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DarkPriest

DarkPriest

Geek to the end. Listening to interesting SCI-Fi and Fantasy story's especially with smart characters like(Atticus O'Sullivan from the Iron Druid Chronicles and Captain Mirikami from the Koban Series)

2017-05-02 JoinedRomania
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  • DarkPriest
    DarkPriest14d ago
    Replied to Jonathan_Lam_2034

    All the names that were changed for this project are in author notes and the volume 0 chapters. Sorry for the inconveniences but the project was meant to test the AI that was translated to work if he can keep in the memory the modified names. You can make an epub and change them back with the replace function.

  • DarkPriest
    DarkPriest23d ago
    Replied to yuzou

    It was a project for my school about AI translating. You could download the book with WebToEpub and change the names again with the replace function.

  • DarkPriest
    DarkPriest3 months ago
    Replied to DaoistBSPJ0k

    it's in the Creator Thoughts section. If it is not just write a comment. I will update. Or see the Auxiliary chapters.

  • DarkPriest
    DarkPriest3 months ago
    Replied to FALLEN_DAO_OF_BONK

    Bro, before saying it belongs in “sealed thrones,” maybe read the actual paragraph. It’s clearly using Fate/Type-Moon-style concepts like Heroic Spirits and the Throne of Heroes. Also, “these shit” isn’t even a sentence, so maybe get your own writing past tutorial mode.

  • DarkPriest
    DarkPriest3 months ago
    Replied to FALLEN_DAO_OF_BONK

    The word “nation” may be inaccurate here; “civilization” or “society” is probably better. But calling someone “China man” and dragging Taiwan into it makes you look less like you’re correcting history and more like you’re having a meltdown.

  • DarkPriest
    DarkPriest3 months ago
    Posted

    Soul Land: Unregistered Spirit Origin is a crossover that knows exactly what kind of fanfiction it wants to be. It is not a quiet rewrite of Soul Land. It is a hostile takeover of the setting through Fate logic, a protagonist with dangerous meta knowledge, and a power system that keeps growing until the original story can no longer contain him. The strongest part of the book is its core concept. Wu Ling’s Martial Soul, the Heroic Spirit Disc, gives the story a clean crossover engine. The author does not just throw Servants into Soul Land for spectacle. Each Spirit Ring becomes a new Fate connection, a new power source, and a new problem. Sasaki Kojiro gives the early story sword skill and discipline. Hassan pushes the assassination and identity angle. Angra Mainyu changes the moral temperature. Enkidu, Karna, Artoria, Ibuki Douji, Arjuna Alter, Gilgamesh, and the final Chaldea side make the later arcs feel less like Soul Land with guest characters and more like a full collision between two mythologies. That is also where the book becomes messy. The early arcs are the most readable. Wu Ling entering Spirit Hall, becoming Bibi Dong’s disciple, training under Ghost and Chrysanthemum, and slowly building his own place in the world gives the story a strong foundation. The protagonist is arrogant, but he earns enough of his progress through training, planning, and risk that the first half still feels satisfying. The story works best when Wu Ling has to solve problems with incomplete power. The middle section is where the book becomes more aggressive. The plot starts tearing apart the original cast and the old Soul Land structure. Tang San, Shrek, the clans, and the empire politics are not treated gently. This can be fun if you want a revenge driven anti Tang San route. It can also feel mean spirited if you prefer the original cast to have more dignity. The author clearly enjoys breaking canon expectations, and sometimes that energy produces sharp scenes. Other times it becomes too blunt. The Soul Land 2 detour is one of the better structural choices. It gives the story room to breathe before the war arc and reinforces the idea that Wu Ling is not just changing one timeline. The Parallel Heir material also helps widen the project beyond simple canon bashing. It makes the world feel larger, even when the pacing is fast. Volume 6, Warpath, is where the book fully commits to escalation. At this point, the story stops pretending that the original Soul Land conflict can stay balanced. The political conquest, clan suppression, tournament fallout, and Spirit Hall dominance are effective because the war feels planned rather than random. The cost is that many side characters become pieces on a board. If you like strategic domination, this volume lands. If you want emotional balance, this is where the book starts losing some human texture. Volume 7, War of Gods and Beasts, is the most ambitious and the most uneven part of the book. The first half of Volume 7 works because the war still has direction. Polaris Imperial City, Star Stripe Imperial City, Sea God Island, Bo Saixi, the Deep Sea Demon Whale King, and the Divine Realm all feel like the last remaining walls between Wu Ling and total dominance. Enkidu against the Deep Sea Demon Whale King is a strong crossover fight because it uses both systems clearly. The Soul Beast remains a Soul Beast. Enkidu remains Enkidu. The systems interact without collapsing into one another. The second half becomes pure final arc fanfiction energy. Chaldea, Goetia, Beast logic, Alaya, Gaia, Musashi, Kojiro, Gilgamesh, and the final Beast of Rebellion conflict turn the book into something far bigger than its opening promised. Some readers will love that. It feels huge, chaotic, and indulgent in the best fanfiction way. Other readers will feel that the story leaves Soul Land behind too hard. By the end, the book is closer to Fate cosmic escalation than to academy, sect, and Spirit Ring progression. The ending is functional. It closes the main route. It gives Wu Ling the final scale the story has been building toward. It does not fix every weakness, and it does not suddenly become subtle. It ends the way this kind of story had to end: with power, collision, and departure. Character wise, Wu Ling is the center of everything. That is both the point and the flaw. He is competent, funny, ruthless, curious, and often entertaining. He is also too dominant for long stretches. When the story gives him real opposition, it shines. When it only gives him people to outplay, punish, or lecture, the tension drops. Bibi Dong is one of the best handled canon characters. Her relationship with Wu Ling gives the early story weight, and her position as teacher, ruler, and damaged person fits the crossover’s darker tone. Spirit Hall also benefits from the rewrite because it becomes the main platform of the story rather than just the villain faction waiting to lose. Tang San is not treated as a balanced rival. He is treated as a target. Readers who dislike Tang San will enjoy that. Readers who want a more nuanced antagonist may find the treatment too one sided. The Fate side is the real selling point. The official terms, Servant identities, Noble Phantasms, and Beast concepts give the book a stronger mythic layer than most Soul Land crossovers. The best scenes are the ones where Fate characters do not feel pasted in. Enkidu, Karna, Artoria, Hassan, Gilgamesh, Goetia, and Chaldea all bring a different kind of pressure to the setting. The biggest weakness is pacing. The book escalates fast, then faster, then even faster. Some arcs deserve more space. Some emotional beats get crushed under the next power reveal. The author often has a strong idea, executes it quickly, then moves on before the consequences have time to settle. The second weakness is tone control. The story can be funny, brutal, clever, and epic, but it sometimes jumps between those modes without enough transition. The dark comedy works when it is sharp. It works less when it undercuts scenes that needed more weight. The third weakness is bloat near the finale. The final arc has many moving parts: Chaldea, Beast logic, world collision, alternate Servants, Counter Force material, and Wu Ling’s own endgame. The ideas are interesting, but the story does not always give them enough room to develop cleanly. Even with those flaws, this is a memorable book. It has a clear identity. It is not afraid to break canon. It understands the appeal of Fate style mythic escalation. It turns Spirit Rings into a structured crossover mechanic instead of a random power list. It also has enough ambition to push past the standard academy tournament route and build toward a true final arc. Recommended for readers who want: A ruthless Spirit Hall route. A protagonist who changes canon hard. Soul Land power progression mixed with Fate Servants. Large scale war, divine conflict, and Beast level escalation. A crossover that becomes more ambitious as it goes. Not recommended for readers who want: A faithful Tang San centered Soul Land story. Balanced treatment of Shrek. Slow romance or slice of life. Low power progression. Subtle conflict resolution. Final rating: 4.1 out of 5. The book is flawed, but it is not forgettable. It is messy in places, sharp in others, and at its best when it treats Soul Land as a battlefield for myth, heroes, monsters, and broken systems. If you came for a clean canon rewrite, this is not it. If you came for a full-power crossover that burns through the setting and keeps escalating until gods and Beasts enter the stage, this delivers.

  • DarkPriest
    DarkPriest3 months ago
    Replied to MrHawk584

    I tried to find the original text, but I only came across paid chapters instead of free ones. If you happen to find a website that offers all chapters for free, I might think about translating it. However, to be honest, the story isn't my favorite. I usually pick projects that I personally enjoy reading. You might want to look for another translator. Also, I didn't grow up watching Ben 10, so it's not really my thing.

  • DarkPriest
    DarkPriest3 months ago
    Replied to MPR_Chaos

    The novel will be fully translated by the end of the week. Then you can revert the terms. I don't mind if you repost with the correct terms. It's a project for University and my TTS enjointment.

  • DarkPriest
    DarkPriest3 months ago
    Replied to EndeAnfang

    Sorry, I think that Grammary hates them.

  • DarkPriest
    DarkPriest3 months ago
    Replied to Javier_Graneros

    I’d reply calmly and not argue. Something like this: Gracias por leer y por dejar tu opinión. Sí, algunos nombres están adaptados a propósito, no traducidos de forma literal. Esta versión está pensada también para lectura con TTS, y algunos nombres chinos o transliterados pueden volverse confusos cuando se escuchan en audio. Por eso ciertos nombres de Soul Land fueron adaptados a nombres ingleses que intentan conservar el papel, el simbolismo o la sensación del personaje. Wu Ling se mantiene porque es el protagonista de esta versión y su nombre ya funciona bien dentro del texto. En cambio, nombres como Ethan Drake se usan para que el personaje sea más fácil de reconocer y seguir en audio. Entiendo totalmente que este enfoque no sea para todos. Si prefieres una traducción más literal con todos los nombres originales, esta versión probablemente no sea la ideal para ti. Aun así, gracias por probarla y por comentar.