In her novel, Red Rose and White Rose, Zhang Ailing used the metaphor of cinnabar mole and mosquito blood to describe the relationship between two women. This metaphor originated from the traditional Chinese culture's rigid image of women, which believed that women's bodies were weak and needed to be protected, while women's emotions were weak and easily hurt. In the novel, Zhang Ailing used the metaphor of Zhusha Zhi and mosquito blood to compare the feelings between two women to two imperfect bodies. Zhusha Zhi was a woman with a beautiful appearance, but her heart was lonely. Her emotions were used by others. Mosquito Blood, on the other hand, was an imperfect woman. Her feelings seemed to be easily disturbed by the outside world, but her heart was sincere. She was willing to give up everything for love. Zhang Ailing used this metaphor to express the feelings between two women. It not only showed the complex feelings between women, but also emphasized that women needed to face their inner world firmly and not be confused by their appearance. This metaphor had become a classic in modern Chinese literature and was widely quoted and praised.
Zhang Ailing was a famous Chinese woman who often used metaphor to express her feelings and thoughts in her works. The analogy of the cinnabar mole and the blood of a mosquito appeared in Zhang Ailing's novel, Lust, Warning. The background of this metaphor was the emotional entanglement between the protagonist, Li An, and his girlfriend, Yi Xiaoling. Li An's girlfriend, Yi Xiaoling, had a Zhusha Zhi on her body. This mole made her look a little special, and it also made Li An very interested in her. On the other hand, the relationship between Li An and Yi Xiaoling was a little unstable. There were some problems that were difficult to solve between them. Zhang Ailing used this metaphor in the novel to portray Yi Xiaoling's personality. She made the cinnabar mole on her skin a symbol of her uniqueness and also hinted that her relationship with Ang Lee was not perfect. The metaphor of mosquito blood was used to describe the relationship between Li An and Yi Xiaoling as short and fierce as mosquito blood, but it would eventually be washed away by time. Zhang Ailing used this metaphor in a very clever way. Through the mutual echo of the two metaphor, she expressed the relationship and emotions between the characters in the novel, which left people with endless aftertaste.
Zhang Ailing's description of Zhusha Zhi in her novel was as follows: Zhusha Zhi was a plot in Zhang Ailing's novel Lust, Warning. In the story, the female protagonist Yang Jiangling was tricked into sleeping with the male protagonist Wang Guofeng and found a cinnabar mole on his chest. This mole became a hint of Yang Jiangling's feelings for Wang Guofeng, making her feel a strong sense of love. However, as time passed, Yang Jiangling found that her feelings for Wang Guofeng were not that deep and finally chose to leave him. In the novel, Zhang Ailing used the image of Zhusha Zhi as a metaphor for the important clues in love, hinting at the complexity and change of love. At the same time, it also showed how women thought and explored love.
Red roses and mosquito blood were the metaphor in Zhang Ailing's novel, referring to those seemingly beautiful but actually insignificant things. This metaphor vividly expressed those seemingly important but actually worthless things. In novels, red roses and mosquito blood were often used to describe those insignificant things. For example, in a description of love, red roses could symbolize love, while mosquito blood could symbolize some insignificant details in love. These details seemed important, but in fact, they were of no substantial help to true love. The metaphor of red roses and mosquito blood could also be used to describe things that seemed beautiful on the surface but were actually meaningless. For example, in an article, it could be used to describe a seemingly reasonable point of view that was actually meaningless nonsense. The metaphor of red roses and mosquito blood has a certain cultural meaning. It reflects people's disgust and disgust for insignificant and meaningless things.
Red roses and mosquito blood were used to describe the feelings between men and women in Zhang Ailing's novel, Red Rose and White Rose. Red roses symbolized passionate and deep love. They were the core of the emotional entanglement between the male and female protagonists in the novel. Mosquito blood symbolized those short-lived, trivial, and insignificant feelings. The impurities in mosquito blood made the entire relationship seem impure. This metaphor compared the complicated feelings between men and women to red roses and mosquito blood, expressing the nature and characteristics of this kind of relationship in simple language, and also implying that this kind of relationship was not worth pursuing.
" Mosquito blood " and " white moonlight " were two images created by Zhang Ailing in her novel " Red Rose and White Rose ". The original sentence was: " Perhaps every man has had two women like this, at least two. If you marry a red rose, as time passes, the red will become a smear of mosquito blood on the wall, and the white will still be the moonlight in front of the bed. If you marry a white rose, the white will be a grain of rice sticky on your clothes, and the red will be a cinnabar mole on your heart." The original work was equally exciting. You could click on the original work of " The Story of Rose " to understand the plot in advance!
This sentence came from a plot in the online literary work " Fantasy Seeker."
The Zhusha Zhi in Zhang Ailing's novel Red Rose and White Rose represented the lover of the character Qin Hongmian. In the novel, Qin Hongmian's feelings for men were very complicated. Among the men she once loved, one was a policeman, Shirong, and the other was a doctor, He Baorong. Between the two of them, the Zhusha Zhi represented Qin Hongmian's deep feelings for He Baorong. In the novel, Qin Hongmian often used her finger to gently touch this mole to express her feelings and feelings.
The White Moonlight and the Cinnabar Mole was a text file of a novel. He could find multiple websites that provided TXT downloads of White Moonlight and Zhusha Zhi. The author of this novel was Sunset Rose. The story was about the day of the Eastern Palace's wedding. Crown Princess Jiang Sangzi and the daughter of the Grand Tutor, Jiang Shanzhi, changed their souls. When they woke up, they found that the world had changed. This novel was described as a 1v1 novel with Su Shuang's sweet love and warmth. However, the specific storyline and content needed to be understood by reading the TMT file of the novel.
The word "blockade" in Zhang Ailing's novel "Blockade" was used as a metaphor to imply the changes of times and society. In this novel,"blockade" was described as a mechanism that restricted people's movements and information transmission, similar to the blockade of the Internet or information in modern society. " Blockade " was a metaphor for restrictions and restraints. In this era of blockade, people could not freely express their thoughts and feelings, and their thoughts and actions were also restricted. This restriction was similar to a closed environment, where people could not access external information and ideas, and could not freely explore and discover new things. 'Blockade' also implied the cycle and evolution of history. In this novel, the " blockade " was initiated by a specific character. This character's actions led to the blockade of the entire society, thus affecting people's thoughts and culture. This historical cycle and evolution also implies that the development of human society is a repetitive process, and we need to constantly adapt and explore new possibilities. Zhang Ailing used the word "blockade" in her novel to deeply describe the changes of an era and society through its symbolic meaning. This word not only accurately described the situation at that time, but also conveyed people's thoughts about history and the future.
Zhang Ailing is an important figure in the history of modern Chinese literature. Her works have a unique style and beautiful language, and there are many classic sayings. The following are some of Eileen Chang's classic sayings: Life is a fine robe full of fleas. Zhang Ailing, Red Rose and White Rose (2) It's better to be famous early than to publish books slowly. Zhang Ailing, Jasmine Fragrance 3. In the small reunion,"I" said,"I will abandon my country for beauty or my wife for money." Or for a breath, or for a breath to make one haggard. 'He' said,'I'm willing to give up the country for a breath of life.'" Love is not the sweet words under the shade of flowers, not the sweet words in the Peach Blossom Land, not the soft tears, not even the stubborn coercion. Love is based on a common language. Zhang Ailing, Lust, Warning Love must be cherished. Cherish it more over the years. Love is not possession but appreciation. Zhang Ailing, Lust, Warning A woman's beauty might not be the most important thing, but her charm. The charm lasts forever, but the appearance disappears with time. Zhang Ailing, Red Rose and White Rose The greatest sorrow in life is not failure but not trying. Zhang Ailing, Lust, Warning Life is a fine robe full of fleas. Zhang Ailing, Red Rose and White Rose 9 A Carrot A Pit was about marriage. In fact, it was not true for love. Outstanding people, whether male or female, will always be a radish with several pits, so the world is full of stories of joy and sorrow every day. Zhang Ailing, Lust, Warning 10. Be Famous Early, Write a Book Slowly Zhang Ailing, Jasmine Fragrance