What was the theoretical basis for the production of movies?
The theoretical basis for the production of movies included the following aspects: 1. Realism theory: emphasizing that movies should reflect real life and attempt to show the true face of life through real scenes, props, and character portrayals. 2. The theory of psychological description: It believes that movies should reveal the complexity of human nature by depicting the psychology of the characters and try to show the inner world of human beings through the inner contradictions and emotional conflicts of the characters. 3. The theory of social criticism: emphasizing that movies should criticize and reflect on social reality and try to change the status quo of society through movies. 4. Esthetics theory: It believes that movies are an art form that should pursue beauty and artistic value and attempt to convey thoughts and emotions through the aesthetic performance of movies. 5. Expressionism theory: emphasizing that movies should reveal the inner world and emotional state of the characters through direct and intense performance, and try to create a strong atmosphere through the camera language and music. These theories jointly promoted the development of film and provided important ideas and theoretical basis for film production.
What was the theoretical basis of each of the four theoretical perspectives of literary activities?
The four theoretical perspectives of literary activities were: 1. Realistic perspective: emphasize that literary works should reflect the true face of social life, portray the characters accurately and deeply, and the plot should be compact and reasonable. The theory of realism was based on the fact that social reality was the source of literary creation. 2. Symbolist perspective: emphasizing the symbolic meaning and metaphor in literary works, believing that the symbols and symbols in literary works represent the meaning and theme that the author wants to express. The theoretical basis of symbolism is that the symbols and symbols in literary works have profound psychological meaning, which can resonate and inspire through the interpretation of readers. 3. Modern perspective: emphasize the internal contradictions and complexity of literary works to explore the essence and mysteries of human thinking and emotions. The theoretical basis of the modern theory was: 4. Post-modern perspective: emphasizing the influence of the historical and social background of literary works on literary creation and exploring the complexity and complexity of literary phenomena. Post-modern theory is based on the idea that literary works should transcend the limitations of historical and social context and be based on individual experience and emotions.
What is the basis for the production of mini-novels?
Miniature novels are a branch of short stories. They are short, simple, have few characters, and have a prominent theme. Miniature novels usually used a single character, event, or situation as the main clue to convey profound thoughts and emotions through short descriptions. The foundation of the creation of mini-novels could be traced back to the development of ancient novels. In ancient China, short stories had always been an important part of literature, and mini-novels were one of them. With the development of modern online literature, mini-novels had gradually become an indispensable form of online literature. The emergence and development of mini-novels were related to many factors, such as the background of the times, the needs of readers, and the creative inspiration of literary creators. In modern society, readers paid more attention to the plot and the character, so the creation of micro-novels gradually paid attention to details and the creation of characters. At the same time, the mini-novel also had profound thoughts and topics, allowing readers to obtain a deeper level of thinking and emotional experience in a short reading.
Seeking the theoretical basis of the influence of XXX novels on XXX novels
The theoretical basis of the influence of a novel on another novel usually refers to the positive or negative influence of the novel on the creation of another novel, or the act of borrowing or plagiarizing a plot, character, theme, etc. of the novel from another novel. Generally speaking, the theoretical basis for the influence of XXX novels on XXX novels could be described from the following aspects: 1. Plot influence: A plot or scene of a novel is borrowed or copied by another novel to become the plot or scene of another novel. For example, the image of Lin Daiyu in 'Dream of the Red Chamber' had been copied by many modern novels. 2. Character influence: The character in a novel is borrowed or copied by another novel to become a character in another novel. For example, the image of Song Jiang in Water Margins had been copied by many modern novels. 3. Thematic influence: A certain theme of a novel has been borrowed or plagiarized by another novel to become the theme of another novel. For example, the theme of Journey to the West was borrowed and plagiarized by many modern novels to become one of the modern novel's theme. 4. Style influence: The style of a novel is borrowed or copied by another novel. For example, the description of Water Margins had been copied by many modern novels and became one of the descriptions of modern novels. To sum up, the theoretical basis of the influence of a novel on another novel refers to the positive or negative influence of a novel on another novel, or the act of borrowing or plagiarizing a plot, character, theme, etc. of another novel.
What were the books on theoretical analysis of movies?
There are many books on film theory analysis. The following are some of the more famous film theory books for reference: 1 The Theory of Film ·Ernst Luty 2. The Language of Film ·George Lucas 3. Film Theory ·James Thorber Film and Popular Culture ·Robert M Pirsius 5 The Film Manual Robert McNamara The Art of Film ·George Antheil Film Psychology ·Donald De Norman The Film as Cultural Machine Martin Scorsese These books covered all aspects of film theory, including film history, film language, film philosophy, film aesthetics, film psychology, film production, and so on. Reading these books could help readers have a deeper understanding of film theory and the nature and characteristics of film as a cultural phenomenon.
What was the theoretical basis of each of the four theoretical perspectives of literary activities? Please summarize them and point out their one-sidedness.
The four theoretical perspectives of literary activities include: historical perspective, cultural perspective, social perspective and aesthetic perspective. From a historical perspective, literary activities are part of historical development, and literary works reflect historical events and social changes. The historical perspective emphasized the historical and contemporary nature of literary works and believed that literary works should be related to history in order to better understand the history and society at that time. From a cultural perspective, literary activities are a part of culture, and literary works reflect the characteristics and values of a particular culture. The cultural perspective emphasized the cultural and regional nature of literary works and believed that literary works should be connected with a specific culture to better understand the culture. From a social perspective, literary activities are a part of society, and literary works reflect social reality and people's lives. The social perspective emphasized the sociality and popularity of literary works and believed that literary works should be connected with society in order to better understand society and people. The aesthetic perspective believes that literary activities are a part of aesthetics, and literary works reflect human aesthetic needs and spiritual experience. The aesthetic perspective emphasized the aesthetic and subjective nature of literary works and believed that literary works should be selected and evaluated by the readers themselves. These theoretical perspectives had their own unique theoretical basis, but their one-sidedness was also obvious. The historical perspective may neglect the complexity of literary works, the cultural perspective may neglect the cross-cultural and cross-regional nature of literary works, and the social perspective may neglect the fictional and transcendental nature of literary works. If the aesthetic perspective emphasized the aesthetic and subjective nature of literary works too much, it might neglect the universal and enlightening nature of literary works. Therefore, we need to consider these theoretical perspectives to better understand the nature and characteristics of literary activities.
Who knew about the theoretical knowledge of horror movies?
Horror films were a genre of horror and horror films. They often used stories, pictures, sound effects, and other means to create a tense atmosphere to make the audience feel fear. The following is some theoretical knowledge about horror movies: Horror films originated in the early 20th century in the United States. At that time, movies had just appeared, and people began to explore how to express horror and horror through pictures and sounds. The horror elements in horror movies usually include corpses, monsters, blood, ghosts, spells, magic, and so on. These elements could appear in movies in different forms and methods, such as autopsy, bloodstain, ghost appearance, incantation, etc. The plot in horror movies usually contains elements such as suspense, misunderstanding, betrayal, etc. These elements can arouse the audience's curiosity and guess, thus making the audience nervous. Music and sound effects in horror movies are very important to create a scary atmosphere, such as heartbeat, cries for help, footsteps, smoke, etc. There were many types of horror films and storylines, such as Alien, The Curse, The Ring, and other classic works. Different storylines and types have different horror elements and forms of expression, but they are all aimed at attracting the audience's attention and fear. The creation and production of horror films require certain skills and experience, such as how to choose scenes and characters, how to use pictures and sounds to create a terrifying atmosphere, etc. The above is some theoretical knowledge about horror movies. I hope it will be helpful.
Was there any theoretical basis for the matter between Tang Wan and Lu You in the martial arts world?
Wulin was a broad concept that included many different fields and schools. Therefore, the theories about Tang Wan and Lu You in Wulin might differ according to different schools or personal opinions. In some novels, Tang Wan and Lu You were portrayed as famous figures in the martial arts world. Their stories were described as real events or adapted legends. In these novels, their stories were widely praised and regarded as legends in the martial arts world. However, in other novels, Tang Wan and Lu You may be portrayed as fictional characters or described as an event unrelated to the martial arts world. In this case, their stories might not be regarded as traditional legends in the martial arts world, but as plots of novels or fictional backgrounds. Whether or not there was a theoretical basis for Tang Wan and Lu You in the martial arts world depended on the background and setting of the specific novel or story.
How did the real - story basis of 'Hotel Rwanda' impact the film's production?
It had a huge impact. Since it was based on a true story, the filmmakers had to be very careful with how they presented everything. They needed to talk to survivors, study historical documents. This influenced the scriptwriting, the set design, and even the casting. For example, they might have chosen actors who could best represent the real people in the story. Also, they had to make sure the story flowed in a way that was true to the real events while still being engaging for the audience.
China Film Group's Production of Movies 2021
The China Film Group produced a number of films in 2021, but the specific number of productions was not explicitly mentioned. According to the document [2], in the first half of 2021, China Film led or participated in the production and release of eight films, including Hello, Lee Huanying, Detective Chinatown 3, and Over the Cliff. In addition, document [3] mentioned that China Film produced and released 24 films in 2021. However, there was no specific list of films produced by China Film Group in 2021. Therefore, it was impossible to accurately answer how many films the China Film Corporation produced in 2021.
What were the movies made by the rural production team in the 1970s?
In the 1970s, the rural production team movies referred to the movies that were commonly broadcast in the countryside at that time. These movies were usually shown by the local rural film projection team and watched by the local farmers. At that time, the content of the rural movies was mainly based on the local actual situation and materials, so these movies often had distinctive local characteristics and a strong local flavor. The following are some examples of rural production team movies from the 1970s: 1 Tunnel Warfare Red Lantern 3 Yellow River Ballad 4 The Smurfs Pleasant Goat and Big Big Wolf 6 Journey to the West Dream of the Red Chamber Water margin Romance of the Three Kingdoms The White-Haired Girl Some of these movies had become classics, while others had become memories.