Chapter 82: Don't Play Art Without Money
Chapter 81
"One general's success is the result of the sacrifice of thousands of men..."
Rosen silently wrote down the name of Grand Duke Chiying in his little notebook.
You can't afford to offend them for now, but you will be punished sooner or later in the future.
Sunny from Viscount Redstone's mansion, Captain of the Black Shark, and Grand Duke Chiying.
Before he knew it, he already had three hunting lists in his little notebook.
After a day of rest in the pseudo-spiritual realm of the Artists' Guild, Rosen decided to pay a visit to Ms. Fam.
He is now Sequence 8, but he doesn't know much about the high-end knowledge of Sequence 8 painters and hunters.
This visit was not very smooth, and Rosen did not meet Ms. Fam in person.
Because Ms. Fam's original body was painting a spiritual painting. This was not the first time Ms. Fam had tried to paint a spiritual painting. As long as she succeeded, she would become a Sequence 6 painter. However, the previous attempts had all failed.
Painting a spiritual realm requires a huge amount of resources, so it is certainly impossible for Ms. Fam to stop and see him.
So Rosen just saw Ms. Fam's self-portrait and then bought a skill book from the self-portrait.
Rosen looked at the one-foot-thick skill book and felt dizzy before he even opened it.
It took Rosen half a month to finish reading the book "The Construction Method of the Void Gallery".
All sequence 8 painters must master the same three skills.
They are the Void Gallery, the Void Album, and the Self-Portrait.
The Void Gallery is somewhat similar to the Divine Realm Territory. With the help of the noble sequence, it can become a territory building of the Divine Realm Territory.
Once the Void Gallery is built, the painter's spiritual paintings will be stored in it. Not only will the rate of spiritual loss be greatly reduced, the Void Gallery can also become a void shelter for the painter to hide in at any time. Finally, the Void Gallery will also be one of the core skills for drawing spiritual paintings in the future.
As for the Void Album, it is both a skill and a supernatural item exclusive to painters.
Painters who possess the Void Album can store their spiritual paintings in it. All the spiritual paintings stored in it can be reused. For example, if they draw a spiritual painting of a hamburger, they only need to consume spiritual energy to materialize hamburgers infinitely.
Only when the painter possesses the Void Album can he truly possess practical capabilities that are not inferior to any sequence.
Finally, the self-portrait is a skill that the painter uses to create a sequence of clones.
The painter hid in the void gallery, while his self-portrait clone fought outside holding a void album.
If you want to kill a painter, you must first kill the painter's self-portrait.
What Rosen needs to do now is to prioritize the construction of the Void Gallery, and then consider the Void Album and self-portraits.
Both the Void Gallery and the Void Album are types that allow one to automatically master related skills using external objects.
After reading the construction method of the void gallery, Rosen immediately applied to the Artists Guild for permission to build a void gallery.
He received a reply quickly, along with a quotation that made him sweat.
Painters themselves do not have the ability to build a void gallery.
We need to seek help from architects who are also from the artist sequence branch. There are many construction plans for the void gallery, and the quality of void galleries built at different price points varies greatly. Generally speaking, the construction of void galleries is divided into three levels.
The lowest grade is worth one hundred thousand spiritual crystals, which is basically a beggar's version of the Void Gallery.
The middle grade is worth millions of spiritual crystals and is the first choice for most painters.
The highest grade is worth tens of millions of spiritual crystals. This grade of void gallery can greatly increase the painter's chance of reaching Sequence 6.
Of course Rosen wanted the best, but even if he sold them he wouldn't be able to get so many spiritual crystals.
But with the best option right in front of him, how could he be willing to choose the worse one?
Rosen now understood that there is no sequence in art that does not cost money. Painters can only save money when they are at Sequence 9. When they reach Sequence 8, they cannot save a single cent. It is no wonder that some painters are still at Sequence 8 in their thirties or forties.
It's not that these painters don't have the qualifications to become Sequence 7, but that their wealth is not enough to support them to go further.
Rosen's mind was full of how to make money, but how could it be so easy to make millions of spiritual crystals?
Don't think that he easily gained two or three million spiritual crystals in the Spiral Sea Battle. That was entirely because he took advantage of Baron Kaman's help. Now that so much time has passed, he has spent almost all of it.
However, when mentioning the Battle of the Spiral Sea, the first person Rosen thought of was the ancestor of the Gray Squirrel People.
A lean camel is bigger than a horse, let alone a Sequence 3 demigod.
Especially since the ancestor of the gray rat people was very good at leaving a way out for himself, how could it be possible that he didn't leave any treasure behind?
In the divine territory, there is a divine beast pen, which has three separate environments.
They are ocean, jungle and grassland. Sea rats and bladed rat sharks live in the ocean environment, nightmare slimes live in the jungle environment, and finally, the ancestors of the gray rat people live in the grassland environment.
At this time, the ancestor of the gray rat people was cooking meat. The meat he was cooking was a sea rat that had just reached adulthood.
The grassland looks endless, but in fact its real area is only a few thousand square meters. The rest is an illusion created by the divine beast pen. Rosen was instantly teleported to the opposite side of the ancestor of the gray rat man, and the ancestor of the gray rat man was so scared that he hid the sea rat behind him.
"No need to act, we both have something to ask for, so let's get straight to the point!"
Rosen instantly projected a chair using his mind canvas and sat down.
"Give me one too!"
The ancestor of the gray rat people swallowed the sea rat in his hand in three or two bites and squeaked.
Rosen also projected a half-materialized chair to the ancestor of the gray rat people. The ancestor of the gray rat people gathered around the chair and marveled at the chair, not hiding the envy and jealousy in their eyes. Humans are really a terrifying and brutal race that makes rats tremble with fear.
"Let me tell you my conditions first!"
The Gray Squirrel Man ancestor jumped onto the chair and said directly, "I have the experience of a demigod, but after dying twice, my remaining power is very weak. Only by becoming your pet can I be reborn. My experience and the treasures I once collected belong to you."
"It's fine for me to take you as a pet, but I'm worried about you."
Rosen raised his concerns.
The Gray Squirrel Ancestor was so angry that he blew his beard and glared. He was a demigod, but he had fallen to the point of being a pet of a Sequence 8 human. He also offered countless treasures to him, but he was still despised by the human. He had to find a way to make the human feel at ease?
No wonder humans can be so powerful today. It was because humans were too shameless and bullied mice.
However, he had no better choice. After thinking for a long time, he finally came up with a way to reassure the human in front of him.
"Have you heard of the Contract Spirit God?"
The ancestor of the gray rat people asked.
"No."
Rosen shook his head.
"That's a long story. Strictly speaking, this contracted spirit god originated from you humans..."
The ancestor of the gray rat people began to talk about the relationship between humans and contracted spirit gods.
(End of this chapter)