patternmaking for fashion design

Joy of Life2 was very thoughtful in terms of music and costume design. The production team had invited professional costume designers and props masters to tailor suitable costumes and props for each character. Whether it was Fan Xian's suave and elegant style or Haitang Duoduo's gorgeous red clothes, they could all reflect their character and status. In addition, Joy of Life2 also focused on the creation of special effects music, trying to restore the original novel's scene and atmosphere. However, there was no clear answer in the search results for the specific music and fashion designers.

Joy of Life2 was very thoughtful in terms of music and costume design. The production team had invited professional costume designers and props masters to tailor suitable costumes and props for each character. Whether it was Fan Xian's suave and elegant style or Haitang Duoduo's gorgeous red clothes, they could all reflect their character and status. In addition, the background music of Joy of Life2 also received a lot of attention. The theme song," In My Lifetime," was sung by Li Jian and was very popular among the audience. In conclusion, Joy of Life2 was very thoughtful in terms of music and costume design, bringing an exciting audio and visual experience to the audience. Was the TV series not satisfying enough? Please click on the novel " Joy of Life Season 3 " below to learn about the plot in advance!

The application of animation in fashion design was reflected in many aspects. On the one hand, the fashion design elements in anime could directly provide inspiration for fashion brands. For example, the author of " Jojo's Bizarre Adventures ", Fei Araki and Lu Yan, had high attainments in fashion. He applied fashion elements to his manga works. The appearance and clothing features of the characters in his works were eye-catching. These unique elements could be used as reference by the fashion industry. The author of " Sailor Moon ", Takeuchi Naoko, drew inspiration from major fashion brands. At the same time, the costumes of her characters also provided inspiration for the fashion world. For example, the costumes of the protagonist, Moon Hare, Princess Chanid in her previous life were used as reference by brands such as Dior. The original source of the same style was Dior's 1992 haute couture. The author changed the original straight skirt into a fluffy skirt and added a bow at the back of the waist. The black dress of the supporting role Pluto Yukina was from Chanel's autumn and winter 1992. On the other hand, anime elements could be directly used in fashion shows or clothing collections. For example, British men's wear brand Bobby Abley is good at using two-dimensional elements. In the 2019 ew show, Pokemon occupied the stage, Pikachu, Little Fire Dragon, Elf Ball, etc. were all put on the fashion stage; GClaus also has relevant applications in the 2019 spring and summer series. Pikachu and Fatty Ding's boots, masks, socks, and hairstyle design of sky-facing braids let people immerse themselves in the world of elves. In addition, there were many different styles of clothing in anime, and different styles could inspire different types of clothing design. For example," April 1st Paranormal Event Calendar " incorporated elements such as the Japanese style, Lolita, and China style;" The Blade of Ghost Destruction " focused on military uniforms and kimono elements with fantasy embellishment because it was related to the era;" The Ways to Cultivate Passerby Female Lead " had beautiful girl-style clothing, etc. These styles could be used as inspiration in different fashion design fields, providing reference for the creativity and style of fashion design. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

Fashion design with China elements covered many aspects. In terms of design thinking, the principle of combining innovation and inheritance could be followed. The China elements with cultural heritage could be excavated. On the basis of inheriting the national tradition, the national characteristics could be preserved. The advantages of traditional clothing and modern fashion elements could be closely combined and carried forward. In terms of styling, many traditional China clothing styles reflected hardness and softness, movement and stillness, sparse and dense, loose and tight, hidden and exposed, etc., which perfectly interpreted the theory of "Yin Yang and Five Elements". Influenced by the China cultural context of Confucianism and Taoism complementing each other, traditional clothing presented a subtle, introverted and steady expression. These characteristics could be applied to modern fashion design. In terms of fabric selection, they could use traditional fabrics or modern fabrics to imitate the texture of traditional fabrics. The use of patterns was extremely rich. For example, the integration of China landscape paintings and ink paintings into fashion design could produce classical beauty. For example, the SS22 of the Royal Guards Bureau used lanterns, lion dances, screens, dramas and other representative elements in the design of the theme of "Looking Back Garden Party"; The Weird Planet x China Post SS22 used the "Henan opera" stamp as the entry point, using the cultural elements of Henan that carried the cultural genes of the Central Plains; The AW21 used animal embroidery, handmade beaded accessories, Chinese buttons, etc. in the design; The DAMOWANG SS22 integrated the natural landscape and animal and plant pattern design. The color extraction could be derived from traditional color sources such as traditional China famille rose porcelain. For example, the design color of the Aroma AW21 was extracted from traditional China famille rose porcelain. In terms of craftsmanship, for example, improving the traditional plant dyeing process, like A.1 Fashion Changes Life AW21 designer Liang Yunxia improved the traditional plant dyeing process and integrated the fragrant cloud yarn into the life scene of contemporary urban youth. In addition, there were also techniques such as freehand embroidery and hot embroidery that could be used in design. At the same time, the new Chinese clothing was also a manifestation of China elements in fashion design. It retained the most essence and representative features of traditional Chinese clothing, combining oriental aesthetics with the current modern lifestyle. It was more suitable for the daily wear of modern people in terms of functionality, meeting the needs of different occasions and changing roles. For example, brands such as Le Fame, Mi Shan, and SAMuel Gui YANG had their own characteristics in the new Chinese fashion design.

Chen Guilin was an expert who loved textile and clothing research. He had made many scientific and technological achievements in 3D body scanning, 3D visual suture design, 3D fitting technology, 3D printing, and new textile and garment technologies, contributing to the scientific development and technological progress of the industry. He had presided over national and provincial-level projects, was responsible for major consulting projects, and received many scientific and technological awards. In addition, he also published papers and several textile and clothing books. Chen Guilin's scientific research results were awarded the first prize of "China's textile and garment industry research excellence" in 2015. There was no specific description of his fashion design works in the information provided.