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The characteristics of cursive script were: 1. Fast speed: The cursive script is the fastest art form in Chinese calligraphy. The writing speed is very fast, and the strokes are often connected to form a variety of shapes. 2. The beauty of form: The writer of cursive script pays great attention to the beauty and artistry of the glyph. It pursues a kind of beautiful realm. 3. Successive strokes: The strokes of cursive script are often coherent and there is no obvious boundary between the characters. The characteristics of semi-cursive: 1. Flowing and free: Running script is the fastest form of calligraphy. The writing is smooth and free. There is no obvious boundary between the characters and there are many changes. 2. Harmonization: The font and strokes of semi-cursive script are coordinated and varied, but the overall look is very harmonious. 3. Gentle and tactful strokes: The strokes of running script are gentle and smooth. Writers often use curved strokes and curves to save the country. The characteristics of regular script: 1. Dignity and preciseness: Regular script is the most dignified and rigorous art form in Chinese calligraphy. The writer pays great attention to the standard and correction of the glyph. 2. Stroke specifications: Regular script's stroke specifications are neat and tidy. Writers often use clear strokes and strict stroke requirements. 3. The structure of regular script is rigorous. The relationship between symmetrical strokes and glyphs is very rigorous and there are relatively few changes.

The semi-cursive dictionary was a kind of calligraphy reference book. There was a semi-cursive dictionary published by the Xiling Seal Press, and there were also related books published by the Chinese Language Education Press. The content was rich, including the running script from the classics of ancient famous calligraphers to the innovative strokes of modern calligraphers. It covered the daily written Chinese characters and commonly used words. Each word had different writing methods of calligraphers. For example, each word had different writing methods of six calligraphers. It was not only suitable for beginners, but also helpful for calligraphy enthusiasts who had a certain foundation. It could be used as a copybook to accumulate glyphs, and it could also be used for inquiry. For example, when you encountered bad words, you could find the corresponding page number and select common words according to your needs. At the same time, some calligraphy dictionary also contained information about famous calligraphers, resumes, detailed introductions of calligraphy works, and so on. The seal engraving section also collected more than 10,000 pieces of classic works of famous calligraphers from ancient times to the present. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!

The following are some semi-cursive copybooks suitable for adults to practice calligraphy: - Qian Peiyun's "Running Script Calligraphy." - "Qigong Poetry Pen Running Calligraphy Calligraphy (Volume 1)". Mr. Qigong's poems were unique. The writing of his poems in the calligraphy was unique in terms of diction, rhyme, and creation. - There was a semi-cursive copybook specially designed for adult amateurs. Its writing was smooth and free, and the thin threads between the strokes were connected, showing a natural and unrestrained temperament. At the same time, it integrated the regular and stable structure method, which was both beautiful and practical. - Huairen's collection of Wang Xizhi's semi-cursive Heart Sutra was also an excellent copybook for practicing semi-cursive calligraphy. The novel "Song of Everlasting Sorrow: Morning and Evening" is equally exciting. Everyone is welcome to click and read it!

In the Qing Dynasty, there were many calligraphers who had their own unique semi-cursive calligraphy. Liang Shizheng was the teacher of Emperor Qianlong and held the important position of compiling in the palace. He compiled the famous "Sanxitang Fa Tie" and the "Shigong Tie" was a masterpiece of the Qing Dynasty. Liang Shizheng's running script was praised as " the most beautiful in the Qing Dynasty ". He first learned from Liu Gongquan, then from Zhao Mengfu, and in his later years, he learned from Yan Zhenqing. His running script was elegant, precise, and upright. His bones were delicate and straight, his breath was coherent, his words were gentle, his strokes were clear, and his strokes were skillful and powerful. Even when the " Pavilion Style " was popular, he could still express his personal style. It was suitable for beginners to copy and learn calligraphy. Liu Yong created a calligraphy work called "Qing·Liu Yong Running Calligraphy Scroll." There was also Wang Wenzhi, who had a running script from the Qing Dynasty. The works of these calligraphers reflected the style of the Qing Dynasty's semi-cursive calligraphy to a certain extent.

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