The hearse with the weird odor slowed to a stop before the entrance. The sound of pebbles could be heard bouncing on the ceiling. There were footsteps coming from the corridor, and there seemed to be someone sawing next door. The door knob to the room rattled slightly, and the faucet in the bathroom kept dripping even though it had been screwed shut. There was a rubber ball that rolled on its own underneath the bed. Wet footsteps started to surface one after another on the floor. At 3 am, Chen Ge held a cleaver in his hand as he hid beside the room heater. The call he was trying to make was finally answered. "Landlord, is this what you meant by 'the house can be a little crowded at night'‽"
Korean horror films have been around since the early years of Korean cinema, however, it was not until the late 1990s that the genre began to experience a renewal. Many of the Korean horror films tend to focus on the suffering and the anguish of characters rather than focus on the explicit "blood and guts" aspect of horror. Korean horror features many of the same motifs, themes, and imagery as Japanese horror. Modern South Korean horror films are typically distinguished by stylish directing, themes of social commentary, and genre blending. The horror and thriller genres are cited as gaining international attention to South Korean Cinema. American Hollywood has adapted several Korean horror films such as Oldboy (2003 film), Into the Mirror (2003), and A Tale of Two Sisters (2003). Train to Busan (2016) and The Wailing (film) (2016) are rumored to currently have remakes in talks for production.