden Man in the Mountains."
The seven-character quatrain that Fan Xian had memorized was Li Bai's " Drinking with the Hidden Man in the Mountains."
The seven-character quatrain that Fan Xian had memorized was Li Bai's " Drinking with the Hidden Man in the Mountains."
The seven-character quatrain that Fan Xian had memorized was Li Bai's " Drinking with the Hidden Man in the Mountains."