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On the Communication between Lao She's Fictions and Dramas

2026-08-07 20:10
2026-08-07 21:23

Lao She's novels and plays communicated in many ways: ** 1. Concept of Creation ** 1. ** The flexible use of forms ** - Lao She advocated absolute literary creation in a complete sense. He advocated that novels could adopt all forms and at the same time break any form. This concept of creation provided a theoretical basis for the communication between novels and plays, allowing him to draw on the formal factors of plays in his novel creation. 2. ** Core position in character creation ** - In Lao She's view of creation, the creation of characters was the core of all tasks. Whether it was a novel or a play, characters were the focus of attention. He believed that novels were the consciousness of humans and the true reflection of human life, so characters were indispensable. This idea made him consciously use the method of creating characters in the drama in his novel creation, and also integrated the advantages of creating characters in the novel into the drama creation. ** 2. Creation practice ** 1. ** The use of artistic perspective ** - Take Four Generations Under One roof as an example. The novel reflected a broad social background, but Lao She integrated the broad background into the specific point of the small sheeppen alley. This was like a stage scene in a play, where a character's activities were provided with a space for the character to appear and focus on the relationship between the characters and the conflict of the plot. The application of this artistic perspective was similar in novels and plays. Through a specific scene or perspective, it showed the complex social life and character relationships. 2. ** Character Creation ** - In novels and plays, Lao She had similar considerations for the shaping of characters. Although novels usually focused on the environment to support the character's image, and dramas mainly shaped the character's personality through conflicts and contradictions, Lao She's novels, such as Four Generations Under One roof, placed many characters in the context of the Anti-Japanese War. He did not seek to fully shape the character's personality, but focused on the character. In the creation of plays, the same emphasis was placed on the conflict between characters to show their distinct personalities. For example, in " Longxu Gully," the different attitudes and conflicts between the characters, such as the conflict between Aunt Wang and her daughter, showed the vivid personalities of the characters. 3. ** Dramatic handling of the plot ** - In his novels, Lao She would use some dramatic ways to deal with the plot. For example, in " Four Generations Under One roof," many characters were divided into three types: traitors and lackeys, those who lived in vain, and patriots. Through the sharp conflicts and sharp contrast between them, the plot of the novel was dramatized and the characters were typical. This way of dealing with the plot was similar to the way the plot developed through conflict in the play. At the same time, in the creation of plays, such as " Dragon Whisker Valley," there was no story that ran through the whole story. Instead, it used the writing technique of a novel to promote the development of the story through the interweaving of the relationship between the characters and the plot. Read more exciting novels for free

Latest Questions

Why did Xu Qi 'an tell the Duke of Wei everything?

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2026-08-07 23:42

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2026-08-07 23:42

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2026-08-07 23:42

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2026-08-07 23:41

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2026-08-07 23:41

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2026-08-07 23:41

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2026-08-07 23:41

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2026-08-07 23:41

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2026-08-07 23:41

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2026-08-07 23:41
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