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wearing modern fighting arts in isekai

Fantasy
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What is wearing modern fighting arts in isekai

Lee la novela wearing modern fighting arts in isekai escrita por el autor hendra_gunawan_8460 publicada en WebNovel. Kobayashi Roy is a high school boy who has a strange dream about himself being a mercenary and he hasn't had time to find out that dream he and his classmates are summoned to another world....

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Kobayashi Roy is a high school boy who has a strange dream about himself being a mercenary and he hasn't had time to find out that dream he and his classmates are summoned to another world.

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Hanggang sa nakilala kita.

"Huli Na Ba Talaga Ako?" ay sumusunod sa masalimuot na paglalakbay ni Frans, isang lalaki na, matapos ang walong taon ng katahimikan, nagpasya na aminin ang malalim na lihim sa kanyang matagal ng minamahal, si Christina. Habang kanyang ibinubukas na ang katotohanan, siya'y sinalubong ng mga tanong na hindi maipaliwanag ni Christina at isang bugso ng damdamin. Si Frans, sa pag-unawa ng kahalagahan ng kanyang naiibang pag-amin, ay dumadaing ng tawad, nagpapakita ng panghihinayang para sa nawalang panahon. Si Christina, nahihirapang pumili sa pagitan ng galit at ng pag-ibig na kanyang naramdaman noon, ay nag-aalitang makiayon sa kanyang pag-amin. Ang kuwento ay umuunlad sa isang serye ng mga pagtatagpo, pagsusumamo, at nakakapagluluksang mga sandali habang sinusubukan ni Frans na harapin ang mga kahihinatnan ng kanyang mga aksyon. Sa kabila ng sakit dulot ng huli ni Frans na pag-amin, si Christina ay nananatiling bukas sa pakikinig sa kanyang salaysay, nagbibigay ng isang malabong pag-asa para sa pagbabalik-loob. Ang kuwento ay nagkakaroon ng di-inaasahang takbo nang pumasok sa eksena ang kasalukuyang asawa ni Christina, na nagdadagdag ng karagdagang kumplikasyon sa emosyonal na alon. Si Frans, na naiintindihan ang bigat ng sitwasyon, ay desperadong sumusubok na iligtas ang natirang bahagi ng kanilang nakaraan habang nagtatanong kung talagang huli na ba para sa kanya ang pag-angkin sa kanyang minamahal.

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