Car logo collection logoThe following are some common car badges:
- Alfa Romeo was a famous Italian car brand logo.
- Aston Martin was the symbol of a well-known car brand.
- Audi: Four rings connected.
- Baojun is the symbol of a China car brand.
- BMW: Blue and white propeller design.
- Porsche was the symbol of a luxury car brand.
- Beiqi: China car brand logo.
- Mercedes-Benz: Three-pointed star logo.
- "H-H."
- Byd was the English nickname for the company.
- Peugeot: Some little lions have tongues.
- Buick, the symbol of three shields.
- Bentley was a high-end car brand logo.
- Bugatti: The symbol of a well-known car brand.
- Chang 'an: A China car brand with a more robust appearance.
- Volkswagen: The logo is WV.
- Dodge: Common logo with a sheep's head (Dodge Ram).
- Dongfeng: China's car brands and many types.
- Ferrari: The symbol of a famous luxury car brand.
- Fiat: A rare car brand logo in China.
- Toyota: Three oval symbols.
- Ford: American car brand logo.
- Trumpchi: The logo of a China car brand.
- Harvard: China car brand, H6 was super popular.
- Chevrolet: The logo of a bow tie.
- Mazda: Seagull design logo.
In addition, there were new energy car brand signs such as Wei Lai and Extreme Krypton, and some car signs were modified by car owners.
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Car logo collection logo Wuling HongguangWuling Hongguang's logo was made up of five red diamonds, shaped like a Kun Peng spreading its wings, with a rising momentum. In addition, Wuling also launched a new car logo. The new logo was similar in overall style to the red logo. It was composed of five diamond-shaped structures, but the color was silver. The purpose was to enhance its competitiveness in the overseas market.
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Car logo collection, high-grade logoSome of the car emblems that were generally considered high-end were: Aston Martin, Bentley, Bugatti, Ferrari, Lamborghini, Porsche, Maybach, Mercedes-Benz (three-pointed star logo), BMW (blue and white propeller logo), etc. The cars under these brands were usually of a higher level in terms of design, performance, craftsmanship, and price, so they were regarded as high-end brands.
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logo designThere were many ways to design a geometric logo.
In terms of styling reference, he could look for real objects or draw styling reference drawings. Then, he replaced all the parts in the model with common basic geometric shapes (such as rectangular, circular, triangular, rhombus, etc.). For example, when designing the logo of the owl and L, the owl's body was rectangular, its wings were semi-circular, and its eyes were double circles.
There were many ways to construct it:
- ** Compose **: Choose a simple geometric shape, divide it by a straight line, curve, or broken line, and then perform operations such as displacement, replacement, or rotation on the divided unit shape to generate a new shape. For example, Emporiki Bank's logo design used a circle as the basic shape and used a broken line to divide it into a new abstract shape.
- ** Group composition **: On the basis of repeating bones, gradual bones, and radiating bones, repeat the same unit shape. Pay attention to the spatial relationship between the unit shapes (overlapping, connecting, and separating), as well as the distance and angle to achieve the best modeling effect. For example, the logo design of the Edmonton Public Library used rectangular units with a large length and width ratio to repeat at equal distances.
- ** Gradually changing composition **: Two or more unit shapes will gradually change in order. The unit shapes will gradually change in size, angle, and position to form a new logo. This form is full of unique beauty and rhythm. For example, the Dalasco logo in the United Kingdom used a rectangular unit as a unit shape. The length of the rectangular width was gradually changed and the size of the negative space was considered to produce a spatial perspective visual effect.
- ** Radiating composition **: The basic unit shape is arranged around a central point to form a visual center point, producing an optical dynamic light sense that is concentrated inward or spread outward, thereby enriching the visual appeal of the logo.
After the initial outline of the logo was completed, letters could be combined appropriately or small elements could be added to enhance the sense of the picture and story. Moreover, it was necessary to constantly observe and refine the graphics, such as adjusting the connection of the elements, the outline, adding rounded corners, etc. to make the graphics more harmonious and gentle.
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