The main reason why China couldn't produce a real sci-fi film was because of China's cultural policies and social values. Hard sci-fi films usually involved more complex and abstract concepts such as technology, human destiny, social system, etc. These concepts had certain disputes and restrictions on China's cultural policies and social values. In addition, China's cultural industry had been developing rapidly in the past few decades, but there was still a certain gap in the development of China's film industry compared to Western countries. This also led to the performance of hard sci-fi films in the Chinese market being inferior to Western countries. However, China was also working hard to develop its sci-fi film industry. In recent years, China's sci-fi film industry had made some progress, such as the emergence of some excellent film works and teams such as The Wandering Earth and The Three-Body Problem. Although there was still a gap between these works and the sci-fi films of Western countries, Chinese film makers had made some progress in exploring and developing their own sci-fi film industry. There were some reasons why China couldn't produce real sci-fi films, but China was also constantly working hard to develop its sci-fi film industry. He believed that China would definitely be able to create more excellent sci-fi films in the future.
China was able to produce sci-fi blockbusters on a large scale like foreign countries because China had a long film history and a huge film market. At the same time, it also had many film talents. However, there were still some challenges and restrictions in the Chinese film industry. China's film industry lacked professional film knowledge and technical ability to shoot sci-fi films. Compared to foreign sci-fi films, Chinese film makers still needed to learn and improve their sci-fi techniques. China's film industry had financial constraints. Due to China's relatively low economic level, film production required a large amount of capital investment, so Chinese film companies often could not obtain enough funds to shoot high-quality sci-fi films. China's cultural and social environment was relatively less accepting of sci-fi movies. Although sci-fi movies were widely welcomed around the world, in China, sci-fi movies were often seen as a new art form, and their acceptance was relatively low. China's film industry needed to strengthen internal teamwork and communication in order to better realize the shooting plans and goals of science fiction movies.
It wasn't that China didn't have mystery novels like Sherlock Holmes, but that the creation of mystery novels in China was relatively late and not as developed as in western countries. The development of mystery novels in China can be traced back to the 1950s and 1960s, but at that time, for various reasons, this kind of novel did not receive enough attention. Later, with the rapid development of China's economy and the improvement of people's living standards, the creation of mystery novels gradually received more attention and support. There might be some differences in terms of subject matter and content between Chinese mystery novels and Western mystery novels such as Sherlock Holmes. For example, Chinese detective novels usually focused more on the construction of the plot and the description of the characters rather than emphasizing mathematics and logical reasoning. In addition, due to the different cultural background and social environment, the creation of Chinese mystery novels also had some challenges. Although there were no detective novels like Sherlock Holmes in China, there was still a vast space for the development of detective novels in China. With the continuous development of China's economy and culture, it was believed that the creation of Chinese mystery novels would become more and more exciting.
China does not lack people like Menlo, but why can't China create excellent novels like her? Compared to western countries, the history of Chinese novels was relatively short, and there was still a lot of room for improvement in the development of novel culture. Although China had a long history and cultural tradition, the art form of novels was not widely spread and recognized in ancient China. In modern times, with the introduction of western culture, novels gradually became a major literary form, and Chinese novel creation gradually embarked on the road of competition with western novels. The field of Chinese novel creation was relatively singular. Most of the novels revolved around political, historical, social, and other topics, lacking creativity and imagination. Compared with western countries, which emphasized personal experience and imagination, Chinese novels paid more attention to expressing social reality and historical background. This style of creation limited the development of Chinese novels to a certain extent. There were also some problems with China's literature education system. Because China's education system placed a lot of emphasis on exams, it was difficult to give full play to them. At the same time, literature education also lacked the connection with real life, making it difficult to cultivate students 'practical ability and creative inspiration. Although China did not lack people like Menlo, Chinese novelists still needed to work hard and improve their culture, education, and creative environment in order to create better novels.
China's film industry had made great progress in recent years, but it also faced some challenges. Some of these factors might hinder the development of sci-fi movies in China. 1. Different cultural backgrounds: China's culture and values are different from the technology and scientific spirit emphasized in science fiction movies. Sci-fi movies often needed to explore new concepts and ideas, crossing cultural and language barriers. 2. A lack of innovation: China's film industry tended to focus on commercial benefits and traffic rather than innovation and unique stories and characters. This might cause Chinese film makers to lack creativity and imagination when making sci-fi films. Censoring system: China's censoring system may impose certain restrictions on sci-fi movies that involve science and technology. This meant that film production companies might need to invest more time and effort to bypass the censors. 4. Financial issues: China's film industry is still in the development stage. The lack of funds is an important factor restricting the development of Chinese science fiction movies. Movie production required a lot of capital investment, while sci-fi film production required a lot of technical support and equipment. Although China's film industry was constantly developing, the above factors might hinder the development of sci-fi movies in China. However, with the continuous development of technology and culture, these problems would gradually be solved.
The first sci-fi film in China was the poster for the movie of the same name that was released in 1979 by the magazine Science FictionMovie. This piece of work showed a set of sci-fi scenes, including the Earth being invaded by aliens, humans building spaceships to escape from the Earth, and so on. It became the pioneer of Chinese sci-fi movies.
China's first sci-fi film was The Wandering Earth.
Basketball Fire wasn't China's first sci-fi film. In 2002, China's film company, Warner Bros., released a film called Avatar, which became China's first sci-fi film. Since then, the Chinese film industry had gradually paid attention to the production of science fiction films, and a number of outstanding science fiction films had emerged.
In Grave Robber's Chronicles, there were many possibilities for why Lord Zhang could not live forever. Here are some possible explanations: The novel does not clearly explain why Lord Zhang could not live forever, but if you think that he could not live forever, it might be because he had reached the extreme of longevity, but longevity is not the ultimate goal of human beings described in the novel. The two Buddha Lords might have already experienced the tests necessary for immortality, such as reincarnation and soul out-of-body, but these methods did not allow him to achieve immortality. In the novel, the longevity technique practiced by Lord Zhang was not a real longevity technique but a cultivation method similar to magic. In this case, he could not live forever because he was not a real mage and could not master the real immortality spell. In the novel, Lord Zhang could not live forever because his cultivation had reached the limit and could not increase any further. It should be noted that the above are only some possible explanations. The specific reasons need to be judged according to the plot and setting of the novel.
Chinese sci-fi films have made great progress in recent years. Here are my views on Chinese sci-fi films: The sci-fi films in Chinese movies had made significant improvements in terms of technology and special effects. Many movies paid attention to details in the production process in pursuit of visual realism and shock. 2. Chinese sci-fi films also had shortcomings in terms of storyline and character creation. Some movies had monotonous storylines that lacked depth and content. At the same time, the character's personality and motivation were not clear enough to resonate with the audience. 3. Chinese sci-fi films also had certain restrictions on the choice of subject matter. Some movies might be limited to traditional sci-fi topics and lack creativity and breakthroughs. Although Chinese sci-fi films had made some progress in terms of technology and storyline, they still needed constant breakthroughs and innovation to attract more audiences and critics.
Why couldn't a Chinese director make a TV series as good as City Hunter? It was because City Hunter was a TV series directed by Korean director Lee Hye-Joon. It was a crime drama set in a modern city. Most Chinese directors lacked the experience and knowledge of Korean directors and could not accurately capture and express the complex social, cultural, and historical background. In addition, Chinese directors might also face the challenge of having a large cultural difference from China and different audience preferences. Therefore, it would take a Chinese director some time and effort to produce a high-quality TV series like City Hunter.