Ji Cheng stood beside her bed, staring at her face in wonder, questioning if it was real. A faint smile touched his lips as he watched her eyelashes flutter, signaling she was waking up.
However, her reaction was far from what he expected.
“Pak!”
He froze, hand flying to his cheek in shock.
“…Did you just slap me?”
Xie Ming’s mouth opened in pure terror as reality crashed down on her.
She slapped the Emperor.
The cruel and infamous ruler of the Ji Dynasty.
Am I going to die again? I just came to this world… do I have to die twice?
......
Zhao Ming was once the Empress of the Ji Dynasty, in name only. Ignored. Disrespected. A shadow inside the palace walls.
Until fate gave her another chance.
She opened her eyes in a world unlike anything she had ever known—strange devices, strange clothing, and a life that didn’t belong to her.
A modern world.
A second life.
......
Meanwhile, Xie Ming, the wife of a powerful businessman, was known as nothing but trash.
A rebellious brat. A shameless, lazy woman.
Until one day… she opened her eyes in a palace drenched in blood and rules.
And discovered the impossible.
She had become the Empress of the Ji Dynasty.
Two souls.
Two worlds.
Two broken women living each other’s lives.
One is trying to survive the ruthless modern world. The other is trying not to die in a cruel imperial court.
.....
Genre/ Tropes: Transmigration, Rebirth, Reincarnation, Double Transmigration, Two Female Leads, Souls Swapped, Two Worlds, Historical, Royal Couple, Powerful Couple, Empress, Businessman, Doctor, Entertainment, Showbiz, Actress, Sharp and Witty Female Lead, Steamy Romance,
Here are other works of Author:
1. My Evil Genius Wife
2. I Woke Up As The Villainous Empress
3. Rebirth in the 80s: Became a Stepmother and Pampered by my Husband
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Korean horror films have been around since the early years of Korean cinema, however, it was not until the late 1990s that the genre began to experience a renewal. Many of the Korean horror films tend to focus on the suffering and the anguish of characters rather than focus on the explicit "blood and guts" aspect of horror. Korean horror features many of the same motifs, themes, and imagery as Japanese horror. Modern South Korean horror films are typically distinguished by stylish directing, themes of social commentary, and genre blending. The horror and thriller genres are cited as gaining international attention to South Korean Cinema. American Hollywood has adapted several Korean horror films such as Oldboy (2003 film), Into the Mirror (2003), and A Tale of Two Sisters (2003). Train to Busan (2016) and The Wailing (film) (2016) are rumored to currently have remakes in talks for production.