What are the common themes in Shisui x Itachi fanfic?

The following are some of the short and incisive sentences left by my mentor (English version with translation): ** 1. About studies ** 1.“Study is like a marathon, not a sprint. Keep pacing, my dear students.”Learning is like a marathon, not a sprint. Keep up the pace, dear students.) 2.“Errors are the stepping stones in learning. Embrace them.”Mistakes are stepping stones in learning. Embrace them.) 3.“Knowledge is a treasure, but practice is the key to the chest.”Knowledge is a treasure, but practice is the key to opening the treasure chest. ** 2. About growth and attitude ** 1.“In life's journey, be like a sunflower, always turn towards the positive, kids.”In the journey of life, be like sunflowers, always moving in a positive direction, children. 2.“A smile a day keeps the grumpiness away. Stay cheerful!”A smile a day keeps away bad temper. Stay cheerful!) 3.“Mistakes are okay. Just don't make a career out of them.”(It's okay to make mistakes. Just don't make mistakes for a living.) <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Making a vow was a very important part of learning Buddhism. First of all, making a vow was the foundation for beginners to learn Buddhism, as well as the motivation and direction in the process of learning Buddhism. All Buddhas and Bodhisattvas made great vows when they were on the ground, such as the forty-eight vows of Amitabha and the twelve great vows of Ksitigarbha Bodhisattva. Making a big vow was more like making a vow. It was to set the direction of one's actions. Most of them were making a big vow or a supreme vow, rather than just focusing on the happiness of the present world. A true Buddha disciple should make a vow that benefits all living beings. This can accumulate blessings and merits. Moreover, the greater the vow and the more complete it is, the greater the power and merits. For example, the "Four Great Vows" were the four vows that all Bodhisattvas made when they first set their minds on the ground: the boundless vows of all living beings, the endless vows of troubles, the infinite vows of Dharmakaya, and the supreme vows of Buddhism. This was a way of making a wish that could be learned at will. From the perspective of cultivation, after making a clear vow, all the merits would have a clear destination and grow day by day. If one didn't have a broad heart and firm vows, even if one cultivated for a long time, one might still be in samsara. Although one cultivated, it would be a futile effort. Making a great wish also required concrete actions to be carried out. After making a wish and determination from the depths of one's heart, one had to fulfill it with one's own actions. Although it might seem difficult to achieve a big wish, the more complete the vow, the more blessings one could receive from Buddha. There was no need to worry too much. However, one had to implement the goal into specific actions. This required sufficient patience and wisdom. One had to start from scratch, lay a good foundation of personality, and gradually realize the big wish. At the same time, when making a vow, one must make a pure vow. It must not be mixed with dirty or selfish thoughts, or else the vow would have no power. If a Buddhist disciple does not know where to start to make a wish for the benefit of all living beings, he can start from the people around him, such as being kind, saying good words, doing good deeds, and being a good person. First, let the people around him be healthy, happy, and free of worries, and then gradually expand the power of the wish. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!

In Zhu Yuanzhang's novels, there were many unique characters. For example, in " The Great Ming Dynasty," there was the character " I " who traveled through the Ming Dynasty and reported Zhu Yuanzhang for prostitution in order to save his father. There was also Li Shanchang, the father of " I " who experienced a series of embarrassing and angry scenes in the court because of his son's actions. In " Ming Dynasty, Lending the System to Emperor Hongwu ", there was a story of Zhu Yuanzhang, who had transmigrated to the end of Ming Dynasty. He had just established Ming Dynasty and started beating Chongzhen after the end of Ming Dynasty. In " Grand Master of the Ming Dynasty," there was a transmigrator who possessed a small monk from the Heavenly Temple and became the Grand Master of the Ming Dynasty step by step. " The First Crown Prince of Ming Dynasty " and " The First Crown Prince in History " were characters who interacted with Zhu Yuanzhang from the perspective of Crown Prince Zhu Biao. In " Ming Fu Xing," Zhu Yuanzhang kept asking the main character for advice and went to the main character's courtyard again and again. The main character was also an important character. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The reference mentioned " I Transmigrated into a Sword ", but there was no information about the female protagonist. Sorry, according to the information I found, I don't know how to answer. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

It was usually described as " flowing gold on the earth ". It was mostly used to describe the magnificent landscape of the earth when the crops were ripe and golden like flowing gold. For example, the information mentioned that the earth was as beautiful as " flowing gold " when the rape flowers were in full bloom, the rice was ripe, and the wheat was ripe. It was rare to see the use of " gilded earth." The novel " Gilded Palm " is equally exciting. Everyone is welcome to click and read it!

" Light Me Up, Warm You " was adapted from the novels " Lighter and Princess Dress: Wild Grass Garden " and " Lighter and Princess Dress: Eternal Light." If he wanted to give it a better name, he could consider the relationship between the characters, the emotional direction, and the plot elements in the novel. From the perspective of the relationship between the characters, it could be named " The Love of a Genius and a Student Girl ". It not only pointed out the identity characteristics of the male and female leads, but also highlighted the theme of love. If it was from the emotional direction, like " Love from the Wild Grass Garden to the Everlasting Lamp,"" The Wild Grass Garden " and " Everlasting Lamp " were parts of the original novel, it could hint that the story went from the initial desolation to the hope and warmth in the later stages, just like the development of the love between the male and female leads. From the perspective of plot elements," The Love of Code and Dreams ", combined with the setting of the male protagonist as a programming genius, showed the plot characteristics of love and dreams intertwined. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The reference did not mention anything about the full round fisheye lens. Sorry, I don't know how to answer based on the information I found. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There were several ways to design a cartoon character: ** 1. Confirm the proportion of the human body ** 1. ** Common ratio selection ** - The most common proportions of the characters in the Q version were 1:1, 1:2, 2 heads, 2.5 - 3 heads, or 3 heads. For example, a character with two heads would have a body length of about one head, while a character with three heads would have a ratio of 1:1:1, and so on. Different proportions would give people a different sense of cuteness. Two-headed bodies were relatively more cute, while three-headed bodies might retain some of the normal proportions of the character while being cute. 2. ** Grasp of proportion and balance ** - 2. The head to body ratio is difficult to control in terms of balance. It may make the body ratio appear larger when learning. During the design process, auxiliary lines could be used to make the overall performance more objective. If it was for the purpose of making peripheral products (such as clay or figurines), a model with three heads and large hands and feet was more suitable. Such a model was more stable when standing and would not fall easily. ** 2. Character characteristics confirmed ** 1. ** Sorting and Prioritizing of Attributes ** - First, he had to figure out the elements of the original character, such as color matching, hairstyle, facial features, clothing, props, and so on. Then, he determined the priority of these characteristics in reflecting the character's characteristics. For example, the main color or unique hairstyle might be more important to express the character's characteristics and could be ranked at the top. 2. ** Show off your personality ** - In the Q version, age, gender, face size, height, body shape, and other differences were relatively not obvious, so the character's personality had to be highlighted in areas such as eyes, hairstyle, and clothes. ** 3. Drawing Points ** 1. ** Face Drawing ** - He had to be aware that his face was spherical. First, he drew a circle and drew the outline of the head along the circle. There was no obvious outline from the face to the chin. He used an arc instead of a turn. Drawing the spherical auxiliary line to locate the five facial features, because the Q version of the character's eyes occupied a large space, the horizontal line to locate the five facial features had to be slightly lower. The eyes were drawn big, cute, and cute. The nose could be ignored or simply pointed. The mouth was hooked to avoid sharp corners. The hair could be imagined as a wig, with fewer hair bundles than normal, simplified and softer. 2. ** Body Drawing ** - To a certain extent, the body of the Q version could ignore the skeleton. It was as elastic as a rag doll and was not affected by gravity. For example, the larger the torso, the cuter it was. The shorter the legs, the cuter it was. Stretching the legs would be closer to the normal style. The neck of the 2 heads was almost non-existent, so it was just a little drawing. There was no need to specially show the shoulders. The body of the cartoon was basically in the shape of a baby. Don't draw it too carefully. The flatter it was, the better. 3. ** Color Selection ** - When painting, you can choose a color that is more Q and a color with higher saturation. At the same time, you have to distinguish the texture of different fabrics such as hair and clothes, but you don't need to draw too many details. ** 4. Movement and posture design ** 1. ** Single position ** - The actions of the cartoon character could be exaggerated. For example, it had no neck, big eyes, low facial features, and small and round hands and feet. These baby proportions could be reflected in the actions. 2. ** Two-person interaction ** - If one wanted to design a Q version of a two-person combination, one could use geometry to summarize the human body structure. For example, the crotch would use a echelon block, and the joints would connect the cylindrical legs and arms. The body block would be constructed first before the character was drawn. In terms of posture design, it could adopt a wide open and open posture, emphasizing the joints of the hands and feet. Moreover, he had to pay attention to the cute style of the Q version in the two-person interaction. Lastly, he had to refer to and copy some excellent cartoonish works, and constantly sum up his experience to improve his design ability. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Fang Yilun and Liu Yuning had partnered up twice to escort the princess. Their relationship seemed to be relatively friendly. For example, during Liu Yuning's birthday talk about the Yin Yang script, Fang Yilun even supported Liu Yuning on the spot, which showed that they supported each other at work. While waiting for the TV series, he could also read the exciting content related to this site!