siapa ilustrator cover journey to the west novel terbitan

The Shidetang version of Journey to the West had a cover. The cover was divided into two lines in large characters and the title was "The Official Engraving Plate is Full/Like Journey to the West". In the middle, the small title was "Jinling Tang's Shidetang School". People's Literature Press, February 1955, Beijing edition 1, Journey to the West. The cover was light green, simple and elegant. The title was inscribed by Shen Yinmo. The second edition of Journey to the West published by the People's Literature Press had woodblock illustrations drawn by Gu Gan on the cover and in front of the book, while the green illustrations were replaced by a small number of color drawings drawn by Li Shaowen. The cover of the third edition of Journey to the West was blue, and the classical embroidery on the main body of the cover was the same as that of the second edition. The cover layout was also roughly the same. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

The reference mentioned the Vietnam version of "Daughter's Love" in Journey to the West, as well as the foreign netizens 'version of the theme song of "Journey to the West" and Wayne's version of "Daughter's Love." These cover versions may be found on the corresponding platforms (such as TikTok, etc.). However, there was no specific way to obtain the video, so it was impossible to provide the exact content of the cover video of the Journey to the West episode. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

A foreign netizen covered the theme song of Journey to the West. After the release, it caused a heated discussion among domestic and foreign netizens. Some foreign opera actors danced with excitement when they heard the theme song of Journey to the West," The Sound of the Cloud Palace." Netizens said that this was the awakening of memories engraved in their DNA. There were also foreigners who had released music comparison videos earlier, pointing out that Korean music plagiarized the music of Journey to the West. For example, they pointed out that NCT Dream-Glitch Mode was similar to the background music of Zhu Bajie stealing watermelons, Bulletproof Youth Region-ON was similar to Cloud Palace Xunyin, and the Korean girl group, Oh My Girl-Echo, was very similar to the 86 version of Journey to the West's episode, Tongtian Avenue. In addition, a lot of foreign players were trying to understand the plot of Black Mythology: Wukong, so the English version of Journey to the West's theme song came into being. Among them, Sun Wukong was called " Monkey Brother," while others translated it as " Sun Walker." Netizens had different opinions on this English version of the theme song. Some people felt that this cultural output was strange, while others felt that the translator of " Sun Walker " was a genius. There was also a high school student dubbing Journey to the West in English. His tone and expression matched perfectly, which also attracted a lot of attention. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There was a simple yellow cover of Journey to the West with a size of 4961px 3508px. There were also cartoon characters of Journey to the West that could be used to make the cover of Journey to the West. In addition, there were various versions of Journey to the West, such as Hebei green leather, purple leather, Hunan edition, Shanghai American edition, Shandong edition, Sichuan edition, Tianjin American edition, Hei Longjiang edition, etc. The covers of these versions might also provide inspiration for the design of the cover cartoon of Journey to the West. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>

There were many ways to design the cover of Journey to the West. A simpler way was to only draw the four masters and the white dragon horse, just like the cover design of the 1950s abridged Journey to the West, which showed the main characters in a simple and unadorned manner. From the perspective of painting the image of the four masters and disciples, Tang Sanzang could be depicted as a monk with a delicate face, a solemn expression, firm faith and wisdom between his eyebrows, and a deep and clear gaze. His clothes could be referred to the ancient Buddhist cassock, and bright colors such as golden yellow and red could be used to highlight his noble status. Sun Wukong should focus on using rough lines to describe his body shape, emphasizing the characteristics of monkeys such as ears, tail, and hair. He should be confident and bold, and his eyes revealed intelligence and omnipotent. Zhu Bajie used round lines to describe his body shape, emphasizing the characteristics of pig ears, nose and short legs. He looked simple and lazy, and his eyes were kind and greedy. He could also add small details such as holding steamed buns or wine bottles in his hand. Monk Sand used thick lines to describe his body shape, emphasizing his tall and mighty strength. He looked loyal and determined, and his eyes revealed the characteristics of courage and responsibility. He could also add battle scenes to show his strength. In addition, the background could add elements such as landscape scenery and cloud effects, or describe the scenes of the master and disciple slaying demons on their way to the scriptures, to enhance the story and interest of the cover. They could also be designed based on the description of their appearance in the original work, such as the image of Monkey King with a curved face, a concave face and a sharp mouth, the ugly appearance of Zhu Bajie with a pig head and a long mouth, and the image of Monk Sand with fluffy red hair and a blue indigo face. However, this kind of cover design might be more suitable for specific styles, such as ancient style or concept design. <a href="/?from=ask_words" style="color:red" target="_blank">Read more exciting novels for free</a>