The peony patterns of the Tang Dynasty had the following characteristics: 1. ** Painting Style and Technique ** - In terms of painting style, the peony pattern of the blue and white porcelain of the Tang Dynasty was very childlike. It was drawn on the original single-line flat painting technique, and the pattern was simple. - As time went by, the painting style was further developed, and its scope of application involved almost all fields. 2. ** Pattern Form ** - There was a round pattern, which was composed of individual decorative patterns into a circle. Scattered dots were organized into a continuous pattern. The peony petals in the center were multi-layered, and the outer petals and leaves intertwined with each other. Most of them were six petals. The characteristics were complete and realistic, reflecting the aesthetics of the Tang Dynasty advocating "circle". - The Lingyang pattern was based on the Lianzhu pattern, adding patterns such as birds, animals, flowers, and trees. They were arranged horizontally and repeated vertically. They adopted a symmetrical aesthetic structure. The colors were gorgeous and bright, absorbing foreign styles such as Persia. - Tang Dynasty grass pattern was based on wavy lines, with peony flowers interwoven in it. It was a relatively free pattern form influenced by foreign artistic styles. It was suitable for individual patterns and was widely used. 3. ** Decorations, applications, and cultural implications ** - Peony decorative patterns appeared in different decorative patterns, which had a wide range of applications, almost involving all fields at that time. - Peony flower patterns were deeply loved by nobles, literati, and the public. This respect for peony flower patterns reflected the pursuit of grace and luxury in Tang society, and also reflected the aesthetic concept of people advocating gorgeous wealth and liking colorful things. At that time, people associated the peony flower decoration with wealth and good fortune. The recognition of the rich image of peony flower in later generations was also closely related to the admiration of peony in Tang Dynasty. 4. ** Compared to other flowers ** - Among the ceramic decorative theme, peony replaced the most common flower theme lotus since the Northern and Southern Dynasties, becoming the most popular decorative content at that time. Different kiln entrances had different decorative techniques. Ding kiln mostly used printed peonies, Yaozhou kiln mostly carved peonies, Yue kiln mostly carved peonies, and Cizhou kiln mostly painted peony patterns. " Fairy Dream of Tang Shi: Fate of Peony " is equally wonderful. Everyone is welcome to click and read it!
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Chapter 194 is the strongest chapter-level answer because it starts from Director Sun, this isn't another one of your production team's wicked... and follows through on Wen Jiaojiao is currently in the next live broadcast room, gloating about....