Female Supporting Script
Many scenes, a dull and mediocre life, both lucky and sad. She was the one who dared to love and hate, and she was the one who was weak.
Among the thousands of people, she was the only one in the world. She was a noble princess, but she was also a lowly and filthy poor person.
In reality, she was holding a supporting role script, and she was the main character in the life script. She could distinguish between good and evil and choose between good and evil.
She was ruthless, arrogant, and extravagant. She was notorious in history for being evil and kind. Who wrote the book of history?
She was the representative of one of the ten million decadent thoughts. She was gentle and pedantic. She lived by relying on men when she was alive and did not cling to anyone after death. Cold and noble was the last adjective for her.
The new force of her country's future, cowardice, concession, no progress, no repentance is synonymous with her?
She was so ordinary that she was like a speck of dust. When faced with career, love, and dreams, her desire was stronger than her nature. When faced with gains and losses, she cared too much. When faced with beauty, her heart was filled with longing. In an era where material desires were rampant, how could she find herself?
In the dream of Nan Chen
· 6K Views
Acabo de terminar esta novela y sigo con la cabeza dando vueltas. Es de esas historias que te atrapan desde la primera escena y no te sueltan ni cuando ya deberías estar durmiendo. La autora tiene un talento tremendo para crear tensión… esa tensión que se siente en el estómago, en la respiración, en cómo se describen las miradas, los roces que parecen accidentales pero claramente no lo son, los silencios que pesan toneladas. Los personajes están muy bien armados, no son solo excusas para las escenas fuertes. Se nota que tienen deseos contradictorios, miedos, orgullo, vergüenza, ganas de mandar y al mismo tiempo de rendirse. Eso hace que todo se sienta mucho más real y adictivo. La química entre los protagonistas es de las que duelen de tan bien escritas; hay un momento en particular (sin spoilers) en el que él le dice algo al oído y juro que sentí que me lo estaban diciendo a mí. Además, el lenguaje es exquisito. No cae en lo burdo ni en lo cursi barato; usa metáforas, juegos de palabras, descripciones sensoriales que te meten de lleno: texturas, olores, el sonido de la tela, el cambio en la respiración, el sabor de la piel… todo está ahí, pero dicho con clase, con elegancia perversa que te deja pensando en la frase durante horas.