The Immortal Lord's daily setting
[Modern, Immortal, Double Strong, Sweet Pet, Cool Wen]
In her first life, Immortal Cheng had picked up a small civet cat and wanted to fatten it up before stewing it. Who knew that he would become a spirit.
One day, the civet cat turned into a human and hugged him in its arms."I'm taller than you now, unlike when you couldn't beat me when you were young…" it said.
In his second life, Immortal Cheng descended to the mortal world to transcend the tribulation, but he didn't expect to meet a hooligan.
One day, Gong Shuyan teased Immortal Cheng."Miss, you can't keep my heart, but a beauty can…"
In the third life, Immortal Cheng cut white and black, chasing her husband in a fancy way.
One day, Cheng Yi 'an said,"I want a hug ~"
"I want a kiss ~"
"I'm afraid of the dark ~"
"Immortal Lord, what about your persona?" Gong Shuyan asked.
In the end, the whole world celebrated.
The Lord of the Celestial domain and the Lord of the Infernal domain announced to the world that they were going to get married in the Three Realms.
Everyone was guessing the dowry of the Divine Master.
Someone said,"He built a city."
Everyone was guessing the betrothal gift of the Demon Venerable.
Someone else said,"The entire world."
a gifted artist, is content living with her artist parents in a loft in New York City. But then her father leaves for France, accompanied by a woman whom Ollie and her mother playfully nickname “Vooley Voo.” One week later, the playfulness has vanished, and Ollie’s mother will not get out of bed. Ollie strives for normalcy as she attends school, hangs out with her two best guy friends and goes to visit Apollo, her father’s partner in his art restoration business. Due to her mother’s urgent, hushed phone conversations and a desperate man who appears at their door, it becomes apparent that a mystery surrounds Ollie’s father and his departure, which coincided with the disappearance of a valuable piece of art. This is a lot for 12-year-old Ollie to puzzle out, and she becomes fiercely protective of her mother and refuses to accept the truth of her mother’s depression. There is a beguiling naturalness to Tucker’s depiction of Ollie and her troubles. Ollie is observant and reflective, allowing the reader full access to her emotional upheaval. Her best friends are genuine and loyal but clumsy in their attempts to help. Apollo is kind but distantly adult. Perhaps the most lovely element of the book is the infusion of art: Ollie’s art, rendered in pencil drawings, is sprinkled throughout the book, and there are discussions of art technique, art in museums and, most instructively, the provenance of art displaced by war.