mythology creation story

"Creation Mythology" was a 3D MMORPG client game that was designed to present the mythical story of the creation of the world, the origin of mankind, and all things. The game uses the engine independently developed by Xinjia Super Games. With the Apotheosized Era as the background, combined with the creation of ancient mythology, the 3D scenes and characters with ancient China ethnic characteristics were designed, allowing players to experience smooth and realistic game graphics. At the same time, they could also feel the balanced and interesting mythical world in terms of economic and combat values. In addition, there was also a mention of a game related to the mythological creation of the world, involving Pangu's creation of the world, and Nuwa's creation of the world into three worlds (Heaven, Earth, and Hell), but the game name and other information were not specified.

He recommended a few great novels. " From Naruto to the Reincarnation Eyes, Overlooking the Ninja World ", a light novel written by the Withering of Mana, a derivative Doujinshi novel, telling the story of the encounter between the soul of another world and the strongest power. " Master of Gods " was a fantasy novel created by Alicization. It brought us to experience the wonderful mythological world through the soul. " Deity's Canon " was a light novel written by Wind's Mystery. It was a fantasy novel. The mythical story was extremely exciting. There were many characters, including Enkidu and Gilgamesh. The author's research was very good. The writing style was good, but the updates were slow. It could be read in 280,000 words. " Becoming a God from Dreams " was a fantasy-historical mythological novel with many eyes. The story of the main character and the divine power was very interesting. The Wrong Way to Open iPartment was an urban novel written by Zhu Zhou after his death. It was the story of the rebirth of iPartment's character. They were all worth a look.

The creation myth of Nüwa was one of the creation myths in ancient China. It was said that at the beginning of the creation of the world, all things in the world were born, but there were no humans. Nüwa wandered alone between heaven and earth. When she reflected on the water, she had the idea of creating humans. She worked hard and used the yellow soil to make a small clay figurine that looked like herself. The small clay figurine was instantly injected with life force and "alive" when placed on the ground. In order to speed up the process of creating humans, Nüwa picked up the rope and threw it into the mud. She raised it and sprinkled it on the ground, turning the mud into "humans". Nuwa was regarded as the ancestor who created life. She was called the Mother of the Earth and the Goddess of Creation. It was suspected that the earliest records were from the "Songs of Chu" and "Classic of Mountains and Seas" of the Pre-Qin period. However, the records were rather vague, but now people were mostly sure that Nüwa embodied the original mother god's divine personality in the book. The complete literature records were first found in the Eastern Han Dynasty's Ying Shao's "Fengsu Tongyi." In its records, in addition to the story of Nüwa creating people, there was also the myth of Nüwa creating marriage. From the Han Dynasty onwards, as society changed from a matriarchal clan to a paternal clan, the image of Nüwa evolved from an independent god to a dual god, and her status as a divine personality declined. In the Tang Dynasty, the legend of the marriage between brother and sister was recorded in Duyi Zhi, and Nüwa's status in the myth of creating humans was further reduced. With the increase of male power, the goddess-centered myth changed to the goddess-centered myth, and finally the power of the male god replaced the goddess. During the Tang and Song Dynasties, the myth of Nüwa creating humans gradually shifted to the field of literature. In the Song Dynasty, the theme of Nüwa creating humans appeared in the field of literature in large numbers. It was used in children's games or as a superior metaphor to describe artistic skills. Its literary value was further demonstrated. This myth reflected the ancient Chinese people's pursuit of their own origin and reality, reflected the social phenomenon of the prehistoric matriarchal clan, and also excavated the national characteristics of the Chinese people, such as the descendants of the Yellow Emperor and the Yellow Earth raising the Chinese people. To this day, there were still Nüwa Cave, Nüwa Ceremony, and other related sites and activities in Bashu and other places. The kindness of mankind to Nüwa had been accumulated for thousands of years and continued to this day. The beautiful quality of Nüwa's story of creating humans had also been integrated into the depths of the souls of the Chinese people, and it had been selected into teaching materials and became an important part of youth education. 'The Myth of True Love in the Pangu Progenitor Universe' is equally wonderful. Please click to read it!

There were many records of Nüwa's creation. The complete literature record of the myth of Nüwa creating people was first found in the "General Meaning of the Way" by Ying Shao of the Eastern Han Dynasty. It was said that at the beginning of the creation of the world, all things had been created but there were no humans. Nüwa had the idea of "creating people" when she was facing the water. She first made a small clay figurine similar to herself with yellow soil. The clay figurine was injected with vitality and "lived" on the ground. Later, in order to increase the speed, Nüwa picked up a rope and threw it into the mud. The mud fell to the ground and became" people". Goddess Nvywa was also believed to have created mankind and nurtured all living things. In Huainanzi, there were records of Goddess Nvywa's feats such as refining the five-colored stone to mend the sky, breaking the turtle pole, accumulating reed ashes to stop the obscene water, killing the black dragon to help Jizhou, and so on. Goddess Nvywa was also known as the mother of the earth and the goddess of creation. The earliest records of the myth of Nüwa creating humans were the "Songs of Chu" and "Classic of Mountains and Seas" of the Pre-Qin period. Although the records were vague, they also reflected the original mother goddess of Nüwa's function of creating humans. From the Han Dynasty, the image of Nüwa evolved from an independent god to a dual god in the social changes, and the status of her divinity declined. In the Tang Dynasty, the status of Nüwa in the myth of creating people declined further. In the Tang and Song Dynasties, the myth of Nüwa creating people gradually shifted to the field of literature. In the Song Dynasty, the theme of Nüwa creating people appeared in the field of literature, and the literary value of the myth was further highlighted. 'The Myth of True Love in the Pangu Progenitor Universe' is equally wonderful. Please click to read it!