Depth of Field Focus and Laser FocusDepth-of-field focus was not an independent focus method. Depth-of-field referred to the distance between the front and back of the object that could be obtained from the front of the camera lens or other imagers. Focus was the process of adjusting the camera lens to make the scene at a certain distance from the camera clear. The factors that affected the depth of field included aperture, focal length, and the distance of the subject. The focus operation would affect the depth of field effect. For example, in a scene with a large depth of field, more factors might have to be considered when focusing to ensure that the subject and background were clear.
Laser focus was a type of active focus (also known as range-based focus). It used a separate infrared laser sensor to emit an infrared laser to the object being photographed. After being reflected by the sensor, the distance between the objects was calculated. After that, the focus motor would drive the lens group to the corresponding position to complete the focus. This method of focusing was fast and performed well in dark environments, but it was limited by the focusing distance and cost. Laser focus could also increase the depth of field, allowing for a wider, faster, and more accurate picture.
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Is the lens long focus or short focus brightThe aperture size affected the brightness of the lens. In the case of the same aperture, the brightness of the telephoto and short-focus lens was not directly related to the focal length of the lens itself, but was related to the f-value of the aperture. The smaller the f-value, the larger the aperture, and the brighter the lens. For example, in a projection lens, the size of the aperture was inverse to the f-value. The smaller the f-value, the larger the aperture, and the brighter the projected image.
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Film FocusFocus was a very important part of filming. The following are some key points related to film focus:
** 1. The effect of the lens focusing motor on the focus of the movie shooting **
1. ** Stepping motor (ATM)**
- The working principle was to drive the stepping motor through an electrical signal to rotate it step by step within a specific angle, thereby achieving precise control of the internal focus group of the lens.
- In film shooting (video shooting), it was featured by smooth focus and low noise. It could accurately control the focus point when fine-tuning the focus. It was suitable for static film shooting scenes in quiet environments.
2. ** Horizontal motor **
- Its working principle was to directly drive the focusing mechanism to move in a straight line through electromagnetic force.
- In film shooting, it was featured by fast focusing speed and high focusing accuracy. It was suitable for dynamic scenes that required fast focusing in film shooting.
** 2. Other factors that affect the focusing speed of a movie lens **
1. ** Light **
- The art of photography was the art of using light. Whether there was enough light during shooting was an important factor that affected the speed of focusing. In a movie, the weaker the light, the slower the focusing speed.
2. ** Number and distribution of focal points **
- The more focal points there were, the wider the distribution. The focusing system could lock onto the target more flexibly and quickly, which was especially important in the complex scenes of a movie.
3. ** Focus **
- The length of the focal length also affected the focusing speed. In film shooting, the longer the focal length, the slower the focusing speed. Especially at long distances and large apertures, the focusing system needed more precise adjustments.
4. ** Anti shake system **
- In low-light environments, the anti-shake system could reduce hand shake, which helped the focusing system lock the focus faster and more accurately, improving the focusing speed. However, when using a tripod to shoot steadily, the anti-shake system may increase the time the camera takes to process data, especially when the anti-shake function is activated, which will reduce the focusing speed of the lens.
** 3. Focus characteristics of different types of movie lenses **
1. ** The difference between an AF-lens (autofocus lens) and a manual focus lens in movie shooting **
- In terms of optical structure, there was no essential difference between the AF-lens and the manual focusing lens, but the mechanical structure was different. The basic point of the design of the AFF lens was the transmission path of the autofocus power.
- The AF-lens had electronic contacts that were used to exchange various parameters with the body, such as the focal length of the lens, the maximum and minimum apertures, the closest focusing distance, etc. The camera set the corresponding working mode according to these parameters. This would help to work better with the filming equipment during filming.
- In the actual operation of the movie shooting, the manual focus lens required the photographer to manually adjust the focus, while the AF-lens could automatically adjust the focus according to the shooting needs.
2. ** The characteristics of the body-driven AF-lens in movie shooting **
- The driving source of the body-driven AF-type lens came from the body of the AF-type single-lens reflex camera. There was a transmission mechanism in the lens that was connected to the manual focusing ring. During autofocus, the manual focus ring on the lens was rotating, and because the design took into account the smoothness of the transmission, the mechanical structure of the focus ring might appear a little loose. If you use this type of lens in a movie, you should pay attention to avoid accidentally touching the focus ring during autofocus.
3. ** The characteristics of the lens-driven AF-lens in movie shooting **
- The lens-driven AF-lens body only transmitted focus signals and power to the lens. All mechanical movements were completed within the lens, and there was no mechanical connection between the lens and the body. This kind of lens was relatively independent in the focus operation during movie shooting, and it might have better compatibility and flexibility in some specific combinations of film shooting equipment.
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