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Birch's paintings had…

Birch painting

2026-07-26 23:58
2026-07-27 00:50

Birch's paintings had many forms of expression and creative methods. From the perspective of traditional Chinese painting, one had to pay attention to the structure and organization of the birch tree trunk when painting it. It should not be flat, but should be turned layer by layer. When representing the autumn birch forest, you can use the overlapping method, such as first using ink to dot the leaves.(Small dots or small horizontal dots, a brush and ink technique, the brush is used until it is dry and then mixed with ink to reflect the change of dry and wet shades, and the grouping points are to avoid being average), then the ochre is used as a whole to dye it to reflect the autumn tone, and then the slightly thicker goose yellow dots are added to the second layer.(More dots on the top of each group, less dots on the heavy ink), or you can use goose yellow and indigo to adjust the green color to reflect the autumn, and then use a thicker garcinia for the third time (the dots should be placed in the front position and each layer should not be full to retain the mottled background color and heavy color, the color layer is thicker and brighter than the previous layer). Finally, the garcinia and titanium white are used to touch the active picture with a toothbrush, and the light ink and indigo dots have rich layers at the edge. You can also double hook the trunk and use the pen to touch it. The trunk of the white birch tree is not straight like the poplar tree. When you hook it, you can leave a side branch to rub the trunk horizontally. When you draw the root, you can draw a few more small trees to enrich the picture. In terms of oil painting, Edward Munch created many works with the theme of birch trees, such as Autumn Birches in 1882.(39 cm in height, 31 cm in width, painted with cardboard oil painting), Birch Trunk, 1914 - 1915 (71 cm in height, 110 cm in width, drawn in oil on canvas), Birch Trunk and Forest (37 cm in height, 45 cm in width, drawn in oil on canvas) created from 1930 to 1935, and Birch Tree and Man Carrying Branches (1882). In addition, there was also the painting of the bark of the birch tree, which used the bark and deep bark of the remaining branches of Changbai Mountain as the main raw material. It used China landscape paintings and boundary paintings to create exquisite bark murals with elegant, carved, and embossed effects. Its bark had the characteristics of being able to peel off multiple layers, good tenacity, soft and smooth texture, and easy to carve and color. As early as the Qing Dynasty, there was a history of using birch bark to make tributes for the imperial palace. "Life Like a White Birch" is equally exciting. Everyone is welcome to click and read it!

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