On the night of her coming-of-age ceremony, Nan Zhi is lured into a trap by the people closest to her and falls pregnant. Four years later, she returns with her son. A respected and domineering man suddenly barges into her world. "Speak! Who is the child's father?" An adorable child holding a water gun appears out of nowhere, shouting, "Who is this wild man? How dare he snatch Brother Jie's goddess?!" From then on, two small domineering brats and a manchild are added to her world. In the middle of the night, he sneaks into her room, pressing a heated kiss onto her lips. "Woman, do you know what's the result of stealing my seed?" "What?" "From now on, you have to let me kiss and pamper you everyday." Erm… How was her inability to walk the next day, the result of his pampering?
Korean horror films have been around since the early years of Korean cinema, however, it was not until the late 1990s that the genre began to experience a renewal. Many of the Korean horror films tend to focus on the suffering and the anguish of characters rather than focus on the explicit "blood and guts" aspect of horror. Korean horror features many of the same motifs, themes, and imagery as Japanese horror. Modern South Korean horror films are typically distinguished by stylish directing, themes of social commentary, and genre blending. The horror and thriller genres are cited as gaining international attention to South Korean Cinema. American Hollywood has adapted several Korean horror films such as Oldboy (2003 film), Into the Mirror (2003), and A Tale of Two Sisters (2003). Train to Busan (2016) and The Wailing (film) (2016) are rumored to currently have remakes in talks for production.