Incense Burner JadeIn China incense burner culture, jade incense burner was one of the important types. The jade incense burner of the Qing Dynasty displayed the beauty and nobility of jade. Jade censers were very popular during the Ming and Qing Dynasties. For example, Hetian jade was also used to make censers. There were Hetian jade censers for collection and appreciation. In terms of price, the prices of different jade incense burner in afghanistani were different. For example, the price of afghanistani white jade antique incense burner decoration home decoration white jade tripod five ring incense burner jade decoration was 226.1 yuan, treasure afghanistani jade nine dragon tripod decoration white jade incense burner jade carving jade decoration was 883.5 yuan.
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Lotus incense burnerThe lotus incense burner was a type of incense burner. In ancient times, the materials used for incense burner had been continuously developed, including bronze, pottery, porcelain, jade, and porcelain. Lotus incense burner might exist in many materials.
From the perspective of historical development, the incense burner culture had a long history, and its development was closely related to the culture, religion, social needs and other factors of different dynasties. Incense burner had appeared in the primitive society. After the continuous development and evolution of various dynasties, the lotus incense burner might have gradually appeared in this process and had a unique meaning.
In the Song Dynasty, there was a celadon lotus-shaped incense burner. It could be seen that lotus incense burner made of porcelain already existed at that time. In ancient times, the lotus shape had a special meaning and was directly related to Buddhist culture. For example, the lotus stone incense burner of the Qing Dynasty in the collection of Shangluo City Museum reflected its connection with Buddhism. In modern times, there were also ceramic lotus incense burner used as a Buddhist tool for household use.
The lotus incense burner was similar to other incense burner in function. In addition to being used as a ritual vessel for worshipping Buddha or ancestors, it could also be used for smoking clothes and furnishings. It was also an essential tool for the "incense path" and was collected and played by scholars, reflecting the value of incense burner culture in different aspects.
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Set the position of the incense burnerThe Kitchen God belonged to the family god. For similar situations like worshipping the Kitchen God, one could refer to the placement of the incense burner in the Buddhist hall. The incense burner should be placed in the middle of the feet of the Kitchen God statue to show respect and piety. However, he did not find out that the placement of the incense burner had a special meaning that was different from the placement of the ordinary incense burner. According to the general principle of placing the incense burner in the traditional home, the incense burner should be placed in a clean, solemn and relatively independent place. In terms of material, bronze was the best choice. At the same time, the incense burner should not be pressed down by the beam. The wall against which the incense burner leaned should not be the bathroom or bedroom as much as possible. The surrounding environment should also be kept clean.
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Gilded bronze incense burnerThe gilded copper incense burner had a rich meaning. From a historical point of view, its development was closely related to the craftsmanship of different dynasties. For example, in the Ming Dynasty, there were all kinds of gold-plated copper incense burner with unique shapes and styles. For example, the Arabian cylinder furnace in the Zhengde period was cast with brass. The copper was refined, and some parts of the copper were exposed. The skin color was excellent, and the red skin was quiet and even. It had a unique Arabic decoration with some gold-plated parts. At the bottom, there was a seal script of "Zhengde Year System". During the Wanli period, the square cover furnace with the pattern of double dragons holding longevity was rectangular. It had the typical shape of a copper furnace in the middle and late Ming Dynasty. It was decorated with various auspicious patterns such as double dragons holding longevity.
In the Qing Dynasty, there was a set of tripod furnace and flower Gu in the Qianlong period. The whole set was square and thick. The ancient bronze ware was used to make the porcelain ware. The silk was neat and delicate, the color was gorgeous, and the gold was bright. The copper cylinder furnace in the early Qing Dynasty was elegant and unique.
In terms of craftsmanship value, the production process was complicated and varied. Taking the cloisonné incense burner as an example, its production included many steps, such as making a tire (usually made of red copper), pinching silk, adding blue, burning blue, polishing, etc. Each step required exquisite skills and rich experience.
In terms of artistic value, the gilded copper incense burner had various shapes and patterns. For example, cloisonné incense burner had auspicious patterns on its surface, which were bright in color and high in luster. It had high ornamental value.
In terms of market value, it had been eye-catching in the auction market in recent years. For example, in the 2024 China Guardian Spring Auction, the Ming Zhengde copper-gilded Arabic three-legged cylinder furnace sold for 3,450,000 yuan, and the Ming Wanli silken glaze double-dragon holding longevity pattern square cover furnace sold for 2,990,000 yuan.
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Double Dragon Incense BurnerThe Double Dragon Incense Burner came in many different materials and styles. Some were made of porcelain, which was shaped like a cylinder, and there were two dragons playing with fire beads on the turbulent sea. Some were made of brass, which could be used as antique bronze ware collection and home decoration. They were Tibetan pattern fuming furnaces and were square. There was also the Southern Song Dynasty official kiln, which was a double-dragon-eared Gui-type cover furnace, Gui type, with yellow glaze on the whole body, covered with open pieces, and a pair of exquisite dragon ears embedded in the furnace body. There was also the Xuande double-dragon-eared copper incense burner during the reign of Emperor Xuanzong of Ming Dynasty.
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I think author knows it stuff in incense, with so much he put into Introductory about various incense. Or is it just some rambling, I don't know, am not into incense