Ancient Relic PaintingsThere were many types of ancient paintings with their own characteristics. For example, the murals in the tombs of the Northern Dynasties were now collected in the Shanxi Museum, the portrait bricks of the Han Dynasty were stored in the Dengzhou Museum in Henan Province, and the Ming Dynasty's Qiu Ying version of "Along the River During Qingming Festival" was collected in the Liaoning Province Museum. There were also paintings of the Ming Dynasty's Pengshan Encountering a Carriage, the Yuan Dynasty's Zhao Mengfu's Medicine Buddha, the Ming Dynasty's Chen Hongshou's Three Stars, the Qing Dynasty's Xugu's Fish Playing, the Ming Dynasty's Xuanzong's Riding Horse, the Ming Dynasty's Chen Chun's Plum Blossom and Narcissus, the Ming Dynasty's Xu Wei's Pomegranate Fruit, the Qing Dynasty's Nanlu's Golden Travel, and the Five Dynasties 'Snow Bamboo. In addition, during the Wei and Jin Dynasties, there were colorful wooden coffin lids of Fuxi and Nuwa and wooden paintings of green dragons and white tigers, which contained information about ancient China culture, religious beliefs, philosophy, and many other aspects. During the Eastern Jin Dynasty, there were also some magical and precious paintings. In terms of painting materials, most artists used silk before the Han Dynasty, and silk painting was the mainstream. After the Jin Dynasty, paper painting gradually appeared. These ancient paintings were important witnesses of ancient culture, art, religion, philosophy, and many other aspects. They had unique artistic charm and research value.
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Ancient Relic PaintingsThere were many examples related to ancient cultural relics. For example, the painting "Auspicious Crane Painting" by Emperor Huizong of Song Dynasty was hidden in the Museum of Liaoning Province. It was a national treasure after thousands of years of exile. There was also a female teacher from Hebei Province who was born in the 1990s painting cultural relics in the Xingtai Museum to show the culture of her hometown. From July to September 2024, the Youth volunteers Association of the School of Social Sciences of Suzhou University formed a team to carry out the theme practice activity of "I will paint Chinese cultural relics and walk into Suzhou Museum". Twenty-six cultural relics such as "Seven Gentlemen Painting" from Suzhou Museum, West Hall and Wu Culture Museum were selected for teenagers to paint. In addition, on the afternoon of October 16th, Luoyang City had a series of art exhibition activities called "I'll Draw Chinese Cultural Relics". There were paintings of cultural relics such as the Buddha's head in Yongning Temple of the Northern Wei Dynasty. Tang Bohu and Zhu Zhishan once painted a first-class cultural relic of the Forbidden City worth 3.3 billion yuan. There were also illustrations of cultural relics and related content. These all reflected the situation of the ancient cultural relic painting.
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Appreciation of Ancient Chinese PaintingsThe following are some ancient Chinese paintings and their characteristics for appreciation:
** I. Tang Dynasty **
1. ** Han Gan's Horse Herding Painting **
- Han Gan lived in the prosperous Tang Dynasty, at the same time as Wang Wei, Li Bai, and Du Fu. His works showed the style of painting at that time.
** II. Yuan Dynasty **
1. ** Zhao Yong's Painting of the Cold Moon in Chengjiang River (Fan page, colored on silk, 25.5 cm in length and 24.8 cm in width, collected by the Museum of Liaoning Province)**
- It depicted the scenery of the cold moon hanging in the sky on the river on a winter night. The cold moon was pale yellow, the cold wind was chilly, the river was vast, and the distant mountains were light and distant. They formed a contrast and created a cold and distant artistic conception. The painter's brush strokes were flexible and varied, and his work was appropriate. The shape was solid and free, the ink color was appropriate, and the color was gentle and light. It had the temperament of Song painting and Yuan people.
2. ** Li Rongjin's Painting of Han Garden (Ink on silk, 156.6 cm x 108.7 cm, collected by the National Palace Museum in Taiwan)**
- In the picture, the magnificent pavilions were built on the high mountain, with the sky, trees, and distant mountains as the background. The boundary painting was neat and precise. The painter used his delicate hand to draw the complex structure of the building. The layout was well-arranged and the layers were distinct. It was complicated, exquisite, and magnificent.
3. ** Ni Zan's Painting of the Fishing Village in Autumn (Ink painting on paper, 96cm x 47cm, Shanghai Museum Collection)**
- Ni Zan advocated that the works should express the "free spirit in the chest", emphasizing the expression of subjective interest, and opposed the pursuit of perfection and similarity. The close-up of this painting was a flat slope with miscellaneous trees, the middle was blank to represent the lake, and the distant was a low and flat mountain peak, a vast realm. The ink was thick and moist, slightly different from his plain style in his later years.
4. ** Wu Yuanzhi's Painting of Red Cliff (Ink and wash on paper, 50.8 cm high, 136.4 cm long, collected by the National Palace Museum in Taiwan)**
- The artistic conception of Su Shi's "Red Cliff Nostalgia" is painted. The cliffs of the river and the cliffs are carved with sharp axes to show the rugged and solid stones, the small and dense trees, and the peaks and stones are slightly chapped. The boat sailed down the river, and the three people on the boat seemed to be reciting poems and Fu. Although the figures were small, their spiritual appearance could be distinguished.
** 3. Jin Dynasty **
1. ** Wu Yuanzhi's Red Cliff Painting **
- It was originally mistaken as a painting by Zhu Rui of the Song Dynasty. The painting method was slightly similar to the style of the Southern Song Dynasty but different from Zhu Rui's pen.
** 4. Others **
1. **<<Northern Qi School Calendar>>
- In the seventh year of Tianbao of Northern Qi Dynasty (556), Emperor Wenxuan Gao Yang ordered many people to jointly publish the history of the Five Classics collected by the school government.
2. **<<Luoshen Fu Painting>>(Gu Kaizhi of the Eastern Jin Dynasty)**
- It was a long scroll similar to a comic book (the original scroll had been lost), 27.1 cm in length and 572.8 cm in width.
3. **<<Walking Chariot Painting>>(Tang Dynasty Yan Liben)**
- 38.5 cm in length and 129.6 cm in width. It is now stored in the Palace Museum.
4. **<<Ladies in the Tang Palace>>**
- It described the portraits of beautiful women in the Tang Dynasty, including Zhang Xuan's Painting of Lady Guo's Spring Tour and Painting of Pounding and Training, Zhou Fang's Painting of Beautiful Women with Hairpins and Flowers, Painting of Beautiful Women with Fans, and Painting of Palace Music in the late Tang Dynasty.
5. ** Five Oxen Painting (Han Huang)**
- It was one of the few authentic works of paper and silk paintings handed down from the Tang Dynasty. It was the oldest existing China painting on paper and could be called the "treasure of the country". It was now in the Palace Museum in Beijing.
6. ** Thousand-Mile Landscape Painting (Wang Ximeng)**
- It was Wang Ximeng's only work when he was 18 years old. It is now in the Palace Museum.
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Is it illegal to copy ancient paintings?Whether or not it was illegal to copy ancient paintings depended on the specific circumstances. Generally speaking, if the imitation of an ancient work was legally authorized and copied according to the original form of the original work, it was legal. However, if the imitation works were produced and sold in large quantities without authorization, it might be considered an act of intellectual property violation. In addition, if the imitation works have malicious slander, confusion, and other problems, it may also lead to legal disputes. Therefore, whether it was illegal to copy ancient paintings and calligraphy required specific analysis.
What's this? Programmer? Isn't this world set in ancient china since this is cultivation? Why it sounded like Norse mythology with the mix of Greek mythology?