Hayle Coven Novels
I’m an international, multiple award-winning author with a passion for the voices in my head. As a singer, songwriter, independent filmmaker and improv teacher and performer, my life has always been about creating and sharing what I create with others. Now that my dream to write for a living is a reality, with over a hundred titles in happy publication and no end in sight, I live in beautiful Prince Edward Island, Canada, with my giant cats, pug overlord and overlady and my Gypsy Vanner gelding, Fynn.
***WORLD'S BEST STORY2014***
Her mom's a witch.
Her dad's a demon.
And she just wants to be ordinary.
I batted at the curl of smoke drifting off the tip of my candle and tried not to sneeze. My heavy velvet cloak fell in oppressive, suffocating folds in the closed space of the ceremony chamber, the cowl trapping the annoying bits of puff I missed. I hated the way my eyes burned and teared, an almost constant distraction. Not that I didn't welcome the distraction, to be honest. Anything to take my mind from what went on around me.
Being part of a demon raising is way less exciting than it sounds.
Sydlynn Hayle's teen life couldn't be more complicated. Trying to please her coven is all a fantasy while the adventure of starting over in a new town and fending off a bully cheerleader who hates her are just the beginning of her troubles. What to do when delicious football hero Brad Peters--boyfriend of her cheer nemesis--shows interest? If only the darkly yummy witch, Quaid Moromond, didn't make it so difficult for her to focus on fitting in with the normal kids despite her paranormal, witchcraft laced home life. Add to that her crazy grandmother's constant escapes driving her family to the brink and Syd's between a rock and a coven site. Forced to take on power she doesn't want to protect a coven who blames her for everything, only she can save her family's magic.
If her family's distrust doesn't destroy her first.
Patti Larsen · Urban
Comics is a medium used to express ideas through images, often combined with text or other visual information. Frequently, comics takes the form of juxtaposed sequences of panels of images. Often textual devices such as speech balloons, captions, and onomatopoeia indicate dialogue, narration, sound effects, or other information. The size and arrangement of panels contribute to narrative pacing. Cartooning and similar forms of illustration are the most common image-making means in comics; fumetti is a form which uses photographic images. Common forms include comic strips, editorialand gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comic albums, and tankōbonhave become increasingly common, while online webcomics have proliferated in the 21st century with the advent of the internet. The history of comics has followed different paths in different cultures. Scholars have posited a pre-history as far back as the Lascaux cave paintings in France. By the mid-20th century, comics flourished, particularly in the United States, western Europe (especially France and Belgium), and Japan. The history of European comics is often traced to Rodolphe Töpffer's cartoon strips of the 1830s, but the medium truly became popular in the 1930s following the success of strips and books such as The Adventures of Tintin.American comics emerged as a mass medium in the early 20th century with the advent of newspaper comic strips; magazine-style comic books followed in the 1930s, in which the superhero genre became prominent after Superman appeared in 1938. Histories of Japanese comics and cartooning (manga) propose origins as early as the 12th century. Modern comic strips emerged in Japan in the early 20th century, and the output of comics magazines and books rapidly expanded in the post-World War II era (1945–) with the popularity of cartoonists such as Osamu Tezuka (Astro Boy, et. al.). Comics has had a lowbrow reputation for much of its history, but towards the end of the 20th century began to find greater acceptance with the public and academics.