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The feelings of a cultural relic restorer

2026-09-13 13:30
2026-09-13 14:29

The feelings of a cultural relic restorer were reflected in many aspects. First of all, they had awe and love for the cultural relics themselves. Cultural relics carried historical, cultural, and artistic value. Restorers regarded these cultural relics as precious cultural heritage and were committed to bringing damaged cultural relics back to life. For example, in Xinjiang, Yao Min, a cultural relic restorer, spent more than half a year repairing the Buddha head of a first-class cultural relic unearthed at the Tuokuzisalai (Tangwang City) site in Bachu County, Xinjiang, in Kashgar Prefecture. This investment in the restoration of cultural relics reflected their respect for the value of cultural relics themselves. Secondly, a cultural relic restorer had the feeling of inheriting culture. They knew that cultural relics were important carriers of cultural heritage. By repairing cultural relics, they could provide research materials for future generations and let future generations better understand history and culture. For example, Yao Shuwen had worked in the post of cultural relics restoration for most of his life, accumulated experience and published countless professional papers, and compiled the experience of clay sculpture cultural relics restoration into words to provide reference for future generations. This sense of inheritance reflected their cultural feelings. Moreover, they had the feeling of sticking to their posts and silently contributing. The restoration of cultural relics often faced many difficulties, such as poor working environment. In the early days of the Xinjiang Museum, the restoration studio was located in the basement warehouse, which was narrow and stuffy. The restoration technology faced challenges. When the clay sculpture cultural relics were repaired in the early days of Xinjiang, the technical strength was weak and there was a lack of reference experience. However, the restorers still stuck to their posts, witnessing the reappearance of ancient Chinese civilization in the museum exhibition hall with their youth and sweat. Finally, they respected history and restored it. During the restoration of cultural relics, the principle of not destroying the original information of cultural relics and maintaining the original appearance of cultural relics should be strictly adhered to. For example, a large number of reference materials of relevant cultural relics should be checked during the restoration process, instead of random imagination, and the original state of cultural relics should be restored. Read more exciting novels for free

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2026-09-13 14:40

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2026-09-13 14:40

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2026-09-13 14:39

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2026-09-13 14:38

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2026-09-13 14:38

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2026-09-13 14:38

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2026-09-13 14:37

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2026-09-13 14:37
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