Mao Dun's representative work was On Conflict. Mao Dun first published On contradiction in 1919, which was one of the most important works in modern Chinese literature. Through a profound analysis and revelation of the social phenomena and contradictions in China, this novel explored the intrinsic contradictions and class struggles of society and became an important milestone in modern Chinese literature.
Mao Dun's masterpiece was Dream of the Red Chamber. 'Dream of the Red Chamber' was considered the pinnacle of Chinese classical novels in the Qing Dynasty. The novel takes the rise and fall of the four families of Jia, Shi, Wang and Xue as the main line to describe the life of an illusory and huge feudal dynasty family. Through the shaping of the main characters such as Jia Baoyu, Lin Daiyu and Xue Baochai, it shows the good and evil, right and wrong, beauty and ugliness of human nature. It shows the dark side of Chinese feudal society with profound ideology and high artistic value.
Mao Dun's masterpieces are Midnight and Spring Silkworm
Mao Dun (1896 - 1981) was an outstanding figure in the history of Chinese literature in the 20th century, known as the "Father of Modern Chinese Literature". His literary works exposed and criticized social reality as the theme, fresh and natural style, profound thoughts and beautiful language, known as the "literary master." Mao Dun's literary achievements were brilliant. His works were widely spread and had a far-reaching impact. His masterpieces include Midnight, Spring Silkworm, Teahouse, etc. These works deeply reflected the various problems of Chinese society at that time and became classics of modern Chinese literature. Mao Dun's literary works not only had a profound influence in China, but also gained a high reputation internationally. In addition to his outstanding achievements in literary creation, Mao Dun was also one of the founders of modern Chinese literary theory. He proposed the concept of "literature serves society" and created a new field of modern literary theory. His theory had a profound impact on the development of Chinese literature. Mao Dun had made great contributions to the new China. During the period of the New Culture Movement, he actively spread the ideology of progress and made an important contribution to the cultural and intellectual construction of New China. He also actively participated in the literary cause of New China and made great contributions to the development of Chinese literature. Mao Dun's spirit was firm belief, hard work, courage to explore and constant innovation. His spirit has always inspired the development and progress of Chinese literature and is also the spiritual wealth of the Chinese people.
Midnight was a long novel by Mao Dun, written between 1931 and 1932. The novel was set in the old Shanghai of the 1930s, depicting various social contradictions and struggles at that time, showing a broad picture of Chinese social life in the 1930s. The story revolved around the national capitalist Wu Sunfu, who profiteered in the stock market and eventually went bankrupt after losing a fight with the comprador capitalist Zhao Potao. The novel described the life of the people in old Shanghai with precise language and showed all aspects of Chinese society at that time. Midnight was one of Mao Dun's representative works. It had been popular until now and had been translated into more than a dozen languages. It had a wide international influence.
Mao Dun's Midnight was a long novel set in Shanghai in the 1930s. It mainly described the sharp contradiction and struggle between the national capitalist Wu Sunfu and the comprador Zhao Botao. The novel depicted Wu Sunfu and other national capitalists struggling to survive in the cracks between comprador capital and feudal autocracy, and made a profound analysis of the social reality of old China. It showed the broad picture of Chinese social life at that time, reflecting the whole picture of metropolis life and mainstream thinking. The specific content of the story included commercial wars, riots in Shuangqiao Town, and the strike of female workers in Yuhua Silk Factory. It showed the grand social outlook and profound and specific characters.
Mao Dun's trilogy referred to the three Chinese literary classics, Dream of the Red Chamber, Journey to the West, and Water Margins. 'Dream of the Red Chamber' was hailed as the pinnacle of Chinese fiction in the Qing Dynasty and a classic in the history of Chinese literature. The novel tells the love story of Jia Baoyu, Lin Daiyu and others, as well as the decline of feudal society and the complexity of human nature. Journey to the West was the story of Sun Wukong and the others protecting Tang Sanzang in the Ming Dynasty. The novel portrayed a fantasy world with rich imagination and vivid characters, showing the good and evil of human nature and the change of moral values. The Water Margins was a story about 108 heroes of Liangshan who gathered together to fight for justice in the Ming Dynasty. The novel expressed the Chinese people's longing and pursuit of justice, loyalty and freedom with distinctive characters, vivid plots and profound theme. These three works all had important literary value and historical significance. They were widely praised and read, becoming one of the classics of Chinese literature.
Mao Dun was a famous screenwriter and director in modern China. He was born in 1896 and died in 1981. His representative works included the novel Midnight, Spring Silkworm, City Notes, and other prose collections such as The Beginning of Wind and Cloud, as well as the script Dream of the Red Chamber. Mao Dun's works deeply reflected the Chinese society and people's living conditions at that time, showing his exploration of human nature and concern for social reality. His works had a profound influence on the development of modern Chinese literature and film.
Mao Dun was a famous Chinese writer and dramatist in the 20th century. He was hailed as one of the founders of modern Chinese literature. His representative works include novels such as Disillusionment, On Practice, On contradiction, and plays such as Kong Yiji and Teahouse. " Disillusionment " was a long novel by Mao Dun that narrated the life course of a young intellectual. The novel centered on the protagonist Lin Qingxuan. Through his experiences, it showed the various ills of Chinese society at that time, including the distortion of human nature, social injustice, political darkness, and so on. The novel ended with Lin Qingxuan's disillusionment, expressing Mao Dun's reflection and thinking about the society at that time. Disillusionment was regarded as one of Mao Dun's representative works and one of the important works of modern Chinese literature. It was widely read and praised, influencing the thinking and values of several generations of Chinese people.
Midnight was one of Mao Dun's masterpieces. It was written in 1931 and described the social contradictions and struggles in old Shanghai in 1930. The story revolved around the national capitalist Wu Sunfu, who profiteered in the stock market and eventually went bankrupt after losing a fight with the comprador capitalist Zhao Potao. The novel described the life scene of the people in old Shanghai with precise language, showing Mao Dun's profound analysis of social phenomena and exploration of human nature. Midnight was Mao Dun's outstanding work in the history of modern literature. It had been translated into more than ten languages and was widely praised.
Mao Dun (1896-1981), formerly known as Shen Dehong, also known as Yanbing, was a famous modern Chinese writer, literary critic, cultural and social actician, and one of the pioneers of the May Fourth New Culture Movement. His masterpieces included the novels Midnight, Rainbow, and Frost Leaves Red Like February Flowers, the short story Lin Family's Shop, and the trilogy of the countryside, Spring Silkworms. Mao Dun began writing the novel Midnight in 1931 and completed it in 1932. The novel was set in Shanghai in the early 1930s. Through the description of the contradictions and struggles between the national industrial capitalist Wu Sunfu and the comprador financial capitalist Zhao Botao, it vividly reflected the various contradictions and struggles in Chinese society at that time. Midnight not only had a wide readership in China, but it had also been translated into many languages and had a wide influence internationally.