Landscape photos by geography photographersLandscape photos taken by geographical photographers had unique value and charm.
From the perspective of composition, one needed to be clear about what they wanted to show when shooting. If you want to highlight the landscape as a whole, you have to make the other elements in the picture (such as animals, people, etc.) appear smaller and let more natural elements (such as mountains, clouds, sky, grass, trees, etc.) enter the picture. If you want to highlight a certain element (such as a horse on the mountain), you can use a telephoto lens or close to the subject, and at the same time, let the surrounding environment play a supporting role.
Color contrast could be used to highlight the main body. For example, in a green background, the unique shape and color of the tree in the background could become a prominent main body. In a vast scene, the main character could wear clothes that were different from the color of the environment (such as red clothes in an environment with mostly natural colors). Even if the character was small, it could be very eye-catching.
As for the question of how much ground to retain in the picture, if the ground scenery (such as red flowers, pink flowers, green grass, small houses, etc.) was beautiful and could add points to the photo, more ground could be retained; when the ground was abrupt, colorless, and scenery, less could be retained.
When dealing with the situation where the companion body was in the form of a circle, it was necessary to ensure that the main body protruded from the gap to avoid the situation where the main body did not stand out and the image was messy.
In addition, lowering the camera position was also a simple technique to make the photo more interesting.
A geographical photographer like Thomas See the World (Chu Weimin) was good at outdoor landscape photography represented by snowy mountains and polar regions. His works not only showed the beauty of the scenery, but the process of shooting was also full of fun, including the persistence of exploration, the surprise of encounter, and the shock of waiting for the decisive moment. In the fourth issue of 2024, China National Geography also selected a number of photographers to take pictures of the lakes in northwest Yunnan. The landscape photos taken by different geographical photographers in different geographical environments had their own characteristics. Some of these photos showed the local topography, while others showed the relationship between man and nature.
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Landscape painting cultural relicsThe following are some of the landscape paintings:
- The Painting of Auspicious Pine in Spring Mountain by Mi Fu of the Northern Song Dynasty is now in the National Palace Museum in Taibei. The painting is covered in clouds and forests, and the mountains are green and green with "rice dots". The pine tree's brush technique is meticulous. There are poems inscribed by Emperor Gaozong of the Song Dynasty. It has also been collected by many emperors and has many seals.
- Guo Xi's " Early Spring Painting " of the Northern Song Dynasty opened a new chapter in the history of landscape painting. It depicted misty mountains and reflected the early spring and dusk. The painter captured the signs of spring and displayed the characteristics of the new landscape painting.
- Fan Kuan of the Northern Song Dynasty's Journey to Mount Xi was a representative work of the early Northern Song Dynasty. It depicted the majestic mountains in North China. The rocks had a sense of closeness, making the viewer feel the gurgling of the mountain stream and the silence of the mountains. The huge rocks were written with fine brush strokes and the ink was thick. The leaves showed the state of alternating summer and autumn. The people at the foot of the mountain were small and the old horse carried a heavy burden.
- Ju Ran's Painting of Layers of Rocks and Trees in the Northern Song Dynasty mainly depicted the scenery of Jiangnan. The outline of the mountains was hazy, and the fog in the morning was repeatedly painted with thin ink lines to show the unique light of Jiangnan, forming a sharp contrast with Fan Kuan's painting of the mountains in North China.
There were also works such as Tang Yin's " Huaxi Fishery Hermit " from the Ming Dynasty, Wen Zhengming's " Spring Trees in the Rain ", Qiu Ying's " Painting of Returning Late in Spring ", and many other landscape paintings created by artists from different dynasties.
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The Cultural Landscape of Shisi TempleThe cultural landscape of Shisi Temple was rich and varied. It was a sacrificial temple that combined Buddhism and Taoism. Its architecture included the mountain gate, bell tower, main hall, Sanqing Hall, Ma Immortal Palace, Mei Ancestral Hall, and so on. There was a historical culture related to the Mei family here. For example, in the Southern Song Dynasty, Mei Yuanchao was awarded the title of "filial child" when he was six years old and guarded the tomb for three years. The emperor decreed that the memorial courtyard should be built in the tomb, which was later expanded by the family. Shisi Temple's architectural style combined the characteristics of the Song Dynasty and the influence of the Yuan, Ming, and Qing Dynasties, forming a unique ancient style. It was also the location for the shooting of Black Myths: Wukong, attracting many tourists. The business of homestays in the scenic area was booming. All of these reflected the unique cultural landscape value of Shisi Temple.
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The cultural landscape of the Tengwang PavilionTengwang Pavilion was one of the three famous buildings in Jiangnan. It was located on the east bank of Gan River along Yanjiang Road in the northwest of Nanchang City, Jiangxi Province. It was built in the fourth year of Tang Yonghui (AD 653). It was named after Li Yuanying, the younger brother of Li Shimin, Emperor Taizong of Tang Dynasty. It was also named after the poem of Wang Bo, the poet of the early Tang Dynasty,"The sunset clouds and the lonely ducks fly together, and the autumn water is the same color as the sky."
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Classics of Human Geography"Classic Human Geography" was a science and education documentary broadcasted by Yunnan TV. It was broadcasted in 2004. It was rated as the "Top Ten Forms of National Program" in 2010, the National Excellent TV Program, and the National Ten Excellent documentary Program. In August 2012, it was once again rated as an excellent documentary broadcast program by the State Administration of Radio, Film and Television. This program was the first human geography program from the perspective of the Chinese people. Its goal was to become the most influential human geography documentary in China. It integrated the knowledge of humanities, social sciences, geography, and other disciplines. It used geographical stories as an incision to focus on Yunnan's history and cultural charm stories. With detailed historical facts and rich cases, it narrated Yunnan's stories in simple terms. It would also recommend classic human geography documentaries outside Yunnan to the audience.
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This is a great blend of magic and romance and a bit of cultural science fiction. I am very fond of sentient human-animal partnerships and shape shifting but adding a plant-human partnership as well adds humor and fun. Bravo to the author. May she be productive and well supported!