Sensational! Fake Noble VS Real Genius
[1v1 pure love + transmigration + ancient martial arts + highly pampered by disguise group + mysticism + entirely fictional universe]
Gu Zhiqi transmigrated into the role of the vicious female antagonist.
The heroine was a true heiress with numerous disguises, while she, usurping the nest of others, constantly framed the heroine, and in the end, tragically received her 'boxed lunch' as the fake heiress.
Gu Zhiqi: Even transmigration can't stop me from retiring!
However, transmigration couldn't, but poverty could.
Master Zhi was forced into business!
...
#Breaking! Gu Family's fake heiress, Gu Zhiqi, kicked out and now swindling money as a fortuneteller under a bridge#
The protagonists' group style started to go awry.
Eldest Brother Gu: Need money? Take this neighborhood.
Second Brother Gu: Second bro gives you an entertainment company.
Third Sister Gu: Just made a billion, keep it safe.
Fourth Brother Gu: Young master's championship prize money, take it.
Money-loving heroine: Need money? Pick any color card you like.
Biological brother: Come back to inherit the family fortune.
Gu Zhiqi: "..." Huh? What happened to the vicious female antagonist script?
...
#Breaking! Everyone in the Gu Family is a top player in their fields, except the fake heiress who's nothing but a pretty face#
And then, the big shots started calling one after another.
First Big Shot: Our alliance's ancestral site doesn't have better feng shui than under a bridge? Master Gu, reconsider?
Second Big Shot: Need money? Think about that last order.
Third Big Shot: Have time for fortune-telling, but no time to write papers?
Fourth Big Shot: Miss Gu, I have a surgery here, what do you think...
...
Gu Zhiqi: Read, retiring, do not disturb.
A certain movie star: You just used my account.
Gu Zhiqi, who had swindled enough money to retire, "..." ?!
Time remote · General
a gifted artist, is content living with her artist parents in a loft in New York City. But then her father leaves for France, accompanied by a woman whom Ollie and her mother playfully nickname “Vooley Voo.” One week later, the playfulness has vanished, and Ollie’s mother will not get out of bed. Ollie strives for normalcy as she attends school, hangs out with her two best guy friends and goes to visit Apollo, her father’s partner in his art restoration business. Due to her mother’s urgent, hushed phone conversations and a desperate man who appears at their door, it becomes apparent that a mystery surrounds Ollie’s father and his departure, which coincided with the disappearance of a valuable piece of art. This is a lot for 12-year-old Ollie to puzzle out, and she becomes fiercely protective of her mother and refuses to accept the truth of her mother’s depression. There is a beguiling naturalness to Tucker’s depiction of Ollie and her troubles. Ollie is observant and reflective, allowing the reader full access to her emotional upheaval. Her best friends are genuine and loyal but clumsy in their attempts to help. Apollo is kind but distantly adult. Perhaps the most lovely element of the book is the infusion of art: Ollie’s art, rendered in pencil drawings, is sprinkled throughout the book, and there are discussions of art technique, art in museums and, most instructively, the provenance of art displaced by war.