The Lord of the World's Gods
A game of becoming a god, a broken divine persona, the longevity that all living beings sought was right before their eyes.
Fighting with barbarians in the wilderness, fighting with eagles in the sky, negotiating with mermaids in the deep sea…
Dragons, Titans, Frost Giants, Elves, Blood Race, Orcs, Dwarves... Myriad races fought, and planes fought.
Epic?
When the army conquered this land, their deeds would be epic a hundred years later.
Legend?
When I established the empire, it would become a legend a thousand years later.
Myths?
When I ascend to the throne, I will become an immortal legend ten thousand years later.
The wind of leaves
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Korean horror films have been around since the early years of Korean cinema, however, it was not until the late 1990s that the genre began to experience a renewal. Many of the Korean horror films tend to focus on the suffering and the anguish of characters rather than focus on the explicit "blood and guts" aspect of horror. Korean horror features many of the same motifs, themes, and imagery as Japanese horror. Modern South Korean horror films are typically distinguished by stylish directing, themes of social commentary, and genre blending. The horror and thriller genres are cited as gaining international attention to South Korean Cinema. American Hollywood has adapted several Korean horror films such as Oldboy (2003 film), Into the Mirror (2003), and A Tale of Two Sisters (2003). Train to Busan (2016) and The Wailing (film) (2016) are rumored to currently have remakes in talks for production.