Chapter 437: First Screening

In the heart of Warner's prestigious Studio No. 1, a hushed anticipation fills the air. Barry Meyer, the esteemed CEO of Warner Bros., alongside Alan Horn, the dynamic President of Warner Pictures, gather with a host of senior executives, their eyes riveted to the screen showcasing the mesmerizing test screening of "The Dark Knight."

The studio, steeped in a charged atmosphere, buzzes with the presence of influential figures. Renowned crew chiefs, Martin and Nolan, stand stoically behind, while distinguished preview guests like Jack Nicholson and Warren Beatty, specially invited by the crew, add to the room's palpable sense of importance.

The collective energy in the room is electric, focused solely on the cinematic marvel unfolding before them. "The Dark Knight" captivates with its extraordinary effects, setting it apart from typical superhero films. Its dark, oppressive ambiance weaves a spellbinding charm, akin to a mysterious beauty clad in tight black leather, wielding a whip. Her allure is undeniable, drawing eyes irresistibly to her enigmatic presence.

Amidst this dark allure, it's not Batman, Warner and DC's iconic character, who steals the show. It's the Joker. A consensus forms silently among the audience: the true protagonist of this film isn't Batman, but rather, a captivating, sinister clown.

As the screening concludes, the screen fades to black, the lights softly illuminate the room, and a warm, appreciative applause erupts. Eyes turn towards Nolan and Martin, acknowledging their genius in breathing life into a comic book story. Nolan, the visionary director, and Martin, with his enthralling performance, have transformed the genre.

Barry Meyer, full of conviction, approaches Nolan, shaking his hand with vigor. "Chris, this is an undeniable masterpiece. It's destined to elevate the comic-book superhero genre to unprecedented heights!" He then turns to Martin, his voice brimming with awe. "Your performance... it's indescribable. The English language lacks sufficient praise for the profound impact of your portrayal. Absolutely stunning!"

Martin responds with a grin, his expression momentarily reflecting the eerie, unsettling smile of his character, causing Meyer to instinctively step back. "You're a dedicated, remarkable actor," Meyer adds, though internally, he considers suggesting a psychiatric consultation for Martin's intense commitment to his role.

Meanwhile, Alan Horn, having concluded his conversation with Nolan, approaches Martin. "Regretfully, we missed the opportunity to cast you in 'Terminator 4,'" he remarks. Despite past disagreements, the potential for future collaborations remains open, a sentiment echoed by Martin's optimistic response.

In the background, Orlin, the DC Creative Director, joins the conversation, playfully challenging Martin on the future portrayal of the Joker. "You've set the bar high with this iconic performance, I can think of on one who can top what you did" Orlin muses, acknowledging the difficulty of surpassing such a groundbreaking portrayal.

At the same thime he also mentioned that " It's really a pitty that Director Nolan is not including joker in the sequel"

As the main crew members engage in these conversations, Nicholson and Beatty, standing apart, reflect on Martin's performance.

Nicholson "That guy maybe an a**hole but he is very good actor, kind of reminds me of my younger days"

They agree that his portrayal is Oscar-worthy, though they recognize the challenges posed by the film's genre in the Academy's eyes.

Beatty, deeply involved in the Oscars, remarks on the intricacies of winning -" it's not just about the acting, but the strategy behind the scenes".

The Warner staff circulate, distributing questionnaires with only two items: an internal rating for "The Dark Knight" and a section for highlighting the film's most striking aspect. Without hesitation, Beatty and Nicholson both award the film an A+ and agree that the Joker is the film's standout element.

In this charged, electric atmosphere, amidst discussions of cinematic achievements and future endeavors, the essence of Hollywood's creative and competitive spirit is palpable, all under the shadow of the enigmatic and captivating performance of the Joker.

Warner Bros. Studio No. 1, buzzing with the aftermath of "The Dark Knight's" internal audition, exudes a sense of accomplished closure as the Warner staff diligently collect the questionnaires, handing them over to the ever-efficient producer, Charles Rowan. With this, the day's eventful internal screening comes to an end.

Warren Beatty, having prior engagements, is the first to depart the iconic Warner Building. Meanwhile, in a nearby reception room, Nicholson and Martin engage in a light-hearted yet poignant conversation. The room, suffused with a sense of camaraderie, witnesses their banter.

"You truly outdid yourself," Nicholson comments, his voice tinged with admiration. "At your age, I couldn't have achieved what you did." He playfully chides Martin, "You're an enigma, my friend. I'm at a loss for words to describe you."

Martin, with a glint in his eye, jests, "Surely, Jack, a man of your caliber can find the perfect adjectives."

Their conversation takes a whimsical turn, reminiscing about past pranks and shared adventures. Nicholson, with his signature brown sunglasses pushed up, humorously laments believing Martin's last year's antics, while Martin defends the fun in their escapades.

Their banter meanders to more serious topics, with Nicholson expressing concern for Martin's well-being, half-jokingly suggesting " After watching the movie I can tell you will be admitted to psychiatric mental hospital before Leo"

As their conversation winds down, Nicholson, about to leave " Have people from warner arrange an exclusive interview as soon as possible"

Nicholson sighs nostalgically about the absence of Meryl Streep," I am leaving, this place lack of fun".

Martin, quick-witted as ever, reminds him of Naomi Campbell, to which Nicholson responds with a middle finger.

Upon Nicholson's departure, Martin reunited with Nolan and Emma Thomas. The mood is buoyant, fueled by the successful internal screening. Charles Rowan joins them, holding the promising questionnaire results. The internal feedback is overwhelmingly positive, with a special focus on the Joker's portrayal, bringing a sense of validation to their hard work.

Martin and Nolan discuss upcoming promotional plans with Rowan, outlining a strategy that blends traditional and innovative marketing tactics.

They plan to unveil the test screening results to the media and release a new trailer at the San Diego Comic-Con, highlighting the enthralling duel between Batman and the Joker.

As the group prepares to leave, Emma Thomas inquires discreetly about Martin's friend, Mene, expressing frustration over his lack of communication. Martin, bound by discretion, offers a vague response, maintaining the confidentiality of Mene's whereabouts.

Stepping out of the Warner Building, Martin's day continues with a scheduled visit to a psychological clinic, a necessary measure to manage the mental toll of his deep immersion into the Joker character. This visit signifies the ongoing struggle actors often face in separating themselves from their intense roles.

In the backdrop of these personal challenges, Warner Bros.' powerful media machinery gears up to amplify the buzz around "The Dark Knight," leveraging the intrigue and controversy surrounding Martin's portrayal of the Joker, reminiscent of the media frenzy once created around Heath Ledger. This intricate blend of personal dedication and strategic marketing underscores the complex tapestry of Hollywood filmmaking.