What was the Bamboo and Silk Reading Network for? Was the Bamboo Silk Web and Bamboo Silk Reading Web the same website?
The Bamboo and Silk Reading Network was a website dedicated to the study of ancient Chinese bamboo and silk documents. It was dedicated to providing reading, research, and communication services for bamboo and silk documents. Although the names of the two websites were similar, they were two different websites. The Bamboo and Silk Network mainly studied the bamboo and silk documents after the Han Dynasty, while the Bamboo and Silk Reading Network focused on the bamboo and silk documents of the Qin and Han Dynasties. Although the two websites had some similarities, the research direction and content were different.
Jiangnan in the Silk and Bamboo
"Jiangnan in the Sizhu" could be understood from the traditional musical instrument of Jiangnan Sizhu. Jiangnan Sizhu was a branch of "Sizhu" music, popular in Shanghai, southern Jiangsu, and western Zhejiang. Silk and bamboo instruments include silk instruments (such as the erhu, pipa, Zhonghu and other bowstrings, plucked strings) and bamboo instruments (such as bamboo flute, sheng, xiao, etc.). Jiangnan's Sizhu had a deep historical origin. It had been passed down for a long time. There was a related Sizhu band in the Jialong period of the Ming Dynasty. The string music formed in Wuzhong at the end of the Ming Wanli period was the predecessor of its development in Suzhou. Later, it was officially named "Jiangnan Sizhu" and was selected as a national intangible cultural heritage. In terms of performance, its characteristics were flexibility and improvisation. The traditional score was recorded using Gongchi score. The performer played flexibly according to their familiarity with the music. The performance would change according to different occasions and moods. The instruments were contrasted and coordinated with each other, and there was sufficient communication between the musicians. The texture writing method was mainly based on polytonation, and each voice part was full of personality and harmonious with each other. It paid attention to the artistic style of "small, fine, light and elegant". In terms of music structure, there were mainly two types of music structure: plate type changes and tune combination. Usually, a tune was used as the mother tune, and through the slow addition of flowers or accelerated reduction of words, it developed into several independent pieces, such as the evolution of "Old Six Plate." Jiangnan's Sizhu should retain its traditional characteristics while integrating modern elements to attract more young people. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Jiangnan Silk and Bamboo
Some of the songs of Jiangnan Sizhu include "Four Harmonies on the Street,""Smoked Wind Song,""Three Six,""Happy Song,""Clouds Rolling and Clouds Shu,""Embroidered Tune,""Society Celebration,""Cloud Celebration,""Zhonghua Liuban,""Bridge Street,""Spring in Jiangnan,""Spring Dawn in Bamboo Forest,""Water Village Music,""Flower Liuban,""Man Liuban,""Worship Hall," etc. However, only these songs were found, and it was not possible to provide 50 songs. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Green and verdant silk bamboo
Ling Qingzhu was one of the female leads of the novel Martial Yin Yang. She was the Young Palace Master of Nine Heavens Supreme Purity Palace, a super sect in Eastern Profound Domain. She was also one of the matriarchs of the Martial Border. Ling Qingzhu was together with Lin Dong in chapter 179 of the novel. She had displayed great strength and charm, as well as her ability and wisdom. However, the search results did not provide any more information about Ling Qingzhu's plot and development.
Green and verdant silk bamboo
The 'green Ling Qingzhu' originated from the Eastern fantasy novel 'Martial Moved Universe' written by Tian Can Tudou. She was a female character in the novel. She was the young hall master of the Dao Sect's Sky Hall in the Eastern Xuan Region and also Lin Dong's wife. In the novel, Ling Qingzhu's first appearance was in an ancient tomb. She wore a green dress, and her skin was as white as snow. She was extremely beautiful and had an elegant temperament, like a fairy descending to the mortal world. Her hair fell to her waist like a waterfall, and her green dress fluttered in the wind, like a blooming green peony. Her eyes were as clear as a lake, revealing a noble and cold aura. In the novel, Ling Qingzhu was an extremely powerful cultivator. Her strength was at the peak of the younger generation. She had a cold and aloof personality and did not like to interact with others. However, she had special feelings for Lin Dong. She had helped Lin Dong during his most difficult times and had always supported him throughout his growth. In the end, Ling Qingzhu and Lin Dong became husband and wife, becoming a loving couple. " Green and verdant Ling Qingzhu " was an online catchphrase. It was usually used to describe a female character's appearance or temperament that was outstanding and left a deep impression on others. Hurry up and click on the link below to return to the original classic, Battle Through the Heavens!
Green and verdant silk bamboo
The lush green Ling Qingzhu was one of the female leads of the novel Martial Yin Yang. She was a character with great strength and charm, and she showed her ability and wisdom in the story. However, the search results did not provide any detailed information regarding Ling Qingzhu's plot and development.
Green and verdant silk bamboo
Ling Qingzhu was one of the female leads of the novel Martial Yin Yang. Ling Qingzhu and Lin Dong were together in chapter 179 of the novel. Ling Qingzhu was a character with great strength and charm. She displayed her ability and wisdom in the story. However, the search results did not provide any more information about Ling Qingzhu's plot and development. Thus, there were no other details regarding Ling Qingzhu and the development of her character in the story.
The Meaning of Jiangnan Silk and Bamboo
Jiangnan Sizhu was an important type of traditional China musical instrument. It was a branch of "Sizhu" music and was popular in Shanghai, southern Jiangsu, and western Zhejiang. There were two types of musical instruments: silk musical instruments (such as the erhu, pipa, Zhonghu, and other bowstrings or plucked strings) and bamboo musical instruments (such as bamboo flute, sheng, xiao, and other bamboo musical instruments). It originated in the late Ming Dynasty and gradually formed its characteristics in the process of adapting folk music and ancient songs by generations of silk and bamboo masters. During the Jialong period of the Ming Dynasty, the opera musicians created the Kunqu Shuimo tune and formed the Sizhu band. The string music formed in Suzhou at the end of the Ming Dynasty was its predecessor, and later officially named "Jiangnan Sizhu", and it was closely related to folk activities. On May 20, 2006, the Jiangnan Sizhu declared by Taicang City of Jiangsu Province was selected as the first batch of national intangible cultural heritage. In 2008, the Jiangnan Sizhu declared by Hangzhou City of Zhejiang Province was selected as the second batch of national intangible cultural heritage. Jiangnan Sizhu was also a traditional musical instrument. The number of performers ranged from two to three to seven or eight, with the erhu and flute as the main instruments. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
Appreciation of Jiangnan Silk and Bamboo
Jiangnan Sizhu is a traditional music popular in Shanghai, southern Jiangsu, and western Zhejiang. It has a unique artistic charm. The following are the aspects of Jiangnan Sizhu appreciation: ** 1. Musical instrument combination ** 1. ** Instrument Type ** - Jiangnan Sizhu included silk instruments and bamboo instruments. Silk instruments such as erhu, pipa, Zhonghu, etc., these silk string instruments mostly produce sound through bowstring pulling or plucking; Bamboo instruments such as bamboo flute, sheng, xiao, etc., are made of bamboo. 2. ** Combination characteristics ** - The combination of instruments was flexible and varied, and there was usually only one instrument for each piece. The performer could improvise according to the performance of the instrument and play different tunes on the basis of the same tune. Various instruments used a variety of ingenious methods when cooperating, such as you enter and I exit, I enter and you exit, you complex and I simplify, I complex and you simplify, etc. This way of cooperation made the music rich and varied. ** 2. Music Style ** 1. ** Overall Style ** - The music style was light, bright, cheerful, and lively. It had the typical cultural characteristics of Jiangnan water towns. The artistic characteristics could be summarized as "flower, fine, light, small, lively", which meant that it was colorful, delicate, small, light and lively. 2. ** Performance Form ** - ** Solo **: Each instrument takes turns to play the main role, with other instruments as accompaniment. During the solo, it could fully display the unique tone and performance skills of each instrument. For example, the erhu solo part might have delicate glissando, trill and other techniques, while the bamboo flute solo part could reflect its crisp and bright tone characteristics. - ** Ensemble **: The parts of each instrument cooperate with each other to perform a song together. During the performance, each part of the instrument was full of personality and harmonious with each other. The tones of different instruments were intertwined to form a rich harmony effect. - ** Concerto **: The main instrument and the concerto instrument are played in turns, forming a sharp contrast and coordination. ** 3. Songs ** 1. ** Traditional Songs ** - Most of the songs were developed from folk tunes, town tunes, opera tunes, etc., such as "Four Harmonies on the Street,""Smoke Wind Song,""Three Six,""Happy Song," etc., which were all classic Jiangnan silk and bamboo songs. These songs often had strong Jiangnan regional characteristics. The melody was beautiful and pleasant, and the rhythm was bright and light. 2. ** Modern New Creation ** - There were also some new works created with modern composing techniques, such as " Clouds and Clouds,"" Embroidered Tune," etc. On the basis of retaining the characteristics of Jiangnan silk and bamboo, modern music elements were integrated, injecting new vitality into the development of Jiangnan silk and bamboo. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The Style of Jiangnan Silk and Bamboo
The style of Jiangnan Sizhu had the following characteristics: 1. ** Music Style **: Light, bright, cheerful, lively, typical of Jiangnan Water Town culture. 2. ** Playing style **: Exquisite. Each instrument part is full of personality and harmonious with each other when performing. It is known as "China light music". Its artistic features can be summarized as "flower, fine, light, small, lively", both colorful, delicate, small, light and lively. 3. [The characteristics of the performance: flexibility and improvisation.] In the past, the music of Jiangnan silk and bamboo mostly used Gongchi score. Even if folk artists did not know the score, they could still rely on years of immersion to memorize the songs. According to different occasions and moods, they could fully demonstrate flexibility and improvisation, and each performance would have different changes. When performing, there should be no music stand. The performers should communicate with each other fully, so that each instrument can compare and contrast with each other according to certain rules and characteristics. Only in this way can the unique charm be reflected. 4. [The characteristics of the texture-writing method: It is mainly based on the polytonation of the branch sound. Each voice is full of personality and harmony with each other. The techniques are rich and colorful, and the changes are endless.] It emphasized the artistic style of "you complex and I simple, you high and I low, adding flower variations, blocking to make way, improvisation", showing the artistic style of "small, thin, light and elegant". The parts of each instrument should be dominated by the line sound. 5. ** The characteristics of the musical structure **: The musical structure is mainly composed of two types, namely the change of the board and the combination of the tunes. It is similar to the two major musical structures of the opera, especially the change of the board. It was often used as the mother piece of a tune, and developed into several independent pieces by slowing down the flower or speeding up the word reduction. For example,"Old Six Board" could evolve into "Fast Six Board","Middle Six Board","Middle Flower Six Board","Slow Six Board", etc. The evolution process could be from fast to slow, from simple to complex, or vice versa, reflecting folk nature, flexibility, and improvisation. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!
The Meaning of Jiangnan Silk and Bamboo
Jiangnan Sizhu was an important type of traditional China musical instrument. It was a branch of "Sizhu" music and was popular in Shanghai, southern Jiangsu, and western Zhejiang. There were two types of musical instruments: silk musical instruments (such as erhu, pipa, Zhonghu, etc.) and bamboo musical instruments (such as bamboo flute, sheng, xiao, etc.). It originated in the late Ming Dynasty. It was gradually formed by generations of silk and bamboo masters and famous artists who adapted and processed folk music and ancient songs. During the Jialong period of the Ming Dynasty, there were matters related to the formation of silk and bamboo bands by opera musicians. The string music formed in Suzhou at the end of Wanli of the Ming Dynasty was its predecessor. Later, it was officially named "Jiangnan Silk and Bamboo". Moreover, it was closely related to folk activities and was a national intangible cultural heritage. The novel "Listening to the Rain in Green Bamboo and Watching the Egrets" is equally wonderful. Everyone is welcome to click and read it!