In a realm where dreams intertwine with reality, a legendary tale begins. Enter Rex Lapis, an ordinary individual from our world, unexpectedly transported to the enchanting realm of Pokémon. One moment, he stood in his mundane life; the next, he found himself on a serene beach in a world reminiscent of his childhood dreams. Dewford Town lay before him, a tranquil coastal haven that masked the wild adventures that awaited beyond its borders. As he explored this new land, Rex Lapis discovered an extraordinary power within him – a "golden finger," This unique ability allowed him to connect with and raise Earth-based Pokémon, those aligned with elements of Steel, Ground, and Rock.
48 Laws of Power
LAW 1
NEVER OUTSHINE THE MASTER
Always make those above you feel comfortably superior. In your
desire to please or impress them, do not go
too far in displaying your talents or you might accomplish the
oppositeinspire fear and insecurity. Make
your masters appear more brilliant than they are and you will
attain the heights of power.
LAW 2
NEVER PUT TOO MUCH TRUST IN FRIENDS, LEARN HOW
TO USE ENEMIES
Be wary of friendsthey will betray you more quickly, for they are
easily aroused to envy. They also become spoiled and tyrannical.
But hire a former enemy and he will be more loyal than a friend,
because he has more to prove. In fact, you have more to fear from
friends than from enemies. If you have no enemies, find a way to
make them.
LAW 3
CONCEAL YOUR INTENTIONS
Keep people off-balance and in the dark by never revealing the
purpose behind your actions. If they have no
clue what you are up to, they cannot prepare a defense. Guide
them far enough down the wrong path, envelop
them in enough smoke, and by the time they realize your
intentions, it will be too late.
LAW 4
ALWAYS SAY LESS THAN NECESSARY
When you are trying to impress people with words, the more you
say, the more common you appear, and the less in control. Even if
you are saying something banal, it will seem original if you make it
vague, open-ended, and sphinxlike. Powerful people impress and
intimidate by saying less. The more you say, the more likely you are
to say something foolish.
LAW 5
SO MUCH DEPENDS ON REPUTATIONGUARD IT WITH YOUR
LIFE
Reputation is the cornerstone of power. Through reputation alone
you can intimidate and win; once it slips, however, you are
vulnerable, and will be attacked on all sides. Make your reputation
unassailable. Always be alert to potential attacks and thwart them
before they happen. Meanwhile, learn to destroy your enemies by
opening holes in their own reputations. Then stand aside and let
public opinion hang them.
LAW 6
COURT ATTENTION AT ALL COST
Everything is judged by its appearance; what is unseen counts
for nothing. Never let yourself get lost in the
crowd, then, or buried in oblivion. Stand out. Be conspicuous, at
all cost. Make yourself a magnet of attention
by appearing larger, more colorful, more mysterious than the
bland and timid masses.
LAW 7
GET OTHERS TO DO THE WORK FOR YOU, BUT ALWAYS
TAKE THE CREDIT
Use the wisdom, knowledge, and legwork of other people to
further your own cause. Not only will such assistance save you
valuable time and energy, it will give you a godlike aura of efficiency
and speed. In the end your helpers will be forgotten and you will be
remembered. Never do yourself what others can do for you.
LAW 8
MAKE OTHER PEOPLE COME TO YOUUSE BAIT IF
NECESSARY
When you force the other person to act, you are the one in
control. It is always better to make your opponent
come to you, abandoning his own plans in the process. Lure him
with fabulous gainsthen attack. You hold
the cards.
LAW 9
WIN THROUGH YOUR ACTIONS, NEVER THROUGH
ARGUMENT Any momentary triumph you think you have gained
through argument is really a Pyrrhic victory: The resentment and ill
will you stir up is stronger and lasts longer than any momentary
change of opinion. It is much more powerful to get others to agree
with you through your actions, without saying a word. Demonstrate,
do not explicate.
LAW 10
INFECTION: AVOID THE UNHAPPY AND UNLUCKY
You can die from someone else's miseryemotional states are as
infectious as diseases. You may feel you are
helping the drowning man but you are only precipitating your own
disaster. The unfortunate sometimes draw
misfortune on themselves; they will also draw it on you. Associate
with the happy and fortunate instead.
LAW 11
LEARN TO KEEP PEOPLE DEPENDENT ON YOU
To maintain your independence you must always be needed and
wanted. The more you are relied on, the more
freedom you have. Make people depend on you for their
happiness and prosperity and you have nothing to fear.
Never teach them enough so that they can do without you.
LAW 12
USE SELECTIVE HONESTY AND GENEROSITY TO DISARM
YOUR VICTIM
One sincere and honest move will cover over dozens of
dishonest ones. Open-hearted gestures of honesty and generosity
bringdown the guard of even the most suspicious people. Once your
selective honesty opens a hole in their armor, you can deceive and
manipulate them at will. A timely gifta Trojan horsewill serve the
same purpose.
LAW 13
WHEN ASKING FOR HELP, APPEAL TO PEOPLE'S SELFINTEREST, NEVER TO THEIR MERCY OR GRATITUDE If you
need to turn to an ally for help, do not bother to remind him of your
past assistance and good deeds. He will find a way to ignore you.
Instead, uncover something in your request, or in your alliance with
him, that will benefit him, and emphasize it out of all proportion. He
will respond enthusiastically when he sees something to be gained
for himself.
LAW 14
POSE AS A FRIEND, WORK AS A SPY
Knowing about your rival is critical. Use spies to gather valuable
information that will keep you a step ahead.
Better still: Play the spy yourself. In polite social encounters,
learn to probe. Ask indirect questions to get people
to reveal their weaknesses and intentions. There is no occasion
that is not an opportunity for artful spying.
LAW 15
CRUSH YOUR ENEMY TOTALLY
All great leaders since Moses have known that a feared enemy
must be crushed completely. (Sometimes they have learned this the
hard way.) If one ember is left alight, no matter how dimly it
smolders, afire will eventually break out. More is lost through
stopping halfway than through total annihilation: The enemy will
recover, and will seek revenge. Crush him, not only in body but in
spirit.
LAW 16
USE ABSENCE TO INCREASE RESPECT AND HONOR
Too much circulation makes the price go down: The more you are
seen and heard from, the more common you appear. If you are
already established in a group, temporary withdrawal from it will
make you more talked about, even more admired. You must learn
when to leave. Create value through scarcity.
LAW 17
KEEP OTHERS IN SUSPENDED TERROR: CULTIVATE AN AIR
OF UNPREDICTABILITY
Humans are creatures of habit with an insatiable need to see
familiarity in other people's actions. Your predictability gives them a
sense of control. Turn the tables: Be deliberately unpredictable.
Behavior that seems to have no consistency or purpose will keep
them off-balance, and they will wear themselves out trying to explain
your moves. Taken to an extreme, this strategy can intimidate and
terrorize.
LAW 18
DO NOT BUILD FORTRESSES TO PROTECT
YOURSELFISOLATION IS DANGEROUS
The world is dangerous and enemies are everywhereeveryone
has to protect themselves. A fortress seems the safest. But isolation
exposes you to more dangers than it protects you fromit cuts you off
from valuable information, it makes you conspicuous and an easy
target. Better to circulate among people, find allies, mingle. You are
shielded from your enemies by the crowd.
LAW 19
KNOW WHO YOU'RE DEALING WITHDO NOT OFFEND THE
WRONG PERSON
There are many different kinds of people in the world, and you
can never assume that everyone will react to your strategies in the
same way. Deceive or outmaneuver some people and they will
spend the rest of their lives seeking revenge. They are wolves in
lambs' clothing. Choose your victims and opponents carefully, then
never offend or deceive the wrong person.
LAW 20
DO NOT COMMIT TO ANYONE
It is the fool who always rushes to take sides. Do not commit to
any side or cause but yourself. By maintaining
your independence, you become the master of othersplaying
people against one another, making them pursue
you.
LAW 21
PLAY A SUCKER TO CATCH A SUCKERSEEM DUMBER THAN
YOUR MARK
No one likes feeling stupider than the next person. The trick,
then, is to make your victims feel smartand not just smart, but
smarter than you are. Once convinced of this, they will never suspect
that you may have ulterior motives.
LAW 22
USE THE SURRENDER TACTIC: TRANSFORM WEAKNESS
INTO POWER When you are weaker, never fight for honor's sake;
choose surrender instead. Surrender gives you time to recover, time
to torment and irritate your conqueror, time to wait for his power to
wane. Do not give him the satisfaction of fighting and defeating
yousurrender first. By turning the other cheek you infuriate and
unsettle him. Make surrender a tool of power.
LAW 23
CONCENTRATE YOUR FORCES Conserve your forces and
energies by keeping them concentrated at theirstrongest point. You
gain more by finding a rich mine and mining it deeper, than by flitting
from one shallow mine to anotherintensity defeats ex-tensity every
time. When looking for sources of power to elevate you, find the one
key patron, the fat cow who will give you milk for a long time to
come.
LAW 24
PLAY THE PERFECT COURTIER
The perfect courtier thrives in a world where everything revolves
around power and political dexterity. He has mastered the art of
indirection; he flatters, yields to superiors, and asserts power over
others in the most oblique and graceful manner. Learn and apply the
laws of courtiership and there will be no limit to how far you can rise
in the court.
LAW 2 5
RE-CREATE YOURSELF
Do not accept the roles that society foists on you. Re-create
yourself by forging a new identity, one that commands attention and
never bores the audience. Be the master of your own image rather
than letting others define it for you. Incorporate dramatic devices into
your public gestures and actionsyour power will be enhanced and
your character will seem larger than life.
LAW 26
KEEP YOUR HANDS CLEAN
You must seem a paragon of civility and efficiency: Your hands
are never soiled by mistakes and nasty deeds. Maintain such a
spotless appearance by using others as scapegoats and cat's-paws
to disguise your involvement.
LAW 2 7
PLAY ON PEOPLE'S NEED TO BELIEVE TO CREATE A
CULTLIKE FOLLOWING
People have an overwhelming desire to believe in something.
Become the focal point of such desire by offering them a cause, a
new faith to follow. Keep your words vague but full of promise;
emphasize enthusiasm over rationality and clear thinking. Give your
new disciples rituals to perform, ask them to make sacrifices on your
behalf. In the absence of organized religion and grand causes, your
new belief system will bring you untold power.
ENTER ACTION WITH BOLDNESS
If you are unsure of a course of action, do not attempt it. Your
doubts and hesitations will infect your execution. Timidity is
dangerous: Better to enter with boldness. Any mistakes you commit
through audacity are easily corrected with more audacity. Everyone
admires the bold; no one honors the timid.
LAW 29
PLAN ALL THE WAY TO THE END
The ending is everything. Plan all the way to it, taking into
account all the possible consequences, obstacles, and twists of
fortune that might reverse your hard work and give the glory to
others. By planning to the end you will not be overwhelmed by
circumstances and you will know when to stop. Gently guide fortune
and help determine the future by thinking far ahead.
LAW 30
MAKE YOUR ACCOMPLISHMENTS SEEM EFFORTLESS
Your actions must seem natural and executed with ease. All the
toil and practice that go into them, and also all the clever tricks, must
be concealed. When you act, act effortlessly, as if you could do much
more. Avoid the temptation of revealing how hard you workit only
raises questions. Teach no one your tricks or they will be used
against you.
LAW 31
CONTROL THE OPTIONS: GET OTHERS TO PLAY WITH THE
CARDS YOU DEAL
The best deceptions are the ones that seem to give the other
person a choice: Your victims feel they are in control, but are actually
your puppets. Give people options that come out in your favor
whichever one they choose. Forte them to make choices between
the lesser of two evils, both of which serve your purpose. Put them
on the horns of a dilemma: They are gored wherever they turn.
LAW 32
PLAY TO PEOPLE'S FANTASIES
The truth is often avoided because it is ugly and unpleasant.
Never appeal to truth and reality unless you are prepared for the
anger that comes from disenchantment. Life is so harsh and
distressing that people who can manufacture romance or conjure up
fantasy are like oases in the desert: Everyone flocks to them. There
is great power in tapping into the fantasies of the masses.
LAW 3 3
DISCOVER EACH MAN'S THUMBSCREW
Everyone has a weakness, a gap in the castle wall. That
weakness is usually an insecurity, an uncontrollable
emotion or need; it can also be a small secret pleasure. Either
way, once found, it is a thumbscrew you can turn
to your advantage.
LAW 34
BE ROYAL IN YOUR OWN FASHION: ACT LIKE A KING TO BE
TREATED LIKE ONE
The way you carry yourself will often determine how you are
treated: In the long run, appearing vulgar or common will make
people disrespect you. For a king respects himself and inspires the
same sentiment in others. By acting regally and confident of your
powers, you make yourself seem destined to wear a crown.
LAW 35
MASTER THE ART OF TIMING
Never seem to be in a hurryhurrying betrays a lack of control over
yourself and over time. Always seem patient, as if you know that
everything will come to you eventually. Become a detective of the
right moment; sniff out the spirit of the times, the trends that will carry
you to power. Learn to stand back when the time is not yet ripe, and
to strike fiercely when it has reached fruition.
LAW 36
DISDAIN THINGS YOU CANNOT HAVE: IGNORING THEM IS
THE BEST REVENGE
By acknowledging a petty problem you give it existence and
credibility. The more attention you pay an enemy, the stronger you
make him; and a small mistake is often made worse and more visible
when you try to fix it. It is sometimes best to leave things alone. If
there is something you want but cannot have, show contempt for it.
The less interest you reveal, the more superior you seem.
LAW 37
CREATE COMPELLING SPECTACLES
Striking imagery and grand symbolic gestures create the aura of
powereveryone responds to them. Stage spectacles for those
around you, then, full of arresting visuals and radiant symbols that
heighten your presence. Dazzled by appearances, no one will notice
what you are really doing.
LAW 38
THINK AS YOU LIKE BUT BEHAVE LIKE OTHERS
If you make a show of going against the times, flaunting your
unconventional ideas and unorthodox ways, people will think that
you only want attention and that you look down upon them. They will
find a way to punish you for making them feel inferior. It is far safer to
blend in and nurture the common touch. Share your originality only
with tolerant friends and those who an sure to appreciate your
uniqueness.
LAW 39
STIR UP WATERS TO CATCH FISH
Anger and emotion are strategically counterproductive. You must
always stay calm and objective. But if you
can make your enemies angry while staying calm yourself, you
gain a decided advantage. Put your enemies
off-balance: Find the chink in their vanity through which you can
rattle them and you hold the strings.
LAW 40
DESPISE THE FREE LUNCH
What is offered for free is dangerousit usually involves either a
trick or a hidden obligation. What has worth is worth paying for. By
paying your own way you stay clear of gratitude, guilt, and deceit. It
is also often wise to pay the full pricethere is no cutting corners with
excellence. Be lavish with your money and keep it circulating, for
generosity is a sign and a magnet for power.
LAW 41
AVOID STEPPING INTO A GREAT MAN'S SHOES
What happens first always appears better and more original than
what comes after. If you succeed a great man or have a famous
parent, you will have to accomplish double their achievements to
outshine them. Do not get lost in their shadow, or stuck in a past not
of your own making: Establish your own name and identity by
changing course. Slay the overbearing father, disparage his legacy,
and gain power by shining in your own way.
LAW 42
STRIKE THE SHEPHERD AND THE SHEEP WILL SCATTER
Trouble can often be traced to a single strong individualthe stirrer,
the arrogant underling, the poisoner of goodwill. If you allow such
people room to operate, others will succumb to their influence. Do
not wait for the troubles they cause to multiply, do not try to negotiate
with themthey are irredeemable. Neutralize their influence by
isolating or banishing them. Strike at the source of the trouble and
the sheep will scatter.
LAW 43
WORK ON THE HEARTS AND MINDS OF OTHERS
Coercion creates a reaction that will eventually work against you.
You must seduce others into wanting to move in your direction. A
person you have seduced becomes your loyal pawn. And the way to
seduce others is to operate on their individual psychologies and
weaknesses. Soften up the resistant by working on their emotions,
playing on what they hold dear and what they fear. Ignore the hearts
and minds of others and they will grow to hate you.
LAW 44
DISARM AND INFURIATE WITH THE MIRROR EFFECT
The mirror reflects reality, but it is also the perfect tool for
deception: When you mirror your enemies, doing exactly as they do,
they cannot figure out your strategy. The Mirror Effect mocks and
humiliates them, making them overreact. By holding up a mirror to
their psyches, you seduce them with the illusion that you share their
values; by holding up a mirror to their actions, you teach them a
lesson. Few can resist the power of the Mirror Effect.
LAW 45
PREACH THE NEED FOR CHANGE, BUT NEVER REFORM
TOO MUCH AT ONCE Everyone understands the need for change
in the abstract, but on the day-to-day level people are creatures of
habit. Too much innovation is traumatic, and will lead to revolt. If you
are new to a position of power, or an outsider trying to build a power
base, make a show of respecting the old way of doing things. If
change is necessary, make it feel like a gentle improvement on the
past.
LAW 46
NEVER APPEAR TOO PERFECT
Appearing better than others is always dangerous, but most
dangerous of all is to appear to have no faults or weaknesses. Envy
creates silent enemies. It is smart to occasionally display defects,
and admit to harmless vices, in order to deflect envy and appear
more human and approachable. Only gods and the dead can seem
perfect with impunity.
LAW 47
DO NOT GO PAST THE MARK YOU AIMED FOR; IN VICTORY,
LEARN WHEN TO STOP
The moment of victory is often the moment of greatest peril. In
the heat of victory, arrogance and overconfi-dence can push you
past the goal you had aimed for, and by going too far, you make
more enemies than you defeat. Do not allow success to go to your
head. There is no substitute for strategy and careful planning. Set a
goal, and when you reach it, stop.
LAW 48
ASSUME FORMLESSNESS
By taking a shape, by having a visible plan, you open yourself to
attack. Instead of taking a form for your enemy to grasp, keep
yourself adaptable and on the move. Accept the fact that nothing is
certain and no law is fixed. The best way to protect yourself is to be
as fluid and formless as water; never bet on stability or lasting order.
Everything changes.
48 Laws of Power
PREFACE
The feeling of having no power over people and events is
generally unbearable to uswhen we feel helpless we feel miserable.
No one wants less power; everyone wants more. In the world today,
however, it is dangerous to seem too power hungry, to be overt with
your power moves. We have to seem fair and decent. So we need to
be subdecongenial yet cunning, democratic yet devious.
This game of constant duplicity most resembles the power
dynamic that existed in the scheming world of the old aristocratic
court. Throughout history, a court has always formed itself around
the person in powerking, queen, emperor, leader. The courtiers who
filled this court were in an especially delicate position: They had to
serve their masters, but if they seemed to fawn, if they curried favor
too obviously, the other courtiers around them would notice and
would act against them. Attempts to win the master's favor, then, had
to be subde. And even skilled courtiers capable of such subdety still
had to protect themselves from their fellow courtiers, who at all
moments were scheming to push them aside.
Meanwhile the court was supposed to represent the height of
civilization and refinement. Violent or overt power moves were
frowned upon; courtiers would work silendy and secredy against any
among them who used force. This was die courtier's dilemma: While
appearing the very paragon of elegance, tiiey had to outwit and
diwart their own opponents in the subdest of ways. The successful
courtier learned over time to make all of his moves indirect; if he
stabbed an opponent in the back, it was widi a velvet glove on his
hand and the sweetest of smiles on his face. Instead of using
coercion or outright treachery, the perfect courtier got his way
through seduction, charm, deception, and subde strategy, always
planning several moves ahead. Life in die court was a never-ending
game tfiat required constant vigilance and tactical thinking. It was
civilized war.
Today we face a peculiarly similar paradox to diat of the courtier:
Everything must appear civilized, decent, democratic, and fair. But if
we play by those rules too stricdy, if we take them too literally, we are
crushed by tiiose around us who are not so foolish. As the great
Renaissance diplomat and courtier Niccolo Machiavelli wrote, "Any
man who tries to be good all die time is bound to come to ruin
among die great number who are not good." The court imagined
itself die pinnacle of refinement, but underneath its glittering surface
a cauldron of dark emotionsgreed, envy, lust, hatredboiled and
simmered. Our world today similarly imagines itself the pinnacle of
fairness, yet the same ugly emotions still stir within us, as they have
forever. The game is the same. Outwardly, you must seem to respect
the niceties, but inwardly, unless you are a fool, you learn quickly to
be prudent, and to do as Napoleon advised: Place your iron hand
inside a velvet glove. If, like the courtier of times gone by, you can
master the arts of indirection, learning to seduce, charm, deceive,
and subtiy outmaneuver your opponents, you will attain the heights
of power. You will be able to make people bend to your will without
their realizing what you have done. And if they do not realize what
you have done, they will neitfier resent nor resist you.
To some people the notion of consciously playing power
gamesno matter how indirectseems evil, asocial, a relic of the past.
They believe they can opt out of the game by behaving in ways that
have nothing to do with power. You must beware of such people, for
while diey express such opinions outwardly, they are often among
the most adept players at power. They utilize strategies that cleverly
disguise the nature of the manipulation involved. These types, for
example, will often display their weakness and lack of power as a
kind of moral virtue. But true powerlessness, without any motive of
self-interest, would not publicize its weakness to gain sympathy or
respect. Making a show of one's weakness is actually a very
effective strategy, subtle and deceptive, in the game of power (see
Law 22, the Surrender Tactic).
Another strategy of the supposed nonplayer is to demand
equality in every area of life. Everyone must be treated alike,
whatever tiieir status and strength. But if, to avoid die taint of power,
you attempt to treat everyone equally and fairly, you will confront the
problem diat some people do certain things better than others.
Treating everyone equally means ignoring their differences, elevating
the less skillful and suppressing those who excel. Again, many of
diose who behave this way are actually deploying another power
strategy, redistributing people's rewards in a way that they
determine.
Yet another way of avoiding the game would be perfect honesty
and straightforwardness, since one of the main techniques of those
who seek power is deceit and secrecy. But being perfectly honest
will inevitably hurt and insult a great many people, some of whom will
choose to injure you in return. No one will see your honest statement
as completely objective and free of some personal motivation. And
they will be right: In truth, the use of honesty is indeed a power
strategy, intended to convince people of one's noble, good-hearted,
selfless character. It is a form of persuasion, even a subde form of
coercion.
Finally, those who claim to be nonplayers may affect an air of
naivete, to protect them from the accusation that they are after
power. Beware again, however, for die appearance of naivete can be
an effective means of
deceit (see Law 21, Seem Dumber Than Your Mark). And even
genuine naivete is not free of the snares of power. Children may be
naive in many ways, but they often act from an elemental need to
gain control over those around them. Children suffer greatiy from
feeling powerless in the adult world, and they use any means
available to get their way. Genuinely innocent people may still be
playing for power, and are often horribly effective at the game, since
they are not hindered by reflection. Once again, those who make a
show or display of innocence are the least innocent of all.
You can recognize these supposed nonplayers by the way they
flaunt their moral qualities, their piety, their exquisite sense of justice.
But since all of us hunger for power, and almost all of our actions are
aimed at gaining it, the nonplayers are merely throwing dust in our
eyes, distracting us from their power plays with their air of moral
superiority. If you observe them closely, you will see in fact that they
are often the ones most skillful at indirect manipulation, even if some
of them practice it unconsciously. And they greatly resent any
publicizing of the tactics they use every day.
If the world is like a giant scheming court and we are trapped
inside it, there is no use in trying to opt out of the game. That will
only render you powerless, and powerlessness will make you
miserable. Instead of struggling against the inevitable, instead of
arguing and whining and feeling guilty, it is far better to excel at
power. In fact, the better you are at dealing with power, the better
friend, lover, husband, wife, and person you become. By following
the route of the perfect courtier (see Law 24) you learn to make
others feel better about themselves, becoming a source of pleasure
to them. They will grow dependent on your abilities and desirous of
your presence. By mastering the 48 laws in this book, you spare
others the pain that comes from bungling with powerby playing with
fire without knowing its properties. If the game of power is
inescapable, better to be an artist than a denier or a bungler.
The only means to gain one's ends with people are force and
cunning. Love also, they say; but that is to wait for sunshine, and life
needs every moment.
Learning the game of power requires a certain way of looking at
the world, a shifting of perspective. It takes effort and years of
practice, for much of the game may not come naturally. Certain basic
skills are required, and once you master these skills you will be able
to apply the laws of power more easily.
The most important of these skills, and power's crucial
foundation, the ability to master your emotions. An emotional
response to a situation the single greatest barrier to power, a
mistake that will cost you a lot more than any temporary satisfaction
you might gain by expressing your feelings. Emotions cloud reason,
and if you cannot see the situation clearly, you cannot prepare for
and respond to it with any degree of control.
Anger is the most destructive of emotional responses, for it
clouds your vision the most. It also has a ripple effect that invariably
makes situations less controllable and heightens your enemy's
resolve. If you are trying to destroy an enemy who has hurt you, far
better to keep him off-guard by feigning friendliness than showing
your anger.
I thought to myself
with what means, with
what deceptions, with
how many varied arts,
with what industry a
man sharpens his wits
to deceive another,
and through these
variations the world is
made more beautiful
Francesco Vettori,
contemporary and
friend of
Machiavelli,
early sixteenth
CENTURY
There are no principles; there are only events. There is no good
and bad, there are only circumstances. The superior man espouses
events and circumstances in order to guide them. If there were
principles and fixed laws, nations would not change them as we
change our shirts and a man can not be expected to be wiser than
an entire nation.
Honore de Balzac, 1799-1850
Love and affection are also potentially destructive, in that they
blind you to die often self-serving interests of those whom you least
suspect of playing a power game. You cannot repress anger or love,
or avoid feeling them, and you should not try. But you should be
careful about how you express them, and most important, they
should never influence your plans and strategies in any way.
Related to mastering your emotions is the ability to distance
yourself from the present moment and think objectively about the
past and future. Like Janus, the double-faced Roman deity and
guardian of all gates and doorways, you must be able to look in bodi
directions at once, the better to handle danger from wherever it
comes. Such is the face you must create for yourselfone face looking
continuously to the future and die odier to the past.
For the future, die motto is, "No days unalert." Nothing should
catch you by surprise because you are constandy imagining
problems before they arise. Instead of spending your time dreaming
of your plan's happy ending, you must work on calculating every
possible permutation and pitfall that might emerge in it. The further
you see, the more steps ahead you plan, die more powerful you
become.
The other face of Janus looks constandy to the pastdiough not to
remember past hurts or bear grudges. That would only curb your
power. Half of die game is learning how to forget those events in die
past that eat away at you and cloud your reason. The real purpose of
the backward-glancing eye is to educate yourself constantlyyou look
at the past to learn from those who came before you. (The many
historical examples in this book will gready help that process.) Then,
having looked to die past, you look closer at hand, to your own
actions and diose of your friends. This is die most vital school you
can learn from, because it comes from personal experience.
You begin by examining the mistakes you have made in die past,
die ones diat have most grievously held you back. You analyze diem
in terms of the 48 laws of power, and you extract from them a lesson
and an oath: "I shall never repeat such a mistake; I shall never fall
into such a trap again." If you can evaluate and observe yourself in
this way, you can learn to break the patterns of the pastan
immensely valuable skill.
Power requires the ability to play with appearances. To this end
you must learn to wear many masks and keep a bag full of deceptive
tricks. Deception and masquerade should not be seen as ugly or
immoral. All human interaction requires deception on many levels,
and in some ways what separates humans from animals is our ability
to lie and deceive. In Greek myths, in India's Mahabharata cycle, in
the Middle Eastern epic of Gilga-mesh, it is the privilege of the gods
to use deceptive arts; a great man, Odysseus for instance, was
judged by his ability to rival the craftiness of the gods, stealing some
of dieir divine power by matching them in wits and deception.
Deception is a developed art of civilization and die most potent
weapon in the game of power.
You cannot succeed at deception unless you take a somewhat
distanced approach to yourselfunless you can be many different
people, wearing the mask that the day and the moment require. With
such a flexible approach to all appearances, including your own, you
lose a lot of the inward heaviness that holds people down. Make
your face as malleable as the actor's, work to conceal your intentions
from others, practice luring people into traps. Playing with
appearances and mastering arts of deception are among the
aesthetic pleasures of life. They are also key components in die
acquisition of power.
If deception is the most potent weapon in your arsenal, then
patience in all things is your crucial shield. Patience will protect you
from making moronic blunders. Like mastering your emotions,
patience is a skillit does not come naturally. But nothing about power
is natural; power is more godlike than anything in the natural world.
And patience is the supreme virtue of the gods, who have nothing
but time. Everything good will happenthe grass will grow again, if you
give it time and see several steps into the future. Impatience, on the
other hand, only makes you look weak. It is a principal impediment to
power.
Power is essentially amoral and one of the most important skills
to acquire is the ability to see circumstances rather than good or evil.
Power is a gamethis cannot be repeated too oftenand in games you
do not judge your opponents by dieir intentions but by the effect of
dieir actions. You measure their strategy and their power by what
you can see and feel. How often are someone's intentions made the
issue only to cloud and deceive! What does it matter if another
player, your friend or rival, intended good things and had only your
interests at heart, if the effects of his action lead to so much ruin and
confusion It is only natural for people to cover up their actions with all
kinds of justifications, always assuming that they have acted out of
goodness. You must learn to inwardly laugh each time you hear this
and never get caught up in gauging someone's intentions and
actions through a set of moral judgments that are really an excuse
for the accumulation of power.
It is a game. Your opponent sits opposite you. Both of you
behave as gendemen or ladies, observing the rules of the game and
taking nodiing personally. You play with a strategy and you observe
your opponent's moves with as much calmness as you can muster.
In die end, you will appreciate the politeness of those you are playing
with more than their good and sweet intentions. Train your eye to
follow the results of dieir moves, the outward circumstances, and do
not be distracted by anything else.
Half of your mastery of power comes from what you do not do,
what you do not allow yourself to get dragged into. For this skill you
must learn to judge all mings by what diey cost you. As Nietzsche
wrote, "The value of a thing sometimes lies not in what one attains
with it, but in what one pays for itwhat it costs us." Perhaps you will
attain your goal, and a worthy goal at that, but at what price Apply
this standard to everydiing, including wheuier to collaborate wim
other people or come to their aid. In die end,
life is short, opportunities are few, and you have only so much
energy to draw on. And in this sense time is as important a
consideration as any other. Never waste valuable time, or mental
peace of mind, on the affairs of othersthat is too high a price to pay.
Power is a social game. To learn and master it, you must develop
die ability to study and understand people. As the great seventeenthcentury thinker and courtier Baltasar Gracian wrote: "Many people
spend time studying die properties of animals or herbs; how much
more important it would be to study those of people, with whom we
must live or die!" To be a master player you must also be a master
psychologist. You must recognize motivations and see through the
cloud of dust with which people surround their actions. An
understanding of people's hidden motives is die single greatest piece
of knowledge you can have in acquiring power. It opens up endless
possibilities of deception, seduction, and manipulation.
People are of infinite complexity and you can spend a lifetime
watching them without ever fully understanding them. So it is all the
more important, dien, to begin your education now. In doing so you
must also keep one principle in mind: Never discriminate as to whom
you study and whom you trust. Never trust anyone completely and
study everyone, including friends and loved ones.
Finally, you must learn always to take the indirect route to power.
Disguise your cunning. Like a billiard ball that caroms several times
before it hits its target, your moves must be planned and developed
in the least obvious way. By training yourself to be indirect, you can
thrive in the modern court, appearing die paragon of decency while
being the consummate manipulator.
Consider The 48 Laws of Power a kind of handbook on the arts
of indirection. The laws are based on die writings of men and women
who have studied and mastered the game of power. These writings
span a period of more dian three diousand years and were created
in civilizations as disparate as ancient China and Renaissance Italy;
yet they share common threads and themes, together hinting at an
essence of power diat has yet to be fully articulated. The 48 laws of
power are the distillation of this accumulated wisdom, gadiered from
the writings of the most illustrious strategists (Sun-tzu, Clausewitz),
statesmen (Bismarck, Talleyrand), courtiers (Castiglione, Gracian),
seducers (Ninon de Lenclos, Casanova), and con artists ("Yellow
Kid" Weil) in history.
The laws have a simple premise: Certain actions almost always
increase one's power (the observance of the law), while otfiers
decrease it and even ruin us (the transgression of die law). These
transgressions and observances are illustrated by historical
examples. The laws are timeless and definitive.
The 48 Laws of Power can be used in several ways. By reading
die book straight through you can learn about power in general.
Although several of the laws may seem not to pertain direcdy to your
life, in time you will
probably find that all of them have some application, and that in
fact they are interrelated. By getting an overview of the entire subject
you will best be able to evaluate your own past actions and gain a
greater degree of control over your immediate affairs. A thorough
reading of the book will inspire thinking and reevaluation long after
you finish it.
The book has also been designed for browsing and for examining
the law that seems at mat particular moment most pertinent to you.
Say you are experiencing problems with a superior and cannot
understand why your efforts have not lead to more gratitude or a
promotion. Several laws specifically address the master-underling
relationship, and you are almost certainly transgressing one of them.
By browsing the initial paragraphs for the 48 laws in the table of
contents, you can identify the pertinent law.
Finally, the book can be browsed through and picked apart for
entertainment, for an enjoyable ride through the foibles and great
deeds of our predecessors in power. A warning, however, to those
who use the book for this purpose: It might be better to turn back.
Power is endlessly seductive and deceptive in its own way. It is a
labyrinthyour mind becomes consumed widi solving its infinite
problems, and you soon realize how pleas-andy lost you have
become. In other words, it becomes most amusing by taking it
seriously. Do not be frivolous with such a critical matter. The gods of
power frown on the frivolous; they give ultimate satisfaction only to
those who study and reflect, and punish tiiose who skim the surfaces
looking for a good time.
Any man who tries to be good all the time is bound to come to
ruin among the great number who are not good. Hence a prince who
wants to keep his authority must learn how not to be good, and use
that knowledge, or refrain from using it, as necessity requires.
The Prince, Niccolb Machiavelli, 1469-1527
48 Laws of Power
LAW 1
NEVER OUTSHINE THE MASTER
JUDGMENT
Always make those above you feel comfortably superior. In your
desire to please and impress them, do not go too far in displaying
your talents or you might accomplish the oppositeinspire fear and
insecurity. Make your masters appear more brilliant than they are
and you will attain the heights of power.
TRANSGRESSION OF THE LAW
Nicolas Fouquet, Louis XIV's finance minister in the first years of
his reign, was a generous man who loved lavish parties, pretty
women, and poetry. He also loved money, for he led an extravagant
lifestyle. Fouquet was clever and very much indispensable to the
king, so when the prime minister, Jules Mazarin, died, in 1661, the
finance minister expected to be named the successor. Instead, the
king decided to abolish the position. This and other signs made
Fouquet suspect that he was falling out of favor, and so he decided
to ingratiate himself with the king by staging the most spectacular
party the world had ever seen. The party's ostensible purpose would
be to commemorate the completion of Fouquet's chateau, Vaux-leVicomte, but its real function was to pay tribute to the king, the guest
of honor.
The most brilliant nobility of Europe and some of the greatest
minds of the timeLa Fontaine, La Rochefoucauld, Madame de
Sevigne attended the party. Moliere wrote a play for the occasion, in
which he himself was to perform at the evening's conclusion. The
party began with a lavish seven-course dinner, featuring foods from
the Orient never before tasted in France, as well as new dishes
created especially for the night. The meal was accompanied with
music commissioned by Fouquet to honor the king.
After dinner there was a promenade through the chateau's
gardens. The grounds and fountains of Vaux-le-Vicomte were to be
the inspiration for Versailles.
Fouquet personally accompanied the young king through the
geometrically aligned arrangements of shrubbery and flower beds.
Arriving at the gardens' canals, they witnessed a fireworks display,
which was followed by the performance of Moliere's play. The party
ran well into the night and everyone agreed it was the most amazing
affair they had ever attended.
The next day, Fouquet was arrested by the king's head
musketeer, D'Artagnan. Three months later he went on trial for
stealing from the country's treasury. (Actually, most of the stealing he
was accused of he had done on the king's behalf and with the king's
permission.) Fouquet was found guilty and sent to the most isolated
prison in France, high in the Pyrenees Mountains, where he spent
die last twenty years of his life in solitary confinement.
Interpretation
Louis XIV, the Sun King, was a proud and arrogant man who
wanted to be the center of attention at all times; he could not
countenance being outdone in lavishness by anyone, and certainly
not his finance minister. To succeed Fouquet, Louis chose JeanBaptiste Colbert, a man famous for his parsimony and for giving the
dullest parties in Paris. Colbert made sure that any money liberated
from the treasury went straight into Louis's hands. With the money,
Louis built a palace even more magnificent than Fouquet'sthe
glorious palace of Versailles. He used the same architects,
decorators, and garden designer. And at Versailles, Louis hosted
parties even more extravagant uian the one that cost Fouquet his
freedom.
Let us examine the situation. The evening of the party, as
Fouquet presented spectacle on spectacle to Louis, each more
magnificent than the one before, he imagined the affair as
demonstrating his loyalty and devotion to the king. Not only did he
think the party would put him back in die king's favor, he thought it
would show his good taste, his connections, and his popularity,
making him indispensable to die king and demonstrating that he
would make an excellent prime minister. Instead, however, each new
spectacle, each appreciative smile bestowed by the guests on
Fouquet, made it seem to Louis that his own friends and subjects
were more charmed by the finance minister dian by the king himself,
and that Fouquet was actually flaunting his wealth and power. Rather
than flattering Louis XIV, Fouquet's elaborate party offended the
king's vanity. Louis would not admit this to anyone, of courseinstead,
he found a convenient excuse to rid himself of a man who had
inadvertently made him feel insecure.
Such is the fate, in some form or other, of all those who
unbalance the master's sense of self, poke holes in his vanity, or
make him doubt his preeminence.
When the evening began, Fouquet was at the top of the world. By
the time it had ended, he was at the bottom.
Voltaire, 1694-1778
OBSERVANCE OF THE LAW
In the early 1600s, the Italian astronomer and mathematician
Galileo found himself in a precarious position. He depended on the
generosity of great rulers to support his research, and so, like all
Renaissance scientists, he would sometimes make gifts of his
inventions and discoveries to the leading patrons of the time. Once,
for instance, he presented a military compass he had invented to the
Duke of Gonzaga. Then he dedicated a book explaining the use of
the compass to the Medicis. Both rulers were grateful, and dirough
them Galileo was able to find more students to teach. No matter how
great the discovery, however, his patrons usually paid him with gifts,
not cash. This made for a life of constant insecurity and dependence.
There must be an easier way, he thought.
Galileo hit on a new strategy in 1610, when he discovered the
moons of Jupiter. Instead of dividing the discovery among his
patronsgiving one the telescope he had used, dedicating a book to
another, and so onas he had done in the past, he decided to focus
exclusively on the Medicis. He chose the Medicis for one reason:
Shortly after Cosimo I had established the Medici dynasty, in 1540,
he had made Jupiter, the mightiest of the gods, the Medici symbola
symbol of a power that went beyond politics and banking, one linked
to ancient Rome and its divinities.
Galileo turned his discovery of Jupiter's moons into a cosmic
event
honoring the Medicis' greatness. Shortly after the discovery, he
announced that "the bright stars [the moons of Jupiter] offered
themselves in the heavens" to his telescope at the same time as
Cosimo IPs enthronement. He said that the number of the
moonsfourharmonized with the number of the Medicis (Cosimo II
had three brothers) and that the moons orbited Jupiter as these four
sons revolved around Cosimo I, the dynasty's founder. More than
coincidence, this showed that the heavens themselves reflected the
ascendancy of the Medici family. After he dedicated the discovery to
the Medicis, Galileo commissioned an emblem representing Jupiter
sitting on a cloud with the four stars circling about him, and
presented this to Cosimo II as a symbol of his link to the stars.
In 1610 Cosimo II made Galileo his official court philosopher and
mathematician, with a full salary. For a scientist this was the coup of
a lifetime. The days of begging for patronage were over.
Interpretation
In one stroke, Galileo gained more with his new strategy than he
had in years of begging. The reason is simple: All masters want to
appear more brilliant than other people.
They do not care about science or empirical trutii or the latest
invention; they care about their name and their glory. Galileo gave
the Medicis infinitely more glory by linking their name with cosmic
forces than he had by making them the patrons of some new
scientific gadget or discovery.
Scientists are not spared the vagaries of court life and patronage.
They too must serve masters who hold the purse strings. And their
great intellectual powers can make the master feel insecure, as if he
were only there to supply the fundsan ugly, ignoble job. The
producer of a great work wants to feel he is more than just the
provider of the financing. He wants to appear creative and powerful,
and also more important than the work produced in his name.
Instead of insecurity you must give him glory. Galileo did not
challenge the intellectual authority of the Medicis with his discovery,
or make them feel inferior in any way; by literally aligning them with
the stars, he made them shine brilliantly among the courts of Italy.
He did not outshine the master, he made the master outshine all
others.
KEYS TO POWER
Everyone has insecurities. When you show yourself in the world
and display your talents, you naturally stir up all kinds of resentment,
envy, and other manifestations of insecurity. This is to be expected.
You cannot spend your life worrying about the petty feelings of
others. With those above you, however, you must take a different
approach: When it comes to power, outshining the master is perhaps
the worst mistake of all.
Do not fool yourself into thinking that life has changed much
since the days of Louis XIV and the Medicis. Those who attain high
standing in life are like kings and queens: They want to feel secure in
their positions, and
superior to those around them in intelligence, wit, and charm. It is
a deadly but common misperception to believe that by displaying
and vaunting your gifts and talents, you are winning die master's
affection. He may feign appreciation, but at his first opportunity he
will replace you with someone less intelligent, less attractive, less
threatening, just as Louis XIV replaced the sparkling Fouquet with
the bland Colbert. And as with Louis, he will not admit the truth, but
will find an excuse to rid himself of your presence.
This Law involves two rules that you must realize. First, you can
inadvertently outshine a master simply by being yourself. There are
masters who are more insecure than others, monstrously insecure;
you may naturally outshine them by your charm and grace.
No one had more natural talents than Astorre Manfredi, prince of
Faenza. The most handsome of all the young princes of Italy, he
captivated his subjects with his generosity and open spirit.
In the year 1500, Cesare Borgia laid siege to Faenza. When the
city surrendered, the citizens expected the worst from the cruel
Borgia, who, however, decided to spare the town: He simply
occupied its fortress, executed none of its citizens, and allowed
Prince Manfredi, eighteen at the time, to remain with his court, in
complete freedom.
A few weeks later, though, soldiers hauled Astorre Manfredi away
to a Roman prison. A year after that, his body was fished out of the
River Tiber, a stone tied around his neck. Borgia justified the horrible
deed with some sort of trumped-up charge of treason and
conspiracy, but the real problem was that he was notoriously vain
and insecure. The young man was outshining him without even
trying. Given Manfredi's natural talents, the prince's mere presence
made Borgia seem less attractive and charismatic. The lesson is
simple: If you cannot help being charming and superior, you must
learn to avoid such monsters of vanity. Either that, or find a way to
mute your good qualities when in the company of a Cesare Borgia.
Second, never imagine that because the master loves you, you
can do anything you want. Entire books could be written about
favorites who fell out of favor by taking their status for granted, for
daring to outshine. In late-sixteenth-century Japan, the favorite of
Emperor Hideyoshi was a man called Sen no Rikyu. The premier
artist of the tea ceremony, which had become an obsession with the
nobility, he was one of Hideyoshi's most trusted advisers, had his
own apartment in the palace, and was honored throughout Japan.
Yet in 1591, Hideyoshi had him arrested and sentenced to death.
Rikyu took his own life, instead. The cause for his sudden change of
fortune was discovered later: It seems that Rikyu, former peasant
and later court favorite, had had a wooden statue made of himself
wearing sandals (a sign of nobility) and posing loftily. He had had
this statue placed in the most important temple inside the palace
gates, in clear sight of the royalty who often would pass by. To
Hideyoshi this signified that Rikyu had no sense of limits. Presuming
that he had the same rights as those of the highest nobility, he had
forgotten that his position depended on the emperor, and had come
to believe that he had earned it on his own. This was
an unforgivable miscalculation of his own importance and he paid
for it with his life. Remember the following: Never take your position
for granted and never let any favors you receive go to your head.
Knowing the dangers of outshining your master, you can turn tiiis
Law to your advantage. First you must flatter and puff up your
master. Overt flattery can be effective but has its limits; it is too direct
and obvious, and looks bad to other courtiers. Discreet flattery is
much more powerful. If you are more intelligent than your master, for
example, seem the opposite: Make him appear more intelligent than
you. Act naive. Make it seem that you need his expertise. Commit
harmless mistakes that will not hurt you in the long run but will give
you die chance to ask for his help. Masters adore such requests. A
master who cannot bestow on you the gifts of his experience may
direct rancor and ill will at you instead.
If your ideas are more creative dian your master's, ascribe them
to him, in as public a manner as possible. Make it clear that your
advice is merely an echo of his advice.
If you surpass your master in wit, it is okay to play the role of the
court jester, but do not make him appear cold and surly by
comparison. Tone down your humor if necessary, and find ways to
make him seem the dispenser of amusement and good cheer. If you
are naturally more sociable and generous than your master, be
careful not to be the cloud that blocks his radiance from odiers. He
must appear as the sun around which everyone revolves, radiating
power and brilliance, die center of attention. If you are dirust into the
position of entertaining him, a display of your limited means may win
you his sympathy. Any attempt to impress him with your grace and
generosity can prove fatal: Learn from Fouquet or pay die price.
In all of diese cases it is not a weakness to disguise your
strengdis if in die end they lead to power. By letting others outshine
you, you remain in control, instead of being a victim of tiieir
insecurity. This will all come in handy the day you decide to rise
above your inferior status. If, like Galileo, you can make your master
shine even more in the eyes of odiers, then you are a godsend and
you will be instantiy promoted.
Image:
The Stars in the
Sky. There can be only
one sun at a time. Never
obscure the sunlight, or
rival the sun's brilliance;
rather, fade into the sky and
find ways to heighten
the master star's
intensity.
Authority: Avoid outshining the master. All superiority is odious,
but the superiority of a subject over his prince is not only stupid, it is
fatal. This is a lesson that the stars in the sky teach usthey may be
related to the sun, and just as brilliant, but they never appear in her
company. (Baltasar Gracian, 1601-1658)
REVERSAL
You cannot worry about upsetting every person you come across,
but you must be selectively cruel. If your superior is a falling star,
there is nothing to fear from outshining him. Do not be mercifulyour
master had no such scruples in his own cold-blooded climb to the
top. Gauge his strength. If he is weak, discreetly hasten his downfall:
Outdo, outcharm, outsmart him at key moments. If he is very weak
and ready to fall, let nature take its course. Do not risk outshining a
feeble superiorit might appear cruel or spiteful. But if your master is
firm in his position, yet you know yourself to be the more capable,
bide your time and be patient. It is the natural course of things that
power eventually fades and weakens. Your master will fall someday,
and if you play it right, you will oudive and someday outshine him.
48 Laws of Power
LAW 2
NEVER PUT TOO MUCH
TRUST IN FRIENDS, LEARN
HOW TO USE ENEMIES
JUDGMENT
Be wary of friendsthey will betray you more quickly, for they are
easily aroused to envy. They also become spoiled and tyrannical.
But hire a former enemy and he will be more loyal than a friend,
because he has more to prove. In fact, you have more to fear from
friends than from enemies. If you have no enemies, find a way to
make them.
TRANSGRESSION OF THE LAW
In the mid-ninth century A.D., a young man named Michael III
assumed the dirone of the Byzantine Empire. His mother, the
Empress Theodora, had been banished to a nunnery, and her lover,
Theoctistus, had been murdered; at the head of the conspiracy to
depose Theodora and enthrone Michael had been Michael's uncle,
Bardas, a man of intelligence and ambition. Michael was now a
young, inexperienced ruler, surrounded by intriguers, murderers, and
profligates. In this time of peril he needed someone he could trust as
his councillor, and his tiioughts turned to Basilius, his best friend.
Basilius had no experience whatsoever in government and politicsin
fact, he was the head of the royal stablesbut he had proven his love
and gratitude time and again.
They had met a few years before, when Michael had been
visiting the stables just as a wild horse got loose. Basilius, a young
groom from peasant Macedonian stock, had saved Michael's life.
The groom's strength and courage had impressed Michael, who
immediately raised Basilius from die obscurity of being a horse
trainer to die position of head of die stables. He loaded his friend
with gifts and favors and tiiey became inseparable. Basilius was sent
to the finest school in Byzantium, and the crude peasant became a
cultured and sophisticated courtier.
Now Michael was emperor, and in need of someone loyal. Who
could he better trust with the post of chamberlain and chief councillor
than a young man who owed him everything
Basilius could be trained for the job and Michael loved him like a
brother. Ignoring die advice of those who recommended die much
more qualified Bardas, Michael chose his friend.
Basilius learned well and was soon advising the emperor on all
matters of state. The only problem seemed to be moneyBasilius
never had enough. Exposure to the splendor of Byzantine court life
made him avaricious for the perks of power. Michael doubled, then
tripled his salary, ennobled him, and married him off to his own
mistress, Eudoxia Ingerina. Keeping such a trusted friend and
adviser satisfied was worth any price. But more trouble was to come.
Bardas was now head of die army, and Basilius convinced Michael
diat die man was hopelessly ambitious. Under die illusion diat he
could control his nephew, Bardas had conspired to put him on the
dirone, and he could conspire again, diis time to get rid of Michael
and assume die crown himself. Basilius poured poison into Michael's
ear until the emperor agreed to have his uncle murdered. During a
great horse race, Basilius closed in on Bardas in the crowd and
stabbed him to death. Soon after, Basilius asked that he replace
Bardas as head of the army, where he could keep control of die
realm and quell rebellion. This was granted.
Now Basilius's power and wealdi only grew, and a few years later
Michael, in financial straits from his own extravagance, asked him to
pay back some of die money he had borrowed over the years. To
Michael's shock and astonishment, Basilius refused, wiui a look of
such impudence
To have a good enemy, choose a friend: He knows where to
strike.
Diane de Poitiers, 1499-1566, mistress of Henri II of France
Every time I bestow a
vacant office I make a
hundred discontented
persons and one
ingrate.
Louis XIV, 1638-1715
Thus for my own part I have more than once been deceived by
the person I loved most and of whose love, above everyone else's, I
have been most confident. So that I believe that it rnay be right to
love and serve one person above all others, according to merit and
worth, but never to trust so much in this tempting trap of friendship
as to have cause to repent of it later on.
Baldassare
Castiglione,
1478-1529
I'l II',
SNAKK. TIIK I ARMKR. AM) TIIK IIKIiON A snake chased by
hunters asked a farmer to save its life. To hide it from its pursuers,
the farmer squatted and let the snake crawl into his belly. But when
the danger had passed and the farmer asked the snake to come out,
the snake refused. It was warm and safe inside. On his way home,
the man saw a heron and went up to him and whispered what had
happened. The heron told him to squat and strain to eject the snake.
When the snake snuck its head out, the heron caught it, pulled it out,
and killed it. The farmer was worried that the snake's poison might
still be inside him, and the heron told him that the cure for snake
poison was to cook and eat six white fowl. " You 're a white fo w I, "
said the farmer. "You'll do for a start." He grabbed the heron, put it in
a bag, and carried it home, where he hung it up while he told his wife
what had happened. "I'm surprised at you," said the wife. "The bird
does you a kindness, rids you of the evil in your belly, saves your life
in fact, yet you catch it and talk of killing it. " She immediately
released the heron, and it flew away. But on its way, it gouged out
her eyes. Moral: When you see water flo wing uphill, it
means that someone
that me emperor suddenly realized his predicament: The former
stable boy had more money, more allies in the army and senate, and
in the end more power than the emperor himself. A few weeks later,
after a night of heavy drinking, Michael awoke to find himself
surrounded by soldiers. Basilius watched as they stabbed the
emperor to death. Then, after proclaiming himself emperor, he rode
his horse through the streets of Byzantium, brandishing the head of
his former benefactor and best friend at die end of a long pike.
Interpretation
Michael III staked his future on the sense of gratitude he thought
Basilius must feel for him. Surely Basilius would serve him best; he
owed die emperor his wealtii, his education, and his position. Then,
once Basilius was in power, anything he needed it was best to give
to him, strengdiening the bonds between the two men. It was only on
the fateful day when the emperor saw that impudent smile on
Basilius's face diat he realized his deadly mistake.
He had created a monster. He had allowed a man to see power
up closea man who tiien wanted more, who asked for anything and
got it, who felt encumbered by the charity he had received and
simply did what many people do in such a situation: They forget the
favors they have received and imagine they have earned dieir
success by their own merits.
At Michael's moment of realization, he could still have saved his
own life, but friendship and love blind every man to their interests.
Nobody believes a friend can betray. And Michael went on
disbelieving until the day his head ended up on a pike.
Lord, protect me from my friends; I can take care of my enemies.
Voltaire, 1694-1778
OBSERVANCE OF THE LAW
For several centuries after the fall of the Han Dynasty (a.D. 222),
Chinese history followed the same pattern of violent and bloody
coups, one after the other. Army men would plot to kill a weak
emperor, dien would replace him on the Dragon Throne with a strong
general. The general would start a new dynasty and crown himself
emperor; to ensure his own survival he would kill off his fellow
generals. A few years later, however, die pattern would resume: New
generals would rise up and assassinate him or his sons in their turn.
To be emperor of China was to be alone, surrounded by a pack of
enemiesit was die least powerful, least secure position in the realm.
In A.D. 959, General Chao K'uang-yin became Emperor Sung.
He knew die odds, die probability diat witiiin a year or two he would
be murdered; how could he break the pattern Soon after becoming
emperor, Sung ordered a banquet to celebrate the new dynasty, an