RexONA

That propaganda angle only works on paper. The WG would never want Roger’s son publicly existing in the first place. Ace is not just “a criminal’s child”; he is the living proof that Roger’s bloodline survived, and that alone is dangerous to them. Canon already showed how extreme the WG was: they hunted pregnant women and newborn babies just to erase the possibility of Roger having a child. That means they did not see Ace as a possible propaganda tool. They saw him as a threat before he was even born. Also, propaganda can easily backfire. Saying “even the Pirate King’s son chose justice” also tells the entire world: “The Pirate King has a son.” Pirates, rebels, Roger loyalists, and people who believe in inherited will could see Ace as a symbol, not as proof of Marine justice. And civilians would not automatically accept him either. Many would hear “Roger’s son” and think “evil bloodline.” The WG itself spent years feeding that kind of thinking. So instead of clean propaganda, Ace would become a political disaster. The only way it works is if his identity stays hidden. If the WG knows from the beginning, they erase him. If they find out after he becomes famous, they either control him, use him briefly, or prepare to kill him the moment he becomes inconvenient.

Comprehension talent does not work like that. Even if a character has extraordinary, supreme, or “highest-level” comprehension, they still need proper knowledge to understand what they are trying to master. First, they need a foundation: theory, training methods, body mechanics, energy control, combat experience, and enough mental maturity to process it. Then they need the physical and mental strength to actually use it at a high level. For example, a child suddenly mastering the Eight Gates of Death, a Sharingan training method, or Conqueror’s Haki infusion makes no sense if they do not have extensive knowledge, the right body, the right energy control, and years of hard practice. Anime and manga only show the surface level of these systems. They do not explain every hidden detail, danger, limitation, or required step. High comprehension should make learning faster and deeper, not magically give the MC complete mastery without study, training, experience, or consequences. Otherwise, it stops feeling like talent and just becomes lazy writing.

Translation: You are just a Puppet for energy mining.

No it isnt, WG wouldnt allow it.

Rayleigh only taught Luffy the fundamentals of three haki in a year and a half. In contrast, Luffy had a strong grasp of haki during the battle with Kaido, which is why he saw Conqueror's Coating and Advanced Armament (Ryou) and awakened his devil fruit because his body and will were prepared. Calling Rayleigh a mediocre teacher is completely wrong when in reality he was the perfect teacher. Given that he learned and mastered the fundamentals of haki before Rayleigh's two-year timeline, Luffy's talent in all three haki is enormous.

why?

This fic keeps asking the reader to take its world seriously while refusing to deal with the consequences of its own plot points. That is probably its biggest weakness. There are almost no believable political ramifications for anything. Shuri is apparently declared dead and then comes back, and somehow that does not cause massive fallout? Tony insults Baraqiel and is still alive, as if offending a high-ranking Fallen Angel should have no serious consequences. Then a high-class Fallen Angel and a woman who was supposed to be dead take Rias to a new school, and there is still no real interference from Sirzechs or Grayfia. Why? In a setting like DxD, powerful factions monitor each other constantly. Things like this should trigger investigation, pressure, negotiations, surveillance, or outright confrontation. Instead, the story just waves it away because it would get in the protagonist’s way. The same problem applies to how threats are treated. If another Shuri openly says she would assassinate Sirzechs, that should instantly make her a serious political and military threat. That is not something a person can just say in this kind of setting and still be treated casually. Sirzechs is not some random noble. He is one of the biggest powers in the Underworld. A statement like that should bring immediate consequences, scrutiny, and response from multiple factions. But again, the story seems uninterested in cause and effect unless it benefits the cool-factor of the moment. And then there is the Issei bashing, which feels lazy and unfair. This fic seems to have the mindset that if a male character is not instantly badass, hyper-competent, or cool enough while also being a pervert, then he deserves contempt. That completely misses who Issei is supposed to be. He was a normal Japanese high schooler before being dragged into the supernatural world. Of course he is not going to think, act, or carry himself like someone raised in constant violence. Comparing him to people like Jiraiya without context is absurd. Jiraiya was born into a war-torn shinobi world. He grew up in a system where fighting, killing, training, and survival were normal parts of life. Naturally that would shape a very different personality, mindset, and skillset. Issei never had that background. He was not raised to fight, kill, scheme, or survive supernatural politics. Treating that difference like a flaw instead of basic character logic just makes the criticism of him feel shallow. That is the larger issue with this fic: it often values looking cool over making sense. Characters say and do enormous things that should shake the setting, but the world barely reacts. Political structures feel decorative instead of real. Threats are not treated like threats. Established powers do not behave like powers. And characters like Issei get bashed not because the writing deeply examines their flaws, but because the story seems to only respect one type of masculinity: the already dangerous, already competent, already dominant type. That is not nuanced writing. It is just favoritism dressed up as critique. There are ideas here that could have worked, but the story keeps undermining itself by refusing to respect consequences, scale, and character context.

This story has imagination, but it seriously lacks discipline, consistency, and internal logic. It keeps piling enormous reveals on top of each other and seems to think that bigger automatically means deeper, but instead it just makes the world feel messy, contradictory, and harder to take seriously. The Lucifer = Adam twist is the clearest example. That is not a clever reveal by itself; it is a contradiction unless the story actually explains it properly. If Lucifer already existed when Adam was created, then how are they suddenly the same being? Did Lucifer die? When did he die? How did he die? Why was that not treated as a massive cosmic event? By what mechanism did reincarnation happen in the first place? Soul transfer, rebirth, overwriting, memory inheritance, and possession are all concepts related to the same theme. The story wants this information to feel profound, but without proper groundwork, it just feels like a twist thrown in for shock value. And the problem does not stop there, because the fic keeps doing this stuff with other identities too. Zeus, Odin, other gods, famous humans—it becomes a constant flood of "This person was actually that person.” At some point, it stops being epic and starts feeling cheap. If everyone important was secretly someone else important, then those identities lose all weight. Zeus stops being Zeus, Odin stops being Odin, Adam stops being Adam, Lucifer stops being Lucifer, and famous historical figures cease to be actual people, instead becoming mere labels that the story uses to create false grandeur. That is not rich mythology. That is identity inflation. The Zeus part is especially problematic because Lucifer openly talks about “his time as Zeus” and then tries to deny being some kind of shameless skirt-chaser, even though Zeus in myth is infamous for sleeping around and producing multiple demigod children. It is impossible to maintain a balanced perspective. If the story wants Lucifer to claim Zeus’s identity and history, then that includes the ugly parts too. Pretending otherwise just makes the character sound dishonest and the writing sound cowardly. And if the author’s answer is going to be that all those mortal women were secretly Eve/Lilith/Alice in different forms at the same time, then that does not solve the problem at all—it actually worsens it. It turns a messy contradiction into a ridiculous cleanup attempt. Because then what exactly is being claimed? That Hera, Hestia, Demeter, and other goddesses existed, but somehow the mortal women Zeus had children with were also just Eve in disguise? So now Eve is simultaneously absorbing the roles of multiple mortal women, multiple divine women, and possibly multiple separate mythological relationships just to sanitize Zeus/Lucifer’s behavior? That does not make the lore cleaner. It makes it look like the story is desperately retconning mythology to protect a character from the implications of his own past. Instead of owning the fact that Zeus was promiscuous and morally messy, the fic seems set up to wash it all away by collapsing every woman into one convenient female identity. That is not clever rewriting. That is narrative damage control. And it also destroys the individuality of the female characters in the process. If every important woman ends up being “actually Eve/Lilith/Alice all along,” then none of them are allowed to be their person. Hera stops being Hera. Demeter stops being Demeter. Hestia stops being Hestia. Mortal women stop being actual individuals. They all just become masks for the same female figure so the story can avoid uncomfortable implications and force a cosmic romance obsession into every mythology. That does not deepen the setting. It flattens it. Instead of honoring mythological variety, it reduces multiple women, personalities, relationships, and roles into one giant catch-all excuse. That is the real issue with this story’s worldbuilding: it keeps introducing enormous lore claims without respecting the consequences. If Zeus reincarnated, what happened to his role in the Greek pantheon? If Odin reincarnated, what happened to the Norse side? If Lucifer died and became Adam, why is that not one of the most important events in existence? If famous humans were also reincarnations, then how does history even function in this universe? Are identities real, symbolic, inherited, split, or recycled? Who controls the process? Why do some beings reincarnate whereas others do not? The story keeps throwing out massive ideas, but it does not do the work needed to make them coherent. The characterization suffers too. Characters begin to seem less like people and more like vessels for titles and surprises. They are not interesting because of their actions, thoughts, or growth; they are supposed to feel important because they were once famous figures like Zeus, Odin, Lucifer, or Adam. But that is a shortcut, not real character depth. And when the logic behind those identities is shaky, the shortcut fails. The pacing worsens it. Big revelations come too fast and too often, with barely any time for consequences before the next oversized twist appears. As a result, the story feels both bloated and rushed. It bloats itself with escalating lore while rushing past the explanations that would actually make that lore believable. It wants the emotional payoff of a grand mythological mystery without putting in the structural work that a grand mythological mystery actually requires. What makes this frustrating is that there is obvious ambition here. The author wants the story to feel cosmic, tragic, mythic, and layered. But ambition is not enough. A story like this needs rules, timelines, consequences, and restraint. Right now it reads like a pile of dramatic ideas held together by hand-waving. The Lucifer = Adam twist is shaky. The Zeus material is hypocritical and inconsistent. The likely attempt to explain away Zeus’s many partners by turning them all into Eve/Lilith/Alice would only make the lore even more absurd and would strip even more individuality from the female cast. Instead of becoming deeper, the story keeps becoming more artificial. At this point, the fic feels like it confuses complexity with quality. More reincarnations do not automatically mean more depth. More names do not automatically mean more mythology. More twists do not automatically mean better writing. A satisfactory reveal should make earlier parts of the story click into place. These reveals mostly just make readers stop and ask, “Wait, how does any of this actually work?” And if the answer is always another retcon, another secret identity, or another “it was Eve all along,” then that is not smart storytelling. That is just a messy story trying to patch itself with bigger and bigger claims.

ehem true MC

so no record where does the debt com from than.