Struggling to survive in front of the villain
<Fake Fast Wear> Mu Zhiyin had transmigrated into an ancient Mary Sue campus revenge novel and became the younger sister of the second male lead. She was a female supporting character that everyone hated.
The main performance was that the female lead wanted to destroy her family. Sigh, she was not targeting her biological brother or sister, but her!
The male lead was using her all the time in order to flirt with the female lead.
The second male lead's brother actually developed feelings for the female lead after getting along with her!
This was not important. What was important was that she was actually going to live under the roof with the evil villain in the original novel!
The more the villain loved the female protagonist, the more he hated the supporting actress.
Mu Zhiyin trembled.
Mu Zhiyin: "Thank you, but I won't. You guys go ahead. I'll leave, alright?"
However, when she finally saved enough money to run away, the villain hugged her from behind and said in a low and trembling voice,"Don't go…"
Mu Zhiyin: "???"
Later, she realized that all of this was just an experiment for new technology?
[In memory of our fallen Mary Sue (?)]
#How the villain fell for me
#I've been hiding, hiding, and I've actually found the villain's true heart
P.S. Don't tell me you've abandoned the book. You can find a better one. Don't bother.
There is something in us, as storytellers and as listeners to stories, that demands the redemptive act, that demands that what falls at least be offered the chance to be restored. The reader of today looks for this motion, and rightly so, but what he has forgotten is the cost of it. His sense of evil is diluted or lacking altogether, and so he has forgotten the price of restoration. When he reads a novel, he wants either his sense tormented or his spirits raised. He wants to be transported, instantly, either to mock damnation or a mock innocence. Flannery O'Connor, Mystery and Manners: Occasional Prose