mihika verma

Good fiction novel and story is also great. Now the MC has won the World Cup as an captain, he should also train the future cricketers, like Yashasvi Jaiswal or Tilak Verma.

Hi there, I just came across The Big Bully, and Ayaan Verma's story immediately caught my attention. I love how it opens with such a quietly relatable morning, snoozing alarms, endless Instagram scrolling, a notebook full of unfinished self improvement promises, painting such a real picture of feeling invisible even in a crowd of people who seem to have it all figured out. The moment his own reflection stays behind in the mirror for a fraction of a second before finally moving on its own is such a chilling, perfectly placed turning point after all that grounded realism. The contrast between Ayaan's mundane, achingly ordinary struggle with self worth and the eerie supernatural thread creeping into his life through that mirror gives the story a lot of visual potential. I'd love to create a character illustration or cinematic scene capturing Ayaan staring blankly at his phone in the glow of another sleepless scroll session, the unsettling moment his reflection lingers behind him in the wardrobe mirror, or the quiet, sunlit walk to school where he drifts unnoticed through Gurugram's crowded streets. There's a great mix of grounded emotional realism and creeping horror to draw from. I do manga style commission art, and stories with quiet inner struggles bleeding into something eerie and supernatural are exactly the kind of stories I love bringing to life through illustration. Discord: emmamaxwell0713 Instagram: mirabellebrushes

Intro ( Opening sequence; NOT the beginning, Just a trailer) The camera pans over a sprawling green-uniform high school — manicured lawns, glass windows gleaming under the afternoon sun. Beside it stands a tall, grey apartment complex, balconies facing the schoolyard like silent spectators. Scene 1 A narrow corridor. Tanu Choudhary, hair tucked neatly behind her ears, peeks through a half-open classroom door. Inside, a man in a dark suit hovers inches above the ground — his feet not touching the floor. His head tilts back unnaturally, a guttural roar escaping blood-smeared lips. A woman in a pencil skirt sits frozen on the floor, scooting backward, her wide eyes locked on him. Tanu’s expression is unreadable. Without a sound, she slowly shuts the door. Scene 2 The hallway explodes with chaos — students sprinting in every direction, their green uniforms blurring in motion. Yang Jungwon falls hard, the air knocked from his lungs. Students and staff trample past him, too terrified to stop. He spots his phone sliding across the floor — identical to hundreds of others with the same green case. His hands shake as he grabs it, dialing a number with urgency. “Pick up… please pick up,” he whispers. Scene 3 Suhyeok, tall and sharp-eyed, bursts into the school’s massive assembly hall with his shorter friend Minjae. They slam the doors shut, chests heaving. Curtains sway in the corner, but Suhyeok knows they’re not enough. He scans the room and spots a cramped storeroom. They slip inside, locking it from the inside. Scene 4 At a small, bustling coffee shop near the school gates, Gunishka “Guddu” Verma sips her drink as the TV plays live news. A trembling female reporter speaks of an “unknown virus” spreading rapidly — her voice cracking with fear. The sound of a scooter breaks the tension — Ushika, Guddu’s best friend, pulls up. “Everyone needs to go home! Now!” she shouts. Guddu grabs her bag. “Take me with you.” The two ride toward their apartment building — the one right next to the school. The screen fades to black. A single word appears: THE SHADOWS AMONG US