choi ae ra

Since I have no information about this 'Cha in Pyo Shin Ae Ra love story', it's difficult to tell. It might be a fictional story created by a small group, or it could be a real - life story of people with these names. If you can give more context, it would be easier to answer.

I'm afraid I don't have any details regarding the 'Cha in Pyo Shin Ae Ra love story' as it's not a well - known or common story that I've come across.

Since I'm not sure which drama in particular this is about, I can't give detailed information on their love story. But generally, in Korean dramas, love stories can be very emotional and complex. They might involve elements like family opposition, misunderstandings, and slow - burning romances.

One of the dramas that might feature them in a love story could be [specific drama name if known]. However, without more specific information, it's a bit difficult to pinpoint exactly which one. You could try searching on drama - specific databases or fan sites for more accurate information.

In the game, the camera could be used as follows: ** 1. Usage of the camera layer ** 1. ** Create ** - You can use the shortcut keys ctri +alt+shift+C to create a camera layer. When you create it, a dialog box will pop up. The default focal length is 50mm, which is close to the human eye's perspective. 2. ** Simple Usage ** - After creating the camera layer, you need to click the corresponding button to switch to multiple views to observe the camera and the scene. By default, the camera was viewed from the top, and the viewing angle could be changed by pressing a specific button. When the 3D function of the layer below was not turned on, moving the camera's X-Y axis would not change the image in the lens, because each camera layer would control the layer below it that had the 3D function turned on. When there are multiple camera layers, the observation image of the camera on the top layer is the active camera image, and you can also switch to other cameras to observe the image. ** 2. Usage of the camera view series tools ** - Similar to the operation of C4D for 3D views, select the unified camera tool (shortcut key is C). Hold down the left mouse button and drag to view 360°; hold down the middle mouse button to pan the view; hold down the right mouse button and drag up and down to zoom the view. ** 3. Creation of depth of field effect ** 1. ** Depth-of-field effect principle ** - Depth of Field (DOF) refers to the distance between the front and back of the object that can be obtained from the front of the camera lens or other imagers. Aperture, lens, and the distance between the focal plane and the object were important factors that affected the depth of field. The closer the focal distance to the object, the clearer the object would be. 2. ** Create a case ** - For example, if there were two elements, the background and the logo, to achieve the effect of blurring the logo and the background at the beginning (because of the small focal length), and then increasing the focal length, the logo would be clear first, and then the background would be clear. First, create a camera layer with a focal length of 50mm and check the Depth-of-Field option. Then, place the background layer and the logo layer in different positions. To make the blurring effect obvious, increase the "Blur Level". Although the focal length can be used for animation, it is not professional enough. You can create an empty layer to enable its 3D function, select the camera and the empty object, and connect the focal length to the layer by selecting Layer-Camera-Layer. At this time, the Z-axis of the layer can control the Z-axis of the focal length (the linked parameters will turn red). Finally, you can create an animation from far to near for the empty layer to complete the depth of field change. ** 4. An example of application in specific operations ** 1. You can first create a new composition and name it a camera. In the composition, right-click New-Pure Color to create a pure color layer, then right-click New-Cameras to create a camera and set the parameters yourself. Then, open the 3D switch of the pure color layer. 2. Choose the view layout as "2 views-horizontal", click the active camera view (right view) to operate. There is an axis in the center of the right view. Move the mouse around the axis to display the X, Y, and Z axes (X represents left and right, Y represents up and down, and Z represents zooming). You can also click the top view (left view) to move. When moving to the Z-axis, the distance and size of the pure color layer from the camera in the right view will change. 3. Choose the solid color layer and press the S key to turn on zooming, enlarge the solid color layer to fill the image, and press the space bar in the left view to move the view to better control the camera and the solid color layer. 4. Add material (such as logo and text) to the composition, give all the layers different colors, turn on the 3D switch, and move the layer position in the left view. He turned on Camera-Transform and keyed all the functions in the transform in the starting position for subsequent adjustments. 5. To create a zooming effect, he could import the material and turn on the 3D switch on the layer to create a camera layer. He could adjust the camera's "depth of field","focal length", and "aperture" three attribute parameters, switch to a custom perspective to adjust the focal plane, pull the distance between the objects, and then adjust the large aperture parameters to give the focal length K frames. At the same time, he had to pay attention to the settings of 3D Renderer-Renderer-Classic 3D in the composition settings. Otherwise, the depth of field switch might be ineffective. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>