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Matrimonio no deseado: ¡Cariño, no más divorcio!
Author: TheHana
Completed · 1.2M Views
Synopsis

Después de tres años de matrimonio, Wendy Stewart estaba acostumbrada a los comentarios sarcásticos de Michael Lucas, sus amenazas frecuentes sobre el divorcio e incluso su indulgencia con una amante. Pensó que podría soportar todo esto toda su vida, hasta que accidentalmente quedó embarazada de un niño que Michael no quería. Finalmente desesperada, Wendy firmó el acuerdo de divorcio y se fue. Pensó que podrían haberse separado para siempre, pero Michael se negó a dejar de buscarla después del divorcio. Cuando se encontraron de nuevo, ella era la mejor diseñadora del mundo. Sonriendo dulcemente a su exmarido, dijo: —Mi querido, ya estamos divorciados. Michael simplemente la miró fríamente: —Dime, ¿qué hará falta para que nos reconciliemos?

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No Substitutes for the Bigshots' Dream Girl Anymore!

In her pursuit of saving enough money to return home, Hannah found herself playing the role of the "first-love" character in a beloved novel. Originally, this character was a typical stand-in supporting actress, taking on various substitutes for the female lead as dictated by the male protagonists, such as donating kidneys or sparing road for the female lead, which she all agreed. Eventually, the original character succumbed to the pressure, turning dark and meeting a tragic demise with a disfigured face on the streets after being killed by the male protagonists. Hannah's task was to follow this grim plotline and achieve the tragic story's intended outcome. However, in the eyes of George River, she was merely a substitute he had enlisted—an entity dependent on him. When his true love returned, he callously abandoned the woman who deeply loved him. Later, he regretted his decision, only to discover that the once-begging woman was now surrounded by various exceptional men. The individuals who had previously used her as a shield—the movie king, the ambitious young actor who climbed over her for his ideal goddess, and the president who regretted his actions upon regaining his memory—all found themselves humbly pleading for her affection: "Hannah, the one I love is you." Confused by the sudden turn of events, Hannah observed her bank account steadily growing and stumbled upon a newfound skill for crafting tragic stories. As the main antagonist who successfully survived until the end of the story, Arnold Simmons was ruthless, dark, and violent. In his eyes, Hannah appeared to be the most naive woman he had ever encountered, her thoughts consumed solely by love. Witnessing her continuous deception by those around her, Arnold eventually reached a breaking point and seized her, declaring, "Stay by my side; let me handle your tasks." [A seemingly fragile flower with an inner strength, Daughter of the Sea, crosses paths with an obsessed, dark, and sinister antagonist who contemplates disrupting the pond of bred fish every day.]

Tail Tone · General
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iWizard
iWizard
2020-01-19

This was a rather unique reading experience when it comes to Chinese web novels. The Way of Choices seems to capture that, web novel-wise, uncommon feeling of subtlety and grandness. It's kind of hard to put into words, because this “feeling” seems to be an integral part of character design and even the very description of this novel's world setting seems to be permeated by an intangible feeling of vagueness. When I first started reading this, I inevitably ended up wondering why does this feel so refreshing and, dare I say, somewhat new. The answer came around when I was 400 chapters in. It was, first and foremost, the writing style or maybe it could also be attributed to the quality of translation. It is very unusual for a web novel author to keep the pace of a narrative stable. Mainly due to a constant pressure of being forced to churn out multiple chapters per week. That's why I surmise that Mao Ni shifu wasn't writing it on the go. The story development feels unhurried and even somewhat lethargic at the start. This may scare off some less patient readers, but for me this was a rather welcome novelty. The author isn't galloping through the plot to get to the action packed tidbits and there are no redundant characters. Most, if not all, secondary characters are fleshed out and distinct. Mao Ni seems to mostly adhere to the famous Chekhov's gun principle: "Remove everything that has no relevance to the story. If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there." That proverbial rifle does indeed go off. The plot remains very consistent and inconsequential details are rather scarce. Of course, the validity of this observation depends on how deep one is willing to interpret. The main character deserves his own paragraph. Chen Changsheng feels like an old man trapped in a youthful body. The author emphasises his candour and naivete, but at the same time also mentions that naivete can be cruel. Chen Changsheng has an otherworldly feeling to him and mostly retains his untainted image throughout the novel. It is also very unusual for the main character of xianxia to not be a power fantasy vessel. That's why secondary characters feel so important. The main character doesn't act alone and his friends do play a major role in his achievements. Chen Changsheng relies on different people to accomplish things, that's why plot development doesn't feel like the usual deus-ex escapade, especially when compared to a lower quality xianxia novels. I also want to mention the dialogues and they are everything but straightforward. Nothing, I repeat, nothing definitive escapes the lips of most, if not all, secondary characters. They speak in riddles and metaphors. Let me quote directly from the novel: “Silence is also a sort of stance”. Much to my amusement, literally “everything” is a sort of stance in this novel. The narrative is filled with implicit messages and deliberately vague undertones. More often than not, characters express themselves non-verbally and Mao Ni does a good job at conveying the ambience of a non-verbal conversation between characters. This creates the aforementioned feeling of vagueness and ambiguity which is more common in drama. The only thing that I found unsatisfactory is the ending. It felt like the author was about to bring this to a definitive conclusion, but then, all of a sudden, changed his decision and wrote chapter 1186, which feels like an unnecessary information dump created only to serve as a future foundation for a sequel. Up until chapter 1186 the novel felt beautifully vague, never slipping into a pit of explicit fact dropping, but then... Oh well, nothing is truly perfect. In conclusion, The Way of Choices is a great novel. It's very deep and sometimes feels more like a theatrical performance than a web novel. If you want to take a break from unsophisticated power fantasy xianxias, this novel is for you.

Related Questions
What is the significance of candour in English fiction?
3 answers
2024-11-03 13:52
Candour in English fiction is very important. It allows for a more genuine portrayal of characters, their emotions, and the situations they face. It can make the story more relatable as readers can see the unvarnished truth within the narrative.
How does candour in English fiction affect the reader's experience?
1 answer
2024-11-03 12:06
Candour in English fiction can enhance the reader's emotional connection. Since the story is told with honesty, the reader is more likely to feel empathy towards the characters. For instance, if a character's internal struggle is described candidly, the reader can relate it to their own experiences or at least understand it on a deeper level. This also means that the reader may be more engaged with the story, as they are not just reading a fictional account but are being exposed to real - like emotions and situations. Moreover, it can expand the reader's perspective. By presenting things candidly, English fiction can introduce the reader to different ways of thinking and different aspects of life that they may not have been aware of before.
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