Lu Xun (September 25, 1881-October 19, 1936), formerly known as Zhou Shuren, was an outstanding, ideologist and revolutionary in the history of modern Chinese literature. His masterpieces, including The Scream, Hesitation, and The True Story of Ah Q, profoundly revealed the dark side of Chinese society at that time and were hailed as the foundational works of modern Chinese literature. Lu Xun's works were deeply loved by readers and had a profound influence on the development of modern Chinese literature and thought. He was hailed as "the greatest China in a hundred years" and an important figure in the history of modern Chinese literature.
Liu Zhenyun's original name was Liu Fuhou, born in Beijing in 1942. He was known as "Modern Lu Xun" in China. His works were famous for their deep concern for social reality and philosophical thinking about human nature and fate. His representative works included Alive and The Story of Xu Sanguan Selling Blood. Among them," Grass Hut " was one of Liu Zhenyun's most famous works and was hailed as a classic in the history of Chinese novels. The novel was set in Beijing from the 1930s to the 1950s, and it described the growth and life story of a teenager. It depicted the complexity of human nature and the impermanence of fate, which was widely loved and sought after by readers.
The author's introduction in front of the thatched cottage was as follows: Liu Zhenyun's original name was Liu Tiankai. He was born in December 1940 in Beijing. His ancestral home was Laizhou City, Shandong Province. His contemporary representative works include Living, Xu Sanguan Selling Blood, etc. Liu Zhenyun graduated from Beijing Normal School in 1963 and then joined the Beijing City Bureau of Culture. He worked in the Film Bureau of the Ministry of Culture and served as editor, reporter, supplement editor, magazine editor, etc. He began to publish his works in 1982. Joined China in 1985. Liu Zhenyun's works focused on the fate and life choices of ordinary people. He was known for his deep emotions, vivid details, and profound thoughts, and was regarded as one of the outstanding representatives of contemporary Chinese literature. His works have won many domestic and foreign literary awards, including the Chinese Literature Award and the Mao Dun Literature Award. Liu Zhenyun died on November 12, 2017 at the age of 77.
Du Fu's Cottage was the former residence of Du Fu, a great poet of the Tang Dynasty in Chengdu. It was located at 37 Qinghua Road, Qingyang District, Chengdu City, Sichuan Province. Du Fu lived here for nearly four years and wrote more than 240 poems. The thatched cottage covered an area of nearly 300 acres, completely retaining the architectural layout of the Ming Dynasty and Qing Dynasty when it was repaired and expanded. The main scenic spots included the Great Hall, the Hall of Poetry and History, the Temple of the Ministry of Works, and other buildings. They were arranged along the central axis, forming a deep and quiet landscape. There were also Du Fu's manuscripts, letters, and other precious cultural relics in the thatched cottage, displaying Du Fu's life stories and creative achievements. Du Fu's Cottage was a holy land in the history of Chinese literature. It was also a comprehensive scenic spot that integrated culture, tourism, and leisure.
Du Fu's Cottage was the thatched cottage where Du Fu, the great realist poet of the Tang Dynasty, lived in exile in Chengdu. In the winter of 759 AD, Du Fu built this thatched cottage by the Huanhua River in Chengdu to escape the An Lushan Rebellion. He called it the "Chengdu Cottage". The thatched cottage occupied an area of one mu, surrounded by ponds, wells, and other facilities. It was a typical wood-plate house in the countryside of Chengdu at that time. Du Fu spent four happy years in the thatched cottage and wrote more than 240 poems, including popular works such as Shu Xiang, Song of the Cottage Broken by the Autumn Wind, and Happy Rain on a Spring Night. Although Du Fu's thatched cottage had been repaired and protected many times, it still retained its original appearance. Du Fu's Cottage was a holy land in the history of Chinese literature. It was also a national first-class museum, attracting many tourists.
Du Fu's Cottage was the former residence of Du Fu, the great poet of the Tang Dynasty, when he lived in Chengdu. It was located at No. 37 Qinghua Road, Qingyang District, Chengdu City, Sichuan Province. Du Fu lived here for nearly four years and wrote more than 240 poems. The thatched cottage had been repaired many times in the Song, Yuan, Ming and Qing Dynasties, covering an area of nearly 300 mu. There were three main buildings in the scenic area: the Great Hall, the Hall of Poetry and History, and the Temple of the Ministry of Works. To the east of the former residence of the thatched cottage was the bonsai garden, and to the south were the Huanhua Temple, Flower Path, Da Ya Hall, and the thatched cottage showroom near the south gate. The " Poetry Saint Garden " in the garden was an elegant cultural experience venue that integrated cultural exchanges, art appreciation, artistic performances, training lectures, special dining, leisure, entertainment, and other functions. Du Fu's Cottage was one of the first batch of national key cultural relics protection units, the first batch of national first-class museum, and the national key ancient books protection unit. It was also a national 4A tourist attraction.
Du Fu's Cottage was located at 37 Qinghua Road, Qingyang District, Chengdu City, Sichuan Province. It was the former residence of Du Fu, the great poet of the Tang Dynasty, when he lived in Chengdu. Du Fu lived here for nearly four years and wrote more than 240 poems. The thatched cottage covered an area of nearly 300 mu, retaining the architectural layout of the 13th year of Hongzhi of the Ming Dynasty and the 16th year of Jiaqing of the Qing Dynasty. Inside the thatched cottage, there was a screen wall, a main gate, a large government office, a hall of poetry and history, a wooden gate, a temple of the Ministry of Works, and other buildings. On both sides were symmetrical corridors and other auxiliary buildings. There are more than 30,000 volumes of various materials in the thatched cottage. In 1955, Du Fu Memorial Hall was established and renamed Chengdu Du Fu Cottage Museum in 1985. Du Fu's Cottage was the largest, most well-preserved, most famous, and most distinctive relic of Du Fu in China. It was one of the first batch of national key cultural relics protection units, a national first-class museum, a national key ancient book protection unit, and a national AAA-level tourist attraction.
Yuewei Cottage's notes were a collection of novels, essays, and essays from the Qianlong period of the Qing Dynasty. The notebook novel was a traditional form of literature, which mainly described social life and character, often with a strong romantic color. The main feature of Yuewei Cottage's notes was to use plain language and delicate strokes to describe the psychology and feelings of the characters, showing the various ills of the society and the distortion of human nature in the late Qing Dynasty. The work was also adapted into various versions of TV series, movies, and anime, which were very popular among the audience.
The author of Yuewei Cottage Notes was Ji Yun (Ji Xiaolan) from the Qing Dynasty. Ji Xiaolan was a famous writer, scholar, and politician in the Qing Dynasty. His works, including Yuewei Cottage Notes and Siku Quanshu, had a profound influence on Chinese classical literature and cultural heritage.
Cottage was written by Modern China (September 25, 1881-October 19, 1936).