Chapter 233

The Scheming President Who Cannot be Loved (P 16)

Chu Jie was even more inexplicably embarrassed.

But when he turned his head and looked at Zhou Min, who obviously didn't understand Zhou Min, who was a little confused, Chu Jie couldn't help laughing and found another side of her. It seemed that she was a book that people could see through at a glance but sometimes extremely mysterious. Every time he thought he understood, he found another face of Zhou Min.

Mrs. Chu took a clear view of Chu Jie's eyes and smiled.

"Xiaomin, how do you see that the painting I drew casually has this meaning?" Master Chu changed Zhou Min's position in his heart again, and he couldn't help but change his name with his wife.

"Because Master Chu's stylus and composition of that painting are different from the previous one. Moreover, I used to know Master Chu in order to understand Master Chu's paintings. The most important thing is that Mother Ye will take me to see Master Chu's paintings since I was a child." Zhou Min said seriously and modestly.

"Oh?! Have you learned about me? Is it from the Journal or from Baidu?!" Master Chu asked with a smile, and there was no sense of blame.

"All of them, but more from all the reports in the Journal, combined with Master Chu's paintings from youth to the present, as well as Master Chu's learning experience as a child..."

"So, what did Xiaomin learn?" Master Chu raised his eyebrows unexpectedly and asked with a tolerant and kind expression, but he had already sat on the sofa beside him with his wife, Zhou Min and Chu Jie.

"Master Chu once said in the Journal that your Enlightenment teacher is your father, but your father is not a master of traditional Chinese painting, but a master of impression painting..." Zhou Min said that at this time, she looked at Master Chu, who was slightly stiff, and saw that he had no bad mood. Then she continued to say, "The later works of the master are mainly composed of traditional Chinese paintings. The technique of traditional Chinese painting is different from that of impression painting, but Master Chu's entry-level teacher is also his father who likes impression painting. Therefore, in the early stage, the master's paintings in his youth favored the style and strokes of Western painting. Until the master went to junior high school and met his real teacher, understanding that the artistic conception and strokes of traditional Chinese painting were all from Chinese calligraphy. When the master's painting began to undergo small and important changes, which is also an indispensable reason why the master began to learn calligraphy and style.

Zhou Min said that at this time, Master Chu's expression began to become more and more excited, and the eyes of Chu Jie and Mrs. Chu looking at Zhou Min were also different, especially Chu Jie, who looked at Zhou Min's eyes seemed to be getting hotter and hotter.

After a pause, Zhou Min continued, "Chinese painting and calligraphy have been inseparable since the beginning. As a means of artistic expression of traditional Chinese painting, although pen and ink is only partial, not the whole area, pen and ink, as a key part of traditional Chinese painting, are soaked with all the characteristics of traditional Chinese painting in every stroke and every stroke. For example, the pursuit of Chinese painting in lines is the same as the pursuit of cone sand, house leakage marks, etc., and the pursuit of calligraphy pen, softness, hair, roundness and thickness, fast, slow and weight, and sudden setbacks are actually the same. Therefore, the master's painting is dry, wet, thick, light, heavy, coke, dry and moist when using ink; in the pursuit of pen, ink, color in rice paper. The natural complex changes and unexpected interests are perfect, and a good Chinese painting, whether from the overall appreciation or from the partial appreciation, every line is in the beginning of the pen, not to the pen, every piece of ink or even every moss point, its abstract beauty can reflect the power of a painter, will Give the viewer unspeakable infection and enjoyment, and it is precisely because of Master Chu's pursuit of the artistic conception of traditional Chinese painting, and the empty and flowing artistic conception makes it difficult for the master's painting daughter to find.

Master Chu smiled unusually, "But that's not enough to show how you can see that the "tree" painting has another name!"

"[Intention in the mind, taste outside the taste" is the feeling when I saw every pair of Master Chu's paintings, but when the master made certain achievements in traditional Chinese paintings, the master suddenly, at the age of 35, seemed to be inadvertently mixed with another pair of seemingly ordinary but in fact the most emotional. The "tree"! This painting, for those who appreciate the painting, can see that Master Chu has crossed the artistic conception of another peak again. However, in my opinion, compared with the more familiar skills, the feelings it represents touch me deeply.

"The trunk of the only towering giant tree on the whole blank rice paper is dyed with shallow landscape painting and ink. The crown is the painting method of green mountains and green water commonly used by Master Chu. It is more outlined, less dyed, and is depicted in the way of line boundaries and scattered perspective. Although they are two very similar Chinese painting techniques, they represent two Feelings."

The analysis of Zhou Min's modeling surprised Master Chu. Just as she was about to say something, Zhou Min suddenly looked at Master Chu, "The world only knows that Master Chu's father is a representative of impression painting, but they don't know that in fact, Master Chu's father also painted traditional Chinese painting when he was young, but his reputation was not obvious. Finally, Master Chu's father put Chinese painting and The hand of the combination of Western painting, the father of the master, began to be amazing! Because Master Chu's father was the first person in post-modern impression painting. The master's father's habit of painting traditional Chinese painting in the early stage was the brushwork of shallow landscape. Although in his childhood, Master Chu was more exposed to the teaching of his father's post-impression painting, the real reason why the master was infatuated with traditional Chinese painting was your father's brushstrokes. It's not famous for doodles at will. There are a few shallow landscapes that have not reached the artistic conception.

"So, that big tree, you are made of your father's brush strokes and your painting habits. The trunk is the shallow landscape habit of your father's traditional Chinese painting. The canopy is your painting strokes, which means that your father has supported your carefree childhood, and the image of the master's father is this giant tree, upright and brazen. If you don't move, you can choose everything you like freely from childhood to adulthood.

As soon as Zhou Min's words were finished, not only Mrs. Chu was surprised, but also shocked to see Chu Jie, let alone Master Chu himself, who was shocked and didn't know what to say.

Chu Jie is not clear. After all, when Grandpa died, he was not born. When his father painted this painting, Grandpa had been dead for a long time.

But Mrs. Chu knows! Especially the painting named "Tree", which is the most precious thing of Master Chu and the only painting that represents his father so far.

"You, how do you know, I, father, you..." Master Chu no longer knew what he was talking about, but Zhou Min understood what Master Chu meant and smiled.

"In recent years, I have found that as long as someone shows the brush style of shallow landscape, no matter where Master Chu is, he will definitely go to see it. And several times, when the master looks at the Chinese painting style of shallow landscape painting, it will reveal the kind of eyes when you look at your father's post-modern impression painting, which is a kind of remembence, nostalgia and beauty. It seems to look for familiar tastes or strokes in these paintings.

Zhou Min said at this time, "So, I think Master Chu must understand Ye Ziyan's desire to fulfill his last wish for his deceased mother, because you are a little similar to our president."