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The names of the performers referred to the programs and performers in the houses. Goulan was an ancient entertainment venue for the audience to enjoy all kinds of opera, folk arts, dance, martial arts and other performances. According to the documents provided, the performances included opera, folk arts, sumo wrestling, boxing routines, eighteen kinds of martial arts, etc. Goulan was also a place where ancient geishas often performed to make a living. Therefore, there were all kinds of wonderful performances and performers. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!

be ignorant of While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!

I recommend a few good ancient romance novels. In the elegant evening song," Glory, Wealth, and Riches," a modern white-collar worker dressed as an ancient girl, and the young lady of the Marquis's residence was in a difficult situation. She was bullied but determined to turn over a new leaf. In " The Rich and Splendid Beauty," the female protagonist had to transmigrate into a well-known young lady. She had to control her own fate and had to shout " self-respect " in front of the emperor. Mu Fei's " The Little Maid of Ming Dynasty " was super exciting. The little maid after the guilty minister and the debauchee concubine Jinyiwei loved each other and killed each other. The female protagonist had many sides and the plot reversed constantly. Although the update was slow, the writing was good and the plot was compact. The plot of power and martial arts was superb, and the emotional description was exquisite. The Wandering Doctor written by The Worm that Loves to Sleep was not bad either. A young intern in the emergency department dressed up as a doctor's orphan and disguised as a man to take revenge. The theme was novel. The female protagonist was self-reliant. It was a strong female novel without a male protagonist. There was also " The Peerless Mute Concubine Soaks the Prince " written by Cang Hai Lian. The mute woman's fate was bumpy after she transmigrated and was reborn. She pretended to be ugly and dumb to seek sincerity. The story with Leng Junfu was very interesting. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Goulan Tile House was a folk art performance venue during the Song and Yuan Dynasties. It had the following characteristics: 1. ** In terms of layout and structure ** - The tile-roofed house was relatively large, with a dozen or so railings. There were tea houses, wine shops, theatres, and other entertainment venues in the tile-roofed house. There were also various shops that sold clothes, toys, groceries, tea houses, wine shops, hairdressing shops, and so on. There were taverns, tea houses, and sundries shops around the house. In the middle was a market, which was similar to a comprehensive supermarket that gathered food, drink, and entertainment. - The railing was a fixed place for artists to perform in the tile-roofed house separated by railings or giant curtains. Its construction style drew lessons from some characteristics of the temple stage at that time. It set up a stage and a divine building, and also considered the placement of the audience to build a fully enclosed structure. It was surrounded by a roof, so that the performance would not be affected by the climate and season. The stage used for the hook and turn performance was higher than the ground. There was a music bed on the stage, and the backstage area behind the stage was the backstage (theater). The passage from the theater to the stage was called "Ancient Gate" or "Ghost Gate"(namely, the upper and lower gates). Opposite and around it were the audience seats (waist tents) that were raised from the inside to the outside. The stands facing the stage and in a higher position were called the God Tower. 2. ** Function and performance ** - Tile houses were the entertainment center of the city during the Song and Yuan Dynasties. They were part of the history of the development of drama culture and were related to the performances of China Zaju and Southern opera. There were many entertainment programs in the tile house, and there were hundreds of kinds of performances, among which speaking, puppet, acrobatics, drama, and shadow play were the most popular. The entertainment programs such as drama, funny play, history telling, singing and dancing, puppet play, magic, acrobatics, Cuju, sumo wrestling, etc. were performed day and night in the bar. - Hook-off artists formed a very professional organization model. The audience paid to enjoy the artistic performance. This model promoted the commodification of artistic performance, marked the official formation of China theater, and strongly promoted the development of literature and art in later generations. 3. ** Rise and Development ** - Tile houses rose in the decades from the middle of Song Renzong to the early Shenzong period. They rose in response to the needs of the citizens for entertainment. All kinds of folk arts that were originally scattered in various places gathered in the city to perform. In the later period of the Song Dynasty, the distribution of tile-roofed balustrades became more and more widespread, and many regions began to rise and become a custom. Their internal settings became more and more standardized, and the number of people they could accommodate also increased. Similar to the theaters and gymnasiums in modern cities, each tile-roofed balustrades arranged performances regularly every day, and there were also participating lists, which obtained a relatively standardized development. However, after the Northern Song, Jin, and Yuan Dynasties, until the beginning of the Ming Dynasty, the China drama, which was mainly based on tile-roofed houses and balustrades, supplemented by temple theatres, went extinct. However, it mixed the elements of Zaju and Nanxi, affecting the development of China drama. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!

The brothel was a comprehensive entertainment venue in the big cities of the Song Dynasty. Tile houses were also known as tile houses or tile cities, and could be seen as entertainment centers. The brothels were known as hook houses or swimming tents, and they were entertainment facilities in the entertainment centers. Tile houses were places for folk art performances during the Song and Yuan Dynasties. They were also the entertainment center of the city, including tea houses, wine houses, theaters, and other entertainment places."Tile" meant freedom of movement. Inside the house, fences or curtains would be used to divide the performance area and the audience area. This was called the hook railing. The original meaning of the hook railing was the winding railing. In the Song and Yuan Dynasties, it was specifically used to refer to the performance shed set up in the market house. When a tile-roofed house was large, there would be more than a dozen railings. There were many entertainment projects and hundreds of performances, such as speaking, puppets, acrobatics, dramas, and shadow plays. At the same time, there were also shops selling clothes, toys, groceries, tea houses, wine shops, hairdressing, and so on. There were many forms of performances in the Goulan Washe, including rap, singing and dancing, opera, southern opera, puppet opera, musical instruments, hundred plays, sumo wrestling, animal training, magic, acrobatics, chess, etc. These performances had a profound influence on the development of art in later generations. While waiting for the TV series, you can also click on the link below to read the classic original work of "Dafeng Nightwatchman"!