Why can't the mobile phone e-book skip pages?There may be the following reasons why the mobile e-book cannot skip pages: First, the network connection is interrupted; Second, the page update is incomplete and needs to click "refresh"; Third, the mobile phone owes money and the data cannot be used, so it needs to be charged to continue; Fourth, when reading the e-book, the memory card (memory card) is disconnected from the metal contact of the mobile phone; Fifth, there is a problem with the reading software. You can try to change the reading software; Sixth, the reason is the electric screen. For example, if there is sweat on your hand, you can wipe it directly. The seventh reason was that he was stuck, so he could change to another novel reading app.
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The application of the skip-axis lensOff-axis shots were a phenomenon that needed to be treated with caution in film shooting and editing. Although jumping axes should be avoided under normal circumstances to maintain the logical continuity of the picture, it could also be applied in some special creative situations:
** 1. Direct application under special creative intent **
1. ** Create a special atmosphere or effect **
- Sometimes, in order to deliberately create a chaotic, confused, nervous, or dream-like atmosphere, one could directly use a jump lens. For example, in the performance of a character's inner confusion or in a chaotic situation, the jump camera lens may make the audience feel the disharmony of the picture, thus conveying the character's inner state.
2. ** An innovative attempt at artistic expression **
- In some avant-garde or experimental films, the director might break the traditional rules of axis and use off-axis shots to create a unique visual style and artistic expression. This was a challenge and innovation to the traditional film language. By breaking the audience's conventional visual expectations, it triggered a deeper level of thinking or a new visual experience.
** 2. After processing (application under remedy)**
1. ** Using momentum to change the direction of the axis **
- In the middle of the two jump shots, insert a shot of a character turning or a moving object turning, thus changing the direction of the axis. This way, the transition of the original jump axis could be made more reasonable, and the audience wouldn't feel too abrupt when watching the scene.
2. ** Neutral lens inserted **
- In between two shots that were moving in opposite directions, a neutral lens with no obvious direction was inserted. For example, the front or back of a character could reduce the effect of "axis skipping". Since the neutral lens itself did not have a strong directional orientation, it could buffer the visual conflict caused by the off-axis lens to a certain extent.
3. ** With the help of people's vision **
- In the middle of the off-axis lens, insert a scene where the person's line of sight changes. With the change of the person's line of sight, change the direction of the axis and eliminate the phenomenon of "off-axis". Through the guidance of the character's gaze, the audience's attention was diverted, so that they could better accept the change in the direction of the central axis of the picture.
4. ** Close-up shot inserted **
- In the middle of the jump shot, insert a close-up or reflection close-up shot. Close-up shots could focus the audience's attention, making the audience temporarily ignore the changes in the axis direction, reducing or eliminating the visual conflict caused by the axis jump. However, the close-up shot had to have a certain connection with the front and back shots, otherwise it would appear stiff.
5. ** Add panoramic camera lens **
- Because the position of the main body in the panoramic lens, the direction of movement or action is not very obvious, even if the axis direction changes after inserting, the visual jump of the audience is not big, which can reduce the "axis jump" phenomenon.
6. ** Using the movement of the subject **
- In between the two shots that were moving in opposite directions, insert a shot that changed the motion path of the subject. For example, in the middle of two shots that were showing two people talking and jumping axes, insert a scene where one of them walked towards the other or walked to the other side of the other person, so that the shot could smoothly change.
7. ** Using a subjective lens **
- The subjective lens represented the line of sight of the person in the picture. The subjective lens was inserted between the two shots with the main body's position reversed, and the audience was guided to observe and feel things with the line of sight of the characters in the picture, thus relieving the feeling of skipping axis. You could also insert a scene where the person's line of sight changed between two shots where the subject was moving in opposite directions.
8. ** Using the motion camera to go off-axis **
- In the middle of the two shots where the position of the conversation between the two people was reversed or the main body moved in the opposite direction, a moving shot by the camera in the process of crossing the axis was inserted, thereby establishing a new axis and making the transition between the two shots smooth.
9. ** Using multi-axis cross-axis (when the subject has more than two axes)**
- This method could deal with the jumping axis to a certain extent, so that the combination of the images could be relatively reasonable under the complicated axis relationship.
10. ** Use a neutral lens (axis-riding lens)**
- Neutral shots were shots that were shot while riding on the axis. The moving subject in the picture was coming or going back. By inserting a neutral lens between two lenses that move in opposite directions, the sense of conflict between the opposite movements can be reduced.
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Love this author. I've loved all her books so far. This book is SUPER smutty so if that isn't your thing, I would skip this one. However if you do, boy howdy, this book delivers.