Example: there is a prize for being the only survivor in the tutorial, the MC does not need to carry out a massacre, all that is needed is to weaken people and let them die.

The MC should go his own way, occasionally stealing Hansoo's opportunities, as long as the main plot doesn't change too much because Hansoo has become weak. Only a small part of the world was explored in Hansoo's vision, you have creative freedom to develop new areas, but avoid the MC from overpowering, so the story doesn't become uninteresting.

As already seen in the original story, in which the court used Fang's brother to kill him. If he had the courage, the wisest thing would be to eliminate all his relatives and fake his death to avoid possible traps from future enemies.

In the original novel, I even read the part where Hansoo discovers that he was actually brainwashed into becoming a saintly savior of humanity. His original mindset was similar to the protagonist you are creating, it would be interesting if Hansoo found out the truth sooner.

It was a bad choice to translate this novel. The original author created a character who is sealed on the moon and the way to escape is to interfere in the One Piece story through a question and answer system. The problem is that all the MC does is strengthen the Straw Hats and weaken the government, the navy and Blackbeard, thus speeding up the main plot. Even carrying out these acts, the system rewards you and weakens the seal. Which doesn't make any sense.

Does anyone know what happened? Did the author simply decide to abandon it? .....................................................................f...................................................................................................f........................................

The Emperor's power has a deterrent effect on the chaos gods, unless you give Baldur a magical power that makes him equal or superior in terms of power to the Emperor (to me it makes no sense for a human to reach a similar level to the Emperor ), a massive invasion of the materium will occur. If that wasn't enough, there are also canonical events such as the awakening of the necrons, the invasion of the galaxy by the tyranids and the t'au empire wanting to conquer the galaxy.

When I see Baldur's trajectory, only one conclusion comes to mind: the acceleration of the destruction of the empire and, ultimately, the extinction of humanity. The first option is for him to fall into the hands of ruinous powers, the second option is the fragmentation of human forces leaving them exposed to all the dangers that the universe possesses.

It's too early to start a romance, everything T'iam has become for Radhan due to his soft nature is a burden. The MC already has enough motivation: firstly to become powerful enough so that the past situation doesn't happen again, secondly to protect his sister who has a special body and will be targeted, thirdly to find the whereabouts of his mother.

The Emperor cares too much about humanity to think about romance, my opinion is to focus only on the consequences of time travel and wars leaving aside any romance.

Good work. A possible continuation: After reading the chapter "Golden Age" they continue with the doubt of what to do with Guts, Nosferatu Zodd appears in the battle the shinobes only manage to repel him. That's why it's decided to release Guts and continue teaching him the basics of chakra if he promises to hunt down the apostles and not attack Konoha. You can develop the story with Guts becoming a mercenary for Konoha and then for other villages.

The author abandoned the novel will you continue?

I sincerely hope he doesn't lose himself to his "mother" and risk his life to save her, needing good old-fashioned plot armor to escape death.

Our laughing bald man would welcome Black Noir with open fists if you wanted to recruit someone from the boys comic universe

1 second after yamcha arrives on the island

Suggestion: you could add the troupe of maniacs to the comics version of The Mask, it's hard to see someone as crazy as him as in the comics Lobo vs. The Mask (1997)