What are the three realms of life that Wang Guowei mentioned?
Wang Guowei's three realms of life referred to three different stages of life: Last night the west wind withered the green trees. I alone climb the tall tower and look at the road to the end of the world. My clothes and belts are getting wider and wider, and I don't regret it at all. Looking for him in the crowd thousands of times, suddenly looking back, that person is in the dim light. These realms were usually used to describe a person's psychological state when pursuing their ideals and goals, as well as the difficulties and setbacks they encountered in the process of achieving these goals. These realms were also one of the important legacies of traditional Chinese culture.
What were the three stages of literature mentioned by Wang Guowei? Ask the Great God for guidance.
The three stages of literature proposed by Wang Guowei referred to the development process of Chinese classical literature, namely the Tang, Song, Yuan, Ming, and Qing dynasties. The first stage was the prosperity of literature in the Tang, Song, and Yuan Dynasties. The Tang poetry, Song prose, and Yuan novels represented a variety of literary styles, forming a unique literary school and artistic style. The second stage was the Ming and Qing novels, which reached the peak of the novel creation in this period. Among them, works such as "Dream of the Red Chamber" and "Water Margins" described the true face of social life and showed the complexity and variety of human nature. The third stage was the modern literature. The literature of this period began to reflect on the past, pay attention to reality, and explore human nature and social problems. Representative works include Lu Xun's "Madman's Diary" and "The True Story of Ah Q", Lao She's "Camel Xiangzi" and so on. Wang Guowei believed that Chinese literature had experienced a transformation from ancient times to modern times. The literature of each period had its own unique characteristics and contributions, and it was an indispensable part of the development of Chinese literature.
Wang Guowei's "Worldly Cihua" separately stated the origins of the three realms, the authors and the meaning they represented.
The three realms in Wang Guowei's "Ci Hua of the World" came from the author of "Dream of the Red Chamber", Cao Xueqin. The meaning represented was as follows: Last night the west wind withered the green trees. Alone on a tall building, I look at the end of the road. Climbing High This realm came from the "Dream of the Red Chamber", which expressed the poet's mood of climbing high and looking down at all things from afar and sighing at the short life. My clothes and belts are getting wider and wider, but I don't regret it at all. I'm so haggard because of my disappearance. "Butterfly Loves Flowers-Spring Scenery" This realm was derived from Dream of the Red Chamber, where the protagonist worked tirelessly in pursuit of love, not caring about his body and mind, and finally reached the realm of forgetting both body and mind. I've searched for him thousands of times in the crowd. Suddenly I look back, but that person is in the waning lights. Sapphire Case: Yuan Xi This realm came from Dream of the Red Chamber, which showed the poet's continuous search and continuous efforts in the process of pursuing love. Finally, at an unexpected moment, he found the answer he was looking for in his heart.
What are the three realms of life?
The three realms of life referred to the three stages of "inaction","non-action","non-beginning", and "non-end" in Taoism. They were also called the three stages of "infant, adult, and old". The "inaction" stage refers to people in a state of chaos without goals and direction. People in this stage usually do not know how to control their desires and actions. The stage of "doing everything" refers to people beginning to realize their existence and mission and consciously pursuing their goals and wishes. At this stage, people have learned to control their desires and behaviors and began to contribute to society and mankind. The stage of " no beginning and no end " refers to people surpassing their personal interests and desires to pursue a higher realm. They believe that everything has a beginning and an end, but they should surpass these boundaries to reach an eternal and unchanging realm. At this stage, people already know how to transcend the secular world and pursue spiritual improvement.
In Wang Guowei's "Human Cihua", 18
The 18 poems mentioned by Wang Guowei in " Ci Hua on Earth " referred to the first eight poems in " Song of Everlasting Regret " created by the Tang Dynasty poet Bai Juyi, also known as the " Eight Songs of Everlasting Regret." These poems described the love story between Emperor Xuanzong and Yang Guifei in the Tang Dynasty palace, expressing the author's worries about the current situation and his yearning for love. The following is the original text and a brief introduction of these eighteen words: Song of Everlasting Regret, the first song, Song of Pipa: This poem described the scene of Emperor Xuanzong and Concubine Yang missing each other in Chang 'an City but unable to meet each other. It expressed the sadness of Emperor Xuanzong and the poignant beauty of Concubine Yang. 2. The second song in Song of Everlasting Regret, Peach Blossom in Dalin Temple: This poem depicted the scene of peach blossoms blooming in Dalin Temple, expressing the poet's love for spring and his longing for Concubine Yang. 3. The third song in Song of Everlasting Regret," Reminiscing the Ancient Times by Mooring at Niuzhu at Night ": Through the scene of mooring at Niuzhu at night, this poem shows the poet's nostalgia for the ancient scenery and worries about the current situation. 4. The fourth song in Song of Everlasting Regret, Sapphire Case, Yuan Xi: This poem, with the Lantern Festival as the background, shows the poet's longing for Yang Guifei and his yearning for love. 5. The fifth song of Song of Everlasting Sorrow, Parrot Island: This poem described the scenery of Parrot Island, expressing the poet's praise for nature and his worries about the current situation. The sixth song of Song of Everlasting Sorrow, Farewell to the Ancient Grass, described the natural scenery of the grassland and the poet's feelings for nature, expressing the poet's thoughts on life and love. The seventh song of Song of Everlasting Regret, Looking at Chang 'an in the Sunset, shows the poet's yearning for Chang' an and his worries about the current situation through the scene of looking at Chang 'an in the Sunset. The eighth song of Song of Everlasting Sorrow, Deep Night: This poem described the silence of the deep night and the poet's thoughts on love, expressing the poet's yearning for freedom and love.
On Wang Guowei's Theory of Fictions
Wang Guowei's novel theory believed that novels were a form of literature that could convey the author's views and attitudes towards society, life, and politics through storytelling. He put forward the principle of "Three Absolutes", that is, the narrative structure of a novel should have three indispensable parts: the beginning of the narrative, the middle of the narrative and the end. At the same time, he also proposed the "five methods", namely, the description method, the structure method, the plot method, the character method, and the theme method. These theories provided important guidance and reference for the creation of novels.
Wang Guowei is the master of the theory of artistic conception
Wang Guowei was a master of the theory of artistic conception.
How to evaluate Wang Guowei's words?
Wang Guowei's Ci Hua on Earth was one of the most important works in the history of Chinese literary criticism, and was hailed as "a milestone in the history of literary criticism". On the basis of an in-depth analysis of ancient Chinese poetry, it puts forward the concepts of "realm" and "artistic conception". It believes that the realm and artistic conception in literary works are important factors that constitute the aesthetic feeling. At the same time, Wang Guowei also emphasized the relationship between literature, society and life. He believed that literary works should reflect social life and life experience with profound philosophical meaning. Wang Guowei's Ci Hua on Earth had a profound influence on ancient Chinese literature and provided important methods and ideas for later literary criticism and research. It put forward a unique view of literature and aesthetics, which injected new ideas and methods into the development of Chinese literary history. At the same time, Wang Guowei's Ci Hua challenged the traditional literary concept to a certain extent and had a positive impact on contemporary literary research. In short, Wang Guowei's Ci Hua on Earth is one of the most important works in the history of Chinese literary criticism, which has a profound impact on the study of ancient Chinese literature and contemporary literature. The literary concepts and aesthetic concepts it proposed not only provided important methods and ideas for later literary criticism and research, but also had a profound impact on the development of Chinese literature.
Wang Guowei's influence on the literary world
Wang Guowei was an important figure in modern Chinese literature. His influence on the literary world was very far-reaching. The following were Wang Guowei's important influences on the literary world: 1. The influence of literary style: Wang Guowei was one of the most important poets, essayists, and literary theorists in the history of modern Chinese literature. His literary works were known for their fresh and natural, subtle and graceful style, which had a profound influence on later literary creation. Contribution to literary theory: Wang Guowei was one of the important founders of modern Chinese literary theory. He put forward the theory of "literature is a part of life" and believed that literature should be closely integrated with real life and have real meaning of life. 3. The influence of literary translation: Wang Guowei is an outstanding literary translator. His translated works include classic works such as Dream of the Red Chamber and Journey to the West. His concise, concise, precise, and faithful translation style had an important influence on later literary translation. 4. The influence of literary creation: Wang Guowei's literary works were widely read and studied, which had a profound influence on later literary creation. Some of his works, such as "Human Cihua" and "White Horse Howling in the West Wind", became classics of modern Chinese literature and influenced several generations of literary readers. Wang Guowei's influence on modern Chinese literature was extensive and far-reaching. His literary works and literary theories had an important impact on the history of Chinese literature.
A comparison between Liang Qichao and Wang Guowei?
Liang Qichao and Wang Guowei were both famous cultural figures in modern China. They had great achievements in literature, art and other fields. The following is a brief comparison of their works: In literature, Liang Qichao was known as the "father of modern prose writers" for his outstanding performance in prose, novels, and poetry. His prose style is fresh and natural, and the content involves politics, ideology, culture and many other fields. It has a high level of ideology and artistry. At the same time, Liang Qichao was also a famous poet and novelist who had created many excellent literary works. Wang Guowei was a famous writer, artist, and theorist in China. His literary works included poems, lyrics, essays, and operas, among which poems and lyrics were the most famous. Wang Guowei's poems and lyrics were fresh, elegant, and poetic. He was known as the "Ci Scholar" and "Poet Devil". At the same time, Wang Guowei was also a famous artist and theorist in China. He had in-depth research and unique insights on ancient Chinese culture and painting, and had put forward many important art theories. From the perspective of literature and art, Liang Qichao and Wang Guowei both had very high talents and achievements. Their works had important influence and value in ideology, culture and art.
Wang Guowei's Explanation of the Human World
Wang Guowei's Ci Hua on Earth was one of the most important works in the history of Chinese literary criticism and was known as the "crown of Ci theory". The book proposed that "Ci is a kind of literature" and "literature is a reflection of society", which had a profound impact on Chinese literary criticism and literary creation. The book mainly elaborated on the principles and methods of literary creation and criticism. He believed that literature was a kind of aesthetic activity, an expression and perception of human beings towards nature, society and life. The creation of literature could not be separated from true feelings. It required the author to have superb emotional expression ability and aesthetic vision. On the other hand, literary criticism was a kind of analysis and evaluation of literary creation. It required an in-depth exploration of the author's creative ideas and artistic style based on the content and extension of the literary work. The book also put forward the view that Ci was an organism, emphasizing the independence and uniqueness of Ci as an art form. He believed that Ci was an important style of Chinese literature, with unique aesthetic value and cultural significance, which needed to be integrated and developed in coordination with poetry, prose and other literary forms.