Defy The Alpha(s)
Two centuries after the Great War, peace between humans and werewolves was finally achieved, or so everyone believes. Werewolves reign like gods, and humans remain blissfully unaware of their true place in the new world order.
To maintain this fragile balance, each year, a handful of "lucky" humans are selected from various districts to attend Lunaris Academy, a prestigious institution that promises glory, status, and a chance to mingle with the elite. Those chosen are hailed as the lucky few, destined to marry powerful alphas and rise as luna.
This year, Violet Purple is among the chosen, much to everyone's surprise. For an orphaned girl adopted by a disgraced prostitute, this is a golden ticket to a better life or so she's told. But Lunaris Academy isn’t the paradise it’s painted to be.
Everything Violet and her fellow humans have been taught is a lie. Humans are far from equal; they're pawns in a much larger game. The academy is nothing but a gilded cage, and the students are lambs led to slaughter, playthings for the alphas to toy with in their ruthless games.
To make matters worse, Violet catches the attention of the most dangerous players in this game, the Terror Four: the Alpha of the North, Alpha of the South, Alpha of the East, and Alpha of the West. Each one is more dangerous, more twisted, and more powerful than the last. But even among themselves, the alphas are divided, each with their own deadly ambitions.
Yet, they all have their eyes on her.
They expect Violet to play along, to fall in line like the others who worship at their feet, to break under their games. But Violet isn’t like the others. She refuses to bow. She’ll defy them all.
Glimmy · Fantasy
The Lady's Death is the last of a series of six oil-on-canvas paintings by English painter and pictorial satirist William Hogarth, created around 1743. The series, entitled Marriage A-la-Mode, depicts an arranged marriage and its disastrous consequences in a satire of 18th-century society, and is now in the collection of the National Gallery in London. In this painting, the countess has poisoned herself in her grief and poverty-stricken widowhood after her lover is hanged at Tyburn for murdering her husband. An old woman carrying the countess's infant daughter allows her to give her mother a kiss, but the mark on the child's cheek and the caliper on her leg suggest that syphilis has been passed on to the next generation. The countess's father, whose miserly lifestyle is evident in the bare house, removes the wedding ring from her finger.