Chapter 168: This Girl Didn't Lie

The TV series "Red Dead Redemption" was set to expand upon the original movie's storyline. Hardy didn't involve himself in the script, leaving it to the screenwriters, but he had Eastwood in mind for the lead role. Having recently been nominated for a Best Actor Oscar for his performance in the film, Eastwood was gaining recognition, but his association with westerns was becoming so strong that casting him in a different genre might not sit well with audiences. It would be like casting a well-known comedian in a serious role—viewers might expect a punchline at any moment.

Hardy had an additional reason for producing this TV series. He owned 8,000 acres of land in New Mexico, most of which was undeveloped, aside from a small area used for a mineral water plant. The vast, unused land could be turned into a western film set, adding further value to his investment. 

Setting aside the TV series catalog, Hardy introduced another project to his team, this one involving TV shopping. The detailed plan outlined broadcasting from 2 to 6 PM daily, targeting housewives as the primary audience. In post-war America, around 90% of married women became housewives, making them the main decision-makers for family purchases. The TV shopping program would feature a variety of products tailored to this demographic, such as clothing, shoes, accessories, cosmetics, and household items.

Hardy saw this as a prime opportunity to promote his own products, like the wine from his vineyards in France and the United States. The sales weren't impressive, but with the reach of TV shopping, he was confident that would change.

Irina's eyes lit up as she reviewed the plan. "Boss, housewives who stay home with their kids and can't go out to shop will love this. Plus, no other broadcasters are airing programs during this time, so it could attract a huge audience."

Edward had a different concern. "Boss, won't it be troublesome to handle orders from women calling in to shop and then delivering the goods?"

Hardy nodded. "Initially, we'll start in just a few cities, like Los Angeles and New York. I'm also planning to partner with a courier company. With our business, they'll grow quickly."

He added that the TV shopping program would also serve as advertising, generating revenue from both ad sales and sales commissions. Hardy didn't mention his additional strategy: buying stocks in companies whose products they featured. If a product took off, its stock price would rise, offering another profit stream. He even considered acquiring companies with low stock prices but good products, revitalizing them through TV promotion and reaping the benefits when their stock prices soared.

Ultimately, Hardy saw his broadcasting company as more than just an ad revenue generator—it was a powerful tool for controlling public opinion and shaping the narrative.

Next, Hardy introduced his final plan: a nationwide talent show called "Super Draft." Irina was curious. "What exactly is a draft?"

"A draft is about finding the best talent," Hardy explained. "My idea is to hold auditions across the country, from initial open calls to final rounds where the top three are chosen."

The concept was similar to a "Super Girl"-style show, open to both men and women. Although it was dubbed a national audition, in 1947, the logistics limited it to one location: Los Angeles. However, anyone from anywhere could come to Hollywood to sign up, making it a "national" competition in spirit.

Edward was thrilled. "Boss, this is like scouting talent from all over the country. If these contestants sign with our agency, we'll have a pool of great artists. And since they've already gained some fame from the show, they'll have a head start in their careers."

Hardy flipped to a section of the plan that outlined the signing process. "Every contestant must sign with our company before the finals. If they don't, they'll be eliminated early on."

Fox and Irina, looking at the plan from a broader perspective, recognized the program's potential to captivate audiences. Hardy's promotional tagline, "Ordinary people can have dreams too!" was particularly compelling. The idea of giving everyone, regardless of their background, a chance to shine would resonate with viewers.

In an era where such inclusive opportunities were rare, this talent show would likely become a sensation. The majority of the audience were ordinary people who would see themselves in the contestants, fostering a strong emotional connection. The show was poised to become a national phenomenon.

Fox suggested, "Boss, I think the audition rounds should include more of the funny, off-key performances. Audiences might enjoy those more."

Hardy smiled and pointed to the last page of the plan. "I've already thought of that. We'll include a segment featuring memorable and entertaining contestants, even if they don't advance. The auditions should be fun, and we'll broadcast two-hour episodes for five months, giving participants plenty of time to make it to Los Angeles."

Fox was now even more impressed. Hardy's understanding of TV surpassed anyone he'd ever worked with. With these innovative programs, Hardy was confident that his station would soon dominate the ratings, leaving competitors far behind.

After discussing the plan, Hardy assigned tasks. Fox was to finalize the TV station's structure, ensuring that the first show aired next month. Edward was to recruit directors, screenwriters, producers, and planners, building the teams needed for the shows. He was also tasked with acquiring broadcast rights for films from other companies and securing sports events like baseball and rugby, which were sure to draw viewers.

With everything set in motion, Hardy finally relaxed. He'd been working tirelessly for three days, and now it was up to his team to bring his vision to life. Just as he was settling in, there was a knock on the door.

"Come in," he called.

The door opened slightly, and Irina peeked in. "Boss, I have something to ask you," she said hesitantly.

"Come in."

Irina approached, looking a bit nervous. "What's on your mind?" Hardy asked.

"Boss, I really like the concept of your 'Barbie Little Demon Fairy.' I think it would be amazing to film. But, do you think three princesses are enough? I believe having four princesses would allow for more interaction and extend the movie's length," Irina suggested.

Hardy nodded, seeing where she was going. Irina had been hinting at wanting a role in the Barbie project, hoping to add a princess character based on herself.

"You make a good point," Hardy said, pretending to be oblivious to her true intentions. "I'll think about which princess to add."

Irina, not wanting to miss her chance, blurted out, "Boss, can you consider me as Princess Elaine?"

Hardy looked her over and asked with a smirk, "What are your measurements?"

Irina's face lit up as she straightened her posture. "35D-24-35."

Standing at over 1.70 meters, with a perfectly proportioned figure and striking beauty, Irina resembled the French actress Isabelle Adjani. "Is that so? I find it hard to believe," Hardy teased.

"I can get a ruler so you can measure for yourself," Irina shot back, not backing down.

After a moment, Hardy relented. "Alright, go to the Barbie doll factory and let them know I've approved the addition of 'Princess Elaine' to the 'Barbie Little Demon' series. Make sure you're involved in the production, and we'll increase the number of Sailor Moon dolls to four."

"Thank you, boss! I love you for this!" Irina exclaimed, jumping up with excitement. She rushed over, hugged Hardy tightly, and kissed his cheek in gratitude.

As Irina embraced him, Hardy couldn't help but think, this girl didn't lie—her measurements were just as she claimed.