Isn’t that permanent physical harm? As cutting off years of someones lifespan is still a permanent injury.

I can already feel the possible plot of one of these being stolen and someone starting a new jedi order to combat his sith one.

Pretty stupid scapegoat considering its a 10 year old child. No one would believe you if you pinned it on them.

I don’t have it on hand, you can easily find it if you search it up tho.

He dosen’t need to know how to drive a tank if he becomes one.

This is such a boring way to do this. This efefctively tether Jon to the plot as if he derails it away from continuity he won’t get anymore points from it.

That’s not at all what Hestia is related to. Hearth and Home does not relate to guidance and direction. Dosen’t really matter, but please if your going to do mythological stuff look into it just a little bit.

Yeah everytime there’s one of these they always get one rare, epic, legendary or mythical draw first try.

Did they just confirm that he gets to choose his world and powers despite it being chcosen at random?

If this man can survive 2 lightning strikes you can survive one, get up sissy.

Ok now I can’t get out if my head the idea that they’re just toothless from How To Train Your Dragon because of the green eye artwork dragon in that.

I changed the World Background to 2/5 because the author puts little to no effort in making the world interesting. The only beneficial change in a way is the whole “Serpent of the Crown” deal, but even then introducing something that won’t have that much of an impact on the story and hyping it up so much that you could make an entire chapter based on how many times they keep mentioning it is more detrimental to the story than any merits it had.

Writing Quality 4/5 Update Stability 5/5 Story Development 1/5 Character Design 2/5 World Background 3/5 Stopped at chapter 121 so I REALLY know what I’m talking about. If you can’t bother to read the rest of this review, I would not read this, it’s a long, ardous story where barely anything happens in a chapter. You’ll have to sift around the oftentimes meaningless dialogue to find anything of importance or substance, and even them it’s drip fed to you as it takes 30 chapters for anything important to happen, and it’s stretched out during those chapters. A tone that feels more dead and depressing than a rotting corpse sorounded by flies and seems less inspired than an office workers commute to work. I loathe that I read up to chapter 121 as it was a therough waste of time. From a pure punctuation and sentence structure standpoint this story is perfect. However everything else is flawed. You can really feel that a chapter is updated every day and that the author has to stretch oht the chapters to meet some minimum word quoata they have to fill before releasing one. The story DRAGS forever. Nothing goes nowhere for 10 chapters at a time. You get knowledge, learn what Harrys doing, but nothing of significance or story development occurs for 2 sentences at a time. Even at chapter 100, that’s right chapter 100 your still in the prologue, there’s no conflict. The snail pace of the story can be mostly attributed to Nigel, the Technology System’s AI. He never shuts up about anything. About 1/4-1/3 of the text in a chaoter can be attributed to Nigel’s dry banter with Harry that gets boring after you figure out the formula of, something of minimal importance happens, Nigel interrupts the flow of the story to say something that most of the time is just filler and unfunny jokes, Harry responds and acts like what Nugel said is insightful, yet oftentimes is something like in chapter 121 where he literally stretches out the phrase, “don’t step on Daphne’s toes” to a 2-3 sentence dialogue where Nigel’s boring, dry, unchanging, robotic attitude sounds liek Harrys facing a dragon and needs to focus. Then Harry goes, “of course it would sure be a rather unfortunate occasion if that were to happen”. This exchange takes up about 1/5-1/4 of the chaoter, and this is a short example. Moving on from the horrendous pace there’s literally no character development. The only oen to receive anything even regarding that is Aunt Petunia, but the author messed it up by making the tone all methodical and serious despite clearly wanting to make a loving and warn atmosphere. The author struggles to understand that when you want to make Harry seem like he’s a actually happy or satisfied you have to move away from the 4-5 sylable words that make me feel like I’m in the presence of a robot who’s only goal in life is to research and learn. And even then they struggle to do that. The cause, like multiple other struggling authors, being not following the fundemental rule of Show Don’t Tell. They constantly say what’s happening and the result than including any of the sensations or emotions Harry feels. I would not read this again, I actually wish I never read it, it’s an unispired story filled with uninspired actions that make you feel like it’s building up to something, drawing you in. But it will never come to fruition, or when it does it won’t matter as we’d be in chapter 2,500 considering it took 100 chapters to finally make it to the trill. It’s a slow methotical story made to keep your attention and waste your time. I actually struggle to understand if this was made out of enjoyment with how lifeless and empty it feels once you look past the fancy words and attempts at humour that fall flatter than a board and dryer than dirt. This is a waste of time don’t read it, the only reason this isn’t at a 2 or 1 star review is that it’s grammatically correct and its updates are stable. Everything else is bad, but it’s ironic that the story about technology and AI assistance feels like it was made by one that dosen’t understand pacing or humour.

It’s less about the context and more the repititious natyre of Nigel’s tone and speach. Every time Nigel speaks is done through a formula, first something that has minimal importance-very important happens, Nigel begins with “Master Harry” or anything else in the same manner as such, lays out his own perspective of things in a very serious tone or matter and makes it out to seem like something of great importance. The problem is they’re dancing, Harry is no longer a young innecperienced child, he does not need Nigel to come in and say “don’t step on her feet while dancing because that’s bad”. Nigel lays out these simple matters like your in a war room pouring over strategies, and even then his anyalysis is almost never needed nor helpful. From this need to inser themselves into seemingly everything of any importance Nigel disrupts the flow of the story through their constant interruptions, and even then it feels more like filler than witty banter.

Is that why no one has convicted Lockhart yet? He just runs the entire recreational reading industry and removing him would absolutely destroy what little literary culture they have.

*What the Dementors when they come knocking on Hogwart’s door

Actual I was playing chess while you where checkers moment.

At this point I just skip the first fee words of Nigel’s speach because they’re always just pleasantries.

“You kill your enemies future they shall have none.” -Dumbledore