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The Legend of the Sword and Fairy was about to be remade. Why was it that classic movies and TV shows were always remade?

2024-09-11 13:03
2024-09-11 14:20

The Legend of Sword and Fairy was a classic wuxia TV series that was once popular among the audience. There were many reasons for remaking classic films and television works. One of them was that classic films and television works had become a cultural symbol that represented a specific aesthetic concept and audience group. This kind of cultural symbol and audience group was difficult to completely replace by new creations. On the other hand, classic films and television works often had extremely high production standards and artistic value. Remake required a lot of time and energy to restore the classic scenes and create classic characters, which was a huge challenge for the production team. Therefore, many remakes could not be compared with the original works, which also led to the poor effect of remakes of classic films and television works. In addition, the characters and plots in the classic works had become a cultural symbol and historical heritage. Remake works needed to respect history and cultural traditions, otherwise it might cause unnecessary controversy and misunderstanding. Therefore, the production team needed to spend a lot of time and effort to ensure that the remake was similar to the original but did not violate the intellectual property and historical value of the classic film and television work. In summary, the reason why it was difficult to succeed in remaking classic films and television works was that classic works had become a cultural symbol and historical heritage. The audience and production team had their own preferences and standard remakes could not meet the needs of all parties. At the same time, the remake had to respect historical and cultural traditions, intellectual property rights, and historical value in order to gain the recognition and support of the audience and production team.

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Hou Changrong's profile

Hou Changrong was born in Yangzhou City, Jiangsu Province in 1960. He graduated from Jiangsu Provincial Drama School. He was a descendant of the Golden School of Yang Drama, a national first-class actor, a member of the Chinese Dramatists Association, a member of the Jiangsu Dramatists Association, a director of the Jiangsu Foreign Cultural Exchange Association, and a member of the China Association for the Promotion of Humanity. In 1987, he entered the film and television industry from the stage with his first TV series, Dream of the Red Chamber. In the play, he played two roles. In 1993, his film, Half a Scissors, won the 11th Golden Eagle Award for Outstanding Traditional Chinese Drama. In 1997, he acted in the movie " The Lovers in the Ocean " and the TV series " Love on the Bund." In 1999, he won the Second National Arts and Culture Festival Outstanding Actor Award for his role as Huhanye Chanyu in the Yang drama Wang Zhaojun. In 2004, he played a small village character for the first time in Blind Dragon Two. In 2013, he acted in the country's first TV series on the topic of hidden marriage," The Hidden Marriage Diary." In 2017, he further increased his popularity by playing the role of Wu Weiwu, the second master of the Wu family, in the Qing Palace drama "That Year Flowers Bloom and the Moon Is Full." In 2021, he starred in the urban romance drama "Sweet," the anti-crime TV series Crime Crackdown and China's first new era aerospace TV series "Ask the Sky." In 2022, he participated in the urban emotional comedy "Seeing the Deer in the Deep Forest" and the ancient emotional comedy "Qingqing's Daily Life." In 2023, the films he participated in, Youth in the War and Long Lovesickness, were broadcasted one after another. In 2024, his role in 'The Story of Rose' was broadcasted. Had he not watched enough of Long Lovesickness 2? Hurry up and read the original work of " Everlasting Lovesickness 2: A Vow of Love "!

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