She pampered the villain after the book
Everyone in Guangyue City knew that the eldest daughter of the Yun family, Yun Ran, had a bodyguard who accompanied her since she was young. She could not be chased away, and she was also ridiculed by others because of this.
She had once shouted at him angrily,"Can you not follow me?!" So annoying!"
He did not react.
However, not long after, Missy became the bodyguard's follower.
"Ember, if you don't let me follow you, I won't like you anymore," she joked.
The girl's smile was bright and cunning, like a little fox.
The next second, she was pressed into his arms and kissed.
The man's back was slightly bent. His posture was humble and pious, and his eyes were filled with aggression and possessiveness. His voice was hoarse and low.
"Ranran, don't joke with me like this."
He could tolerate her never looking back.
But he couldn't stand her leaving his sight.
-
The world is turbid, day and night are the same sin, sin and love are the same song.
He had lived half his life in darkness, drowning in hatred, and she was his only light.
[Cool, rich, beautiful, and arrogant sister X, two-faced, tolerant, and paranoid bodyguard, two strong and two clean, sweet pets 1v1, mutual redemption]
The story lacks elements of everyday life and can be quite monotonous. The main character appears uninspired, and the work schedules presented are often implausible. Furthermore, the numerical figures seem exaggerated. Even if we consider a premise where the setting is ten times larger than Japan, the sale of hundreds of millions of copies for a single tankobon volume appears unrealistic. It suggests a potential lack of understanding on the author's part regarding such figures. Even with a tenfold multiplier to sales, a single tankobon volume selling between 100 and 400 million copies is excessive. A more plausible figure might be 10 to 20 million copies per volume. While an entire manga series selling 400 million copies is conceivable, a single volume achieving such numbers is improbable. When the figures become unrealistic and the narrative remains consistent, it can lead to a lack of engagement. This level of exaggeration is quite significant. It would be beneficial to incorporate more realistic numerical values. For instance, the idea of a series like Demon Slayer selling over 150 million copies for just one volume is implausible, even with a tenfold increase. Perhaps figures like 20 million or 40 million could be considered. While acknowledging a larger world, this does not fully justify such discrepancies. Additionally, the character's work pace seems unrealistic; they are not a machine. Even prolific creators like Nishio Ishin do not maintain such an intense schedule. This increasingly ventures into the realm of wish fulfillment fantasy.